At_the_Queen_s_Command - Michael A Stackpole.html
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Nic, co anielskie, diabelnie nie jest nam obce. Te żarna przemielą Waszą wiarę w zaświaty. Aniołowie paktują z diabłami. Grzeszą pychą. Piją, bywają w burdelach i kasynach. Knują, zabijają, umierają. Z niebiańskiej doskonałości pozostał im głównie doskonały wygląd
. Stworzeni na obraz i podobieństwo człowieka, nie są wolni od naszych słabości. Jak anioł ćpun uzależniony od trawki z Fatimy, anioł stróż czujący niechęć do człowieka, którym przyszło mu się opiekować czy anioł zagłady, który nieszczególnie lubi niszczyć. Nie inaczej z mieszkańcami piekieł. I oni są niepokojąco... ludzcy.
Incarceron -- a futuristic prison, sealed from view, where the descendants of the original prisoners live in a dark world torn by rivalry and savagery. It is a terrifying mix of high technology -- a living building which pervades the novel as an ever-watchful, ever-vengeful character, and a typical medieval torture chamber -- chains, great halls, dungeons. A young prisoner, Finn, has haunting visions of an earlier life, and cannot believe he was born here and has always been here. In the outer world, Claudia, daughter of the Warden of Incarceron, is trapped in her own form of prison -- a futuristic world constructed beautifully to look like a past era, an imminent marriage she dreads. She knows nothing of Incarceron, except that it exists. But there comes a moment when Finn, inside Incarceron, and Claudia, outside, simultaneously find a device -- a crystal key, through which they can talk to each other. And so the plan for Finn's escape is born !
Gideon Dixon was a good solider but bad at everything else. Now the British Army doesn't want him any more. So when he hears about the Valhalla Project it seems like a dream come true. They're recruiting from service personnel for execellent pay with no questions asked to take part in unspecified combat operations. The last thing Gideon expects is to finding himself fighting alongside the gods of the ancient Norse pantheon. The world is in the grip of one of the worst winters it has ever known, and Ragnarok-the fabled final conflict of the Sagas-is looming.
Gideon Coxall was a good soldier but bad at everything else, until a roadside explosive device leaves him with one deaf ear and a British Army half-pension. So when he hears about the Valhalla Project, it’s like a dream come true. They’re recruiting former service personnel for excellent pay, no questions asked, to take part in unspecified combat operations.
The last thing Gid expects is to find himself fighting alongside ancient Viking gods. The world is in the grip of one of the worst winters it has ever known, and Ragnarök – the fabled final conflict of the Sagas – is looming.
This is a headlong, full-blooded military-SF adventure.
Now a slave, Piro finds herself in the Merofynian Palace where, if her real identity is discovered, she will be executed. Meanwhile, Fyn is desperate to help his brother, Bryen, who is now the uncrowned King. Bryen never sought power but now he finds himself at the centre of a dangerous resistance movement as the people of Rolencia flee vicious invaders. How can Byren defeat the invaders, when half his warriors are women and children, and the other half are untrained boys and old men?
In the divine struggle between good and evil, humans are hardly noticeable to the mal'akhim, but when an ancient seal is broken on the grounds of a California college campus, beings from dimensions beyond the balance of holy and unholy erupt from the earth. A retired priest and an ailing magickian must trust the mysterious Walker Between the Worlds and his skin-eating demon familiar as they step through Heisenbergian passages of probability and battle forces that are so far beyond demon they cannot be fully seen in earthly dimensions. Amidst the earthquakes and interdimensional intruders, the students and staff of California Hills University step across the boundaries of their knowledge and faith, revealing their true natures as the night erupts in earth and blood.
Sir Richard Francis Burton--explorer, linguist, scholar, and swordsman; his reputation tarnished; his career in tatters; his former partner missing and probably dead.
Algernon Charles Swinburne--unsuccessful poet and follower of de Sade; for whom pain is pleasure, and brandy is ruin!
They stand at a crossroads in their lives and are caught in the epicenter of an empire torn by conflicting forces: Engineers transform the landscape with bigger, faster, noisier, and dirtier technological wonders; Eugenicists develop specialist animals to provide unpaid labor; Libertines oppose repressive laws and demand a society based on beauty and creativity; while the Rakes push the boundaries of human behavior to the limits with magic, drugs, and anarchy.
The two men are sucked into the perilous depths of this moral and ethical vacuum when Lord Palmerston commissions Burton to investigate assaults on young women committed by a weird apparition known as Spring Heeled Jack, and to find out why werewolves are terrorizing London's East End.
Their investigations lead them to one of the defining events of the age, and the terrifying possibility that the world they inhabit shouldn t exist at all!
The Olympians appeared a decade ago, living incarnations of the Ancient Greek gods on a mission to bring permanent order and stability to the world. Resistance has proved futile, and now humankind isunder the jackboot of divine oppression. Then former London police officer Sam Akehurst receives an invitation too tempting to turn down, the chance to join a small band of geurilla rebels armed with high-tech weapons and battlesuits. Calling themselves the Titans, they square off against the Olympians and their ferocious mythological monsters in a war of attrition which not all of them will survive!
An alternate history of the world where the Egyptian gods have defeated all others and have carved up the planet between themselves. Only a band of Freedom Fighters and their enigmatic leader can free the Earth from their divine tyranny.
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