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Ian Kershaw is the premier historian on Hitler and Nazi Germany and this book from the Profiles in Power series is an excellent study on the roots, success, and ultimate destruction of the "Fuehrercult." Two schools of thought are used by historians to understand the power of Nazism. "Intentionalists" see the Nazi regime as the embodiment of Hitler as the totalitarian leader. "Structuralists," however, believe the policies and, ultimately, the crimes of Nazi Germany were stumbled upon by underlings working under a loose framework rather than a deliberate program. As one would expect, Kershaw takes from both these theories to develop his comprehensive profile.
Kershaw examines Hitler's worldview of racial struggle, anti-Semitism, and living space for the German empire--how these ideas developed (Hitler's background) and how Hitler used them to create his leadership image. This Fuehrercult unified a fractional party, helped repress opposition, and created a mass following. Through Hitler's charismatic leadership the German people would be prepared to fight the Nazi fight (inevitably WWII). Kershaw also looks at the feudal-like power relations inside the Third Reich; a regime of open-ended decrees that left no "smoking gun" pointing at Hitler for the Final Solution. Finally, Kershaw examines the destruction of Hitler's power during which the irrational optimism that "Providence" (i.e. Hitler's will) would prevail was still believed by many (particularly the 'court' of Hitler's bunker).

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If you are hungry for facts this is the perfect database. If you like your information served up in bite-size pieces you will feast on 1000 Things You Should Know. There are 100 illustrated topic panels on ANCIENT HISTORY and each panel contains 10 key facts.

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What do we know of the historical Nebuchadnezzar? Who were the Hittites? When did Isaiah preach? How did Jezebel get her bad reputation? Why did Alexander the Great set fire to Persepolis?
From the celebrated to the notorious, Gwendolyn Leick's fascinating new work offers over 300 A-Z entries on the people who shaped the history of the Near East between the First Dynasty of Kish in the 2500's B.C. and the end of the Selucid period in the 200's B.C. These readable yet authoritative mini-biographies include rulers, officials, royal consorts, merchants, bankers, military leaders, priests and scholars, and bring to life some of the best-known events of the ancient world. Who's Who in the Ancient Near Eastwill delight anyone with an interest in ancient or Biblical history.

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A growing number of scholars regard the Hellenistic period as central to the formation of the Old Testament historical traditions. As a piece of historiography recounting the history of a whole people or nation corporately and explaining the causes of the final state of things, the so-called Deuteronomistic History stands unique compared to extra-biblical, Near Eastern literature prior to the Hellenistic Age. Among Hittite, Babylonian, Assyrian, Egyptian, Syro-Palestinian and Persian historiographic texts, there seems to be nothing comparable. Instead, a close extra-biblical literary parallel to the Deuteronomistic History is furnished by the Greek historiographer Herodotus.

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The Luwians played at least as important a role as the Hittites in the history of the ancient Near East during the second and first millennia BCE, but for various reasons they have been overshadowed by and even confused with their more famous relatives and neighbours. Redressing this imbalance, this volume by an international team of scholars offers a comprehensive, state-of-the-art appraisal of the Luwians. A brief introduction sets the context and confronts the problem of defining "the Luwians". Following chapters describe their prehistory, history, writing and language, religion and material culture.

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Gaston Maspero is a towering figure in Egyptology. Popular Stories of Ancient Egypt offers a wealth of primary data and authoritative commentaries on ancient Egyptian culture, language, history, society, and ethnic groups as depicted in Egyptian and Greek–Egyptian narratives. The work provides the contextual data necessary for understanding the tale-texts and reflects Maspero's deep knowledge of many fields, from the classics to life in modern Egypt.

This new edition includes a contemporary foreword, which introduces Maspero and describes his scholarship. It also provides, for the first time, extensive identification of the ancient stories in terms of international tale-types and motifs. The new information places the anthology in a broader academic context and is a valuable resource for students of Egyptology, folklore, literature, history, and social and cultural anthropology.

From Library Journal
Collecting popular stories from ancient Egypt is unlike collecting folktales from more modern societies. With the literary tales involved here, there are the basic problems of translating from hieroglyphics and of dealing with damaged and fragmentary manuscripts. Beyond that, however, are deeper issues of cultural differences and assumptions from storytellers about what audiences will understand. These stories from Gaston Maspero's classic volume, originally published in 1882, are accompanied by extensive footnotes that detail social expectations and patterns of behavior in ancient Egyptian society, making the texts comprehensible to modern readers. Between Maspero and edition editor Hasan El-Shamy (folklore, Indiana Univ.), introductions make up fully a third of the current volume, but included are important discussions of backgrounds, research methodologies, tale types, and motifs. Each story receives its own brief introduction as well, including provenance, dating of manuscripts, thematic and content discussions, and comparison with other tales. Part of the ABC-CLIO "Classic Folk & Fairy Tales" series, whose senior editor is noted folklore scholar Jack Zipes, Popular Stories of Ancient Egypt is recommended for all libraries.

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In this accessible biographical guide, relive Europe's most exciting of periods - the time of the Renaissance and the Reformation, the time of da Vinci and Erasmus, and the time of Elizabeth I and Oliver Cromwell. This approximately 1,000-entry, alphabetically arranged work takes in the whole of Europe during the Renaissance and Reformation, covering politics, culture, religion, and science. Intended as a "quick reference source for scholars, students, and members of the wider reading public," the book's clean double-column format and accessible prose suit a broad audience. Though explanations of artistic and literary endeavors are outnumbered by those concerning history and politics, the approach is nonetheless effectively cross-disciplinary.

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At its height, the Napoleonic Empire spanned much of mainland Europe. Fêted and feared by millions of citizens, Napoleon was the most powerful and famous man of his age. But following his defeat at the Battle of Waterloo the future of the one-time Emperor of France and master of Europe seemed irredeemably bleak. How did the brilliant tactician cope with being at the mercy of his captors? How did he react to a life in exile on St Helena - and how did the other inhabitants of that isolated and impregnable island respond to his presence there? And what tactics did he develop to preserve his legacy in such drastically reduced circumstances?

Tracing events from the dramatic defeat at Waterloo to his death six years later, this is the first modern comprehensive account of the last phase of Napoleon’s life. Drawing on many previously overlooked journals and letters, Brian Unwin has pieced together a remarkably vivid account of Napoleon’s final years which also offers fresh insights into the character of this giant of European history. ‘Terrible Exile’ brilliantly evokes the claustrophobic atmosphere of life on St Helena, offering a colourful and original history of the period as well as a persuasive psychological portrait of a great man in reduced circumstances. It will be essential reading for anyone with an interest in Napoleonic history and is an important addition to our understanding of the subject.

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Dense and demanding, this book requires some background in naval history but will be a feast for qualified readers. A distinguished historian, Palmer offers a valuable addition to naval history with this study of the problems of how to lead a fleet into battle, revising many previous conclusions and offering superb battle narratives. From the 16th century on, Palmer shows, the goal was to train the maximum of one's own firepower on the enemy without getting too close. Over the centuries, with improvements in signaling techniques, centralized command took on more and more of the decisions that were once left to subordinates in the thick of things (although Palmer argues persuasively that centralized command never gained the stranglehold on tactics that was once believed). The primary exponent of centralization, he shows, was Nelson, last of the great commanders under sail. By WWI, radio had created whole new possibilities for centralized command and for communicating intelligence—which radio's unreliability kept from being realized. Palmer's coverage of WWII and its aftermath is broader, but his case throughout is that centralized control leads to micromanagement, slow responses and loss of initiative by subordinates, not to mention having one's communications intercepted by the enemy.

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This book draws upon both musicology and cultural history to argue that French musical meanings and values from 1898 to 1914 are best explained not in terms of contemporary artistic movements but of the political culture.
During these years, France was undergoing many subtle yet profound political changes. Nationalist leagues forged new modes of political activity, as Jane F. Fulcher details in this important study, and thus the whole playing field of political action was enlarged. Investigating this transitional period in light of several recent insights in the areas of French history, sociology, political anthropology, and literary theory, Fulcher shows how the new departures in cultural politics affected not only literature and the visual arts but also music. Having lost the battle of the Dreyfus affair (legally, at least), the nationalists set their sights on the art world, for they considered France's artistic achievements the ideal means for furthering their conception of "French identity." French Cultural Politics and Music: From the Dreyfus Affair to the First World War illustrates the ways in which the nationalists effectively targeted the music world for this purpose, employing critics, educational institutions, concert series, and lectures to disseminate their values by way of public and private discourses on French music. Fulcher then demonstrates how both the Republic and far Left responded to this challenge, using programs and institutions of their own to launch counterdiscourses on contemporary musical values.
Perhaps most importantly, this book fully explores the widespread influence of this politicized musical culture on such composers as d'Indy, Charpentier, Magnard, Debussy, and Satie. By viewing this fertile cultural milieu of clashing sociopolitical convictions against the broader background of aesthetic rivalry and opposition, this work addresses the changing notions of "tradition" in music--and of modernism itself. As Fulcher points out, it was the traditionalist faction, not the Impressionist one, that eventually triumphed in the French musical realm, as witnessed by their "defeat" of Stravinsky's Rite of Spring.

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A revised version of the original 12-volume text, this work has been thoroughly updated in the light of recent history and progress in historical scholarship. It has been condensed into a single, readable volume.

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"History is the version of past events that people have decided to agree upon," said Napoleon. Yet the actual writing of history, especially ancient history, is a practice that often prompts more discord than assent. In his new textbook, Luke Pitcher aims to overcome the hostility which exists between two rival camps in their study of classical historiography. The first camp looks at the classical historians with an eye to what data they can provide about the ancient world. The second camp examines the ancient writers as literary texts in their own right, employing the tools of literary criticism and engaging with such matters as narrative artistry. Attempting to fuse these two -- mutually suspicious -- approaches, Luke Pitcher's attractive introduction offers undergraduate students of classics the first comprehensive introduction to historiography in antiquity on the market. It unites the nitty-gritty of the historian's trade (the finding and managing of data) to an awareness of the importance of style, form, allusion and composition. The book also seeks to do justice to invididual classical historians, and discusses such important figures as Livy, Tacitus, Herodotus, Cicero, Plutarch and Lucian. A comprehensive bibliography and glossary are included. Writing Ancient History at last does full justice to the mechanics of history-writing in the ancient world.

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For those who think they know enough about Cleopatra or have the enigmatic Egyptian queen all figured out, think again. Schiff, demonstrating the same narrative flair that captivated readers of her Pulitzer Prize–winning Véra (Mrs. Vladimir Nabokov) (1999), provides a new interpretation of the life of one of history’s most enduringly intriguing women. Rather than a devastatingly beautiful femme fatale, Cleopatra, according to Schiff, was a shrewd power broker who knew how to use her manifold gifts—wealth, power, and intelligence—to negotiate advantageous political deals and military alliances. Though long on facts and short on myth, this stellar biography is still a page-turner; in fact, because this portrait is grounded so thoroughly in historical context, it is even more extraordinary than the more fanciful legend. Cleopatra emerges as a groundbreaking female leader, relying on her wits, determination, and political acumen rather than sex appeal to astutely wield her power in order to get the job done. Ancient Egypt never goes out of style, and Cleopatra continues to captivate successive generations.

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One of the glories of the Greco-Roman classics is the opportunity that they give us to consider a great culture in its entirety; but our ability to do that depends on our ability to work comfortably with very varied fields of scholarship. The Handbook for Classical Research offers guidance to students needing to learn more about the different fields and subfields of classical research, and its methods and resources.

The book is divided into 7 parts: The Basics, Language, The Traditional Fields, The Physical Remains, The Written Word, The Classics and Related Disciplines, The Classics since Antiquity. Topics covered range from history and literature, lexicography and linguistics, epigraphy and palaeography, to archaeology and numismatics, and the study and reception of the classics.

Guidance is given not only to read, for example, an archaeological or papyrological report, but also on how to find such sources when they are relevant to research. Concentrating on "how-to" topics, the Handbook for Classical Research is a much needed resource for both teachers and students.

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In lyrical, flowing prose, this absorbing autobiography interweaves politics, family relations and romance as it chronicles an extraordinary woman's struggle to free herself from traditional Chinese society. Born into a conventional family, Xie Bingying (1906-2000) was expected to be an obedient daughter and, later, daughter-in-law. A girl's education was largely restricted to learning how to spin cotton and embroider. Xie's reading was limited to such books as Teach Your Daughter Traditional Rules. Her fate was to be determined by her parents and a matchmaker. From an early age, Xie rebelled against these circumstances. Despite her mother's scolding, she dared to venture outside to play with the boys, and she fought fiercely against having her feet bound.

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Between 1894 and 1905 the question of the Chinese Empire's future development, its survival even, was the most pressing overseas problem facing the Great Powers. The frantic 'scramble for Africa' and the often more intense drama of the 'Eastern Question' notwithstanding, it was the 'China Question' that had the most profound implications for the Powers.

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This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The essays are authored by leading scholars in the fields of Egyptology, ancient Near Eastern studies, the Hebrew Bible, Judaica, classical Greek and Roman studies, early Christianity and patristics, and Coptic and Islamic Egypt. The strength of the present volume lies in the breadth of scholarly approaches represented. The book begins with several papyrological studies presenting important new texts in Greek and Coptic, continuing with essays focusing on taxonomy and definition. The concluding essays apply contemporary theories to analyses of specific test cases in a broad variety of ancient Mediterranean cultures.

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The Romans regarded her as 'fatale monstrum', a female Saddam Hussein. Pascal said the shape of her nose changed the history of the world. Shakespeare and Tiepolo (and Elizabeth Taylor) portrayed her as an icon of tragic beauty. But who was Cleopatra, really?She was the last ruler of the Macedonian dynasty of Ptolemies who had ruled Egypt for three centuries. Highly educated (she was the only one of the Ptolemies to read and speak ancient Egyptian as well as the court Greek) and very clever (her famous liaisons with Julius Caesar and Mark Antony were as much to do with politics as the heart), she steered her kingdom through impossibly taxing internal problems and against greedy Roman imperialism. Stripping away our preconceptions, many of them as old as her Roman enemies, Joyce Tyldesley uses all her skills as an Egyptologist to give us a rich picture of a country and its Egyptian queen in this magnificent biography.

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Only the supremely self-confident put forth all-encompassing theories of world history, and Morris is one such daredevil. An archaeologist by academic specialty, he advances a quasi-deterministic construct that is suitable for nonacademics. From a repeatedly enunciated premise that humans by nature are indolent, avaricious, and fearful, Morris holds that such traits, when combined with sociology and geography, explain history right from the beginning, when humanity trudged out of Africa, through the contemporary rivalry between China and America. Such temporal range leaves scant room for individual human agency: Morris names the names of world history, but in his narrative, leaders and tyrants, at best, muddle through patterns of history that are beyond their power to shape. And those patterns, he claims, can be numerically measured by a “social development index” that he applies to every epochal change from agriculture to the industrial revolution. However, the reading is not as heavy as it may sound. His breezy style and what-if imagination for alternative scenarios should maintain audience interest; whether his sweeping perspective convinces is another matter altogether.

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Essays on the History of the British Caribbean and the Atlantic Economy.

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- Serie de billetes emitidos por el Banco de la República Oriental del Uruguay (1896-1967)
- Serie de billetes emitidos por el Banco Central del Uruguay (1967 a la actualidad)
- Serie de billetes a emitir en breve por el Banco Central del Uruguay

Publicación en colores con imágenes de los billetes emitidos por el BANCO DE LA REPÚBLICA ORIENTAL DEL URUGUAY y por el BANCO CENTRAL DEL URUGUAY

150 páginas papel grueso semibrillo - 146 imágenes a color - tapas duras

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