07 - Alleluia exultabit justus (Lauda).mp3
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!Niezgrupowane! -
000 - CHORAŁY GREGORIAŃSKIE -
001 - CHÓR CHŁOPIĘCY - LIBERA -
002 - CHÓR KARTUZÓW Z LA GRANDE CHARTRES -
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FILMY PROSTO Z KAMERY -
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Luminosa (2001) -
New Dawn (2008) -
New Day (1990) -
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video -
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Dowodem na tak wczesny rozwój liturgii mozarabskiej jest fakt, że pozbawiona ona była wpływów ariańskich (ariańscy Wizygoci przybyli z Francji do Hiszpanii w 587 r.; stąd wiadomo, że ryt mozarabski pochodzi sprzed tej daty).Co do samego pochodzenia istnieją różnorodne teorie, m.in. teoria Piniusza, który uważał, że Goci przywieźli z Konstantynopola do Hiszpanii liturgię wschodnią i po zmieszaniu jej z istniejącą na tych terenach rzymsko-hiszpańską liturgią powstał ryt mozarabski. Większość badaczy zgadza się jednak z teorią Dom Férotina, według którego ryt mozarabski powstał przez połączenie liturgii italskiej bądź rzymskiej (skąd przyniesiono główne ramy liturgii) oraz wpływów afrykańskich, gallikańskich i hiszpańskich. Ostateczną (przed inwazją muzułmanów na Półwysep Iberyjski) formę liturgii mozarabskiej ustanowił Św. Izydor, biskup Sewilli, na synodzie w Toledo w 633 r.
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1.
“It is Byzantine Chant sung in Latin. Think of Latin hymns sung by a Byzantine soloist, two or more singers, or a choir. Lycorgos Angelopoulos is a godsend as he finally sings the Latin hymns right because I have always wondered what the Latin would sound like sung by somebody with a thick Greek accent.This recording is similar to other recordings by the Ensemble Organum. The melodies are characterized by an ison(drone). Marcel Peres also does a fine job of singing Byzantine Chant in Latin even though he is not Greek.To me, this singing is THE original Gregorian Chant and what Gregorian Chant should sound like. The Gregorian Chant that most people hear and think of as Greg. Chant is actually the Solesmes style which is an interpretation of Greg. Chant and should not be synonymous with Greg.Chant. The Solesmes style is too polished and refined for early Christian chant and is therefore not historically accurate even though it is the official one used in the Latin rite(not Latin language) since 1850. Early Christian chant to me sounded more austere and ascetic and this recording along with the other Ensemble Organum recordings(Old Roman Chant, Beneventan Chant, Ambrosian Chant, etc.) proves that this is what Gregorian Chant really and originally sounded like.” – Customer Review on Amazon.com
2.
“Marcel Peres has done a fine job of recording an excellent representation (and in the process made available) of one of the rarest and least-known of all liturgical traditions.
The Mozarabic Rite, which survives in the Spanish cathedrals of Toledo and Salamanca alone, is a sumptuous feast for the ears and senses. Combining the immortal Latin phraseology of the Mass and its various parts, the Mozarabic tradition colors them with a temperament totally unique. Diverging from the unadorned, simple, appropriately named plain-chant of the Gregorian tradition, the Mozarabic formula incorporates Arab musical influences to the most Christian of events, the sacrifice of the Mass and holy communion.
Peres' Ensemble Organum does a head-dizzying job of making the melismatas (long variations and note changes on one vowel or sound) breathlessly exciting to listen to. Its apparent at once that this music is singular among the world's traditions, and deserves to be heard by more people. It is a masterful recording, done in Toledo's Capilla Mozarabe (Mozarabic Chapel) in the Cathedral, and even without the visual stimulation of the church, the music alone with the magnificent acoustics transports the listener 1,000 years back to days when the Christian Mozarabes developed a rite all their own amidst Islamic controlled Moorish Spain. This disc should be of interest to any sociologist or historian of Spain and especially Spain of the Mediaeval Age. The political and social confrontations of the two cultures - European Christian and Arabic Muslim - produce an exotic result that we may enjoy today.
The music is first-rate, but if another reason is needed, it is the rarity of this type of recording. A low-priced, excellent disc of this repertoire is, quite simply, impossible to find elsewhere. You may find a track on perhaps one or two other chronological collections of western liturgical music, but no other complete recording exists devoted wholly to the style. Marcel Peres is known for his exhaustive research into authenticity and his drive to accurately record liturgical rites as they were really heard in their heyday – and in this instance he performs admirably. Participate in the Mass of the Mozarabic people and enjoy an experience that will undoubtedly highlight the cultural connection between east and west and may also spark an interest in further exploration of the rite and its times!” – Customer Review on Amazon.com
Tracklist:
01. Office Des Lectures: Invocation Sacerdotale D'intro: Per Gloriam Nominis Tui – Marcel Peres/Frederic Richard
02. Office Des Lectures: Officium: Alleluia, Ortus Conclusus – Jerome Casalonga
03. Office Des Lectures: Goria in Excelsis Deo – Jerome Casalonga
04. Office Des Lectures: Benedictus Es (Hymne Des Trois Enfants Dans La Fournaise) – Marcel Peres/Frederic Richard
05. Office Des Lectures: Psallendo: Beatus Vir (Commun D'un Pontife Martyr) – Lycourgos Angelopoulos/Malcolm Bothwell
06. Office Des Lectures: Evangile: Mathieu, 24, 27-35 – Marcel Peres/Frederic Richard
07. Office Des Lectures: Lauda: Alleluia Exultabit Justus (Commun D'un Pontife Martyr) – Jean-Pierre Lanfranchi
08. Office Des Lectures: Preces: Penitentes Orate (Monition Diaconale) – Marcel Peres/Frederic Richard
09. Office Des Lectures: Sacrificium: Vox Clamantis (Dimanche Avant La St. Jean Baptiste) – Jean-Etienne Langiani
10. Priere Eucharistique: Petre: Gratias Dei Patris – Marcel Peres/Frederic Richard
11. Priere Eucharistique: Chor: Pacem Meam Do Vobis – Jean-Pierre Lanfranchi
12. Priere Eucharistique: Pretre: Introibo Ad Altare Dei – Marcel Peres/Frederic Richard
13. Priere Eucharistique: Preface – Marcel Peres/Frederic Richard
14. Priere Eucharistique: Sanctus – Ens Organum/Marcel Peres
15. Priere Eucharistique: Ad Confractionem Panis: Qui Venit Ad Me Non Esuriet – Jerome Casalonga
16. Priere Eucharistique: Pretre: Humiliate Vos Ad Benedictionem! – Marcel Peres/Frederic Richard
17. Priere Eucharistique: Ad Accedentes: Gustate Et Videte – Marcel Peres/Frederic Richard
18. Priere Eucharistique: Diacre: Vicit Leo De Tribu Juda – Jean-Etienne Langiani
19. Priere Eucharistique: Lauda: Speravit (Lucernarium Pour Les Vepres) – Lycourgos Angelopoulos/Malcolm Bothwell