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7480 plików
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  • 102 KB
  • 26 lut 12 17:23
The appeal of Dava Sobel's Longitude was, in part, that it illuminated a little-known piece of history through a series of captivating incidents and engaging personalities. Nathaniel Philbrick's In the Heart of the Sea is certainly cast from the same mold, examining the 19th-century Pacific whaling industry through the arc of the sinking of the whaleship Essex by a boisterous sperm whale. The story that inspired Herman Melville's classic Moby-Dick has a lot going for it--derring-do, cannibalism, rescue--and Philbrick proves an amiable and well-informed narrator, providing both context and detail. We learn about the importance and mechanics of blubber production--a vital source of oil--and we get the nuts and bolts of harpooning and life aboard whalers. We are spared neither the nitty-gritty of open boats nor the sucking of human bones dry.
By sticking to the tried and tested Longitude formula, Philbrick has missed a slight trick or two. The epicenter of the whaling industry was Nantucket, a small island off Cape Cod; most of the whales were in the Pacific, necessitating a huge journey around the southernmost tip of South America. We never learn why no one ever tried to create an alternative whaling capital somewhere nearer. Similarly, Philbrick tells us that the story of the Essex was well known to Americans for decades, but he never explores how such legends fade from our consciousness. Philbrick would no doubt reply that such questions were beyond his remit, and you can't exactly accuse him of skimping on his research. By any standard, 50 pages of footnotes impress, though he wears his learning lightly. He doesn't get bogged down in turgid detail, and his narrative rattles along at a nice pace. When the storyline is as good as this, you can't really ask for more.

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  • 26 lut 12 17:23
Over the years John and Jean Comaroff have broadened the study of culture and society with their reflections on power and meaning. In their work on Africa and colonialism they have explored some of the fundamental questions of social science, delving into the nature of history and human agency, culture and consciousness, ritual and representation. How are human differences constructed and institutionalized, transformed and (sometimes) effaced, empowered and (sometimes) resisted? How do local cultures articulate with global forms? How is the power of some people over others built, sustained, eroded, and negated? How does the social imagination take shape in novel yet collectively meaningful ways?Addressing these questions, the essays in this volume—several never before published—work toward an “imaginative sociology,” demonstrating the techniques by which social science may capture the contexts that human beings construct and inhabit. In the introduction, the authors offer their most complete statement to date on the nature of historical anthropology. Standing apart from the traditional disciplines of social history and modernist social science, their work is dedicated to discovering how human worlds are made and signified, forgotten and remade.

Contents:

* Preface
* Editorial Note
* Theory, Ethnography, Historiography
* Ethnography and the Historical Imagination
* Of totemism and ethnicity
* Bodily reform as historical practice
* Dialectical systems, imaginative sociologies
* The long and the short of it
* Goodly beasts, beastly goods
* The madman and the migrant
* Colonialism and modernity
* Images of Empire, contests of conscience
* Medicine, colonialism, and the Black body
* The colonization of consciousness
* Homemade hegemony
* Bibliography
* About the book and the authors
* Index

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  • 26 lut 12 17:23
Napoleon's Adversaries Uniforms Plates: Brunswick; Denmark; England; Hannover; Austria; Russia; Sweden; Spain.

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  • 26 lut 12 17:23
This is a reproduction of one of the numerous sets of uniform card prints that were quite popular in France in the early 20th Century and remain a great reference today. The prints illustrate various French Napoleonic subjects with one plate of the British army and a few German States thrown in.

zachomikowany

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  • 26 lut 12 17:23
This is a reproduction of one of the numerous sets of uniform card prints that were quite popular in France in the early 20th Century and remain a great reference today. The prints illustrate various French Napoleonic subjects.

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  • 26 lut 12 17:23
This encyclopedia covers the entirety of the Celtic world, both through time and across geography. Although emphasizing the areas where Celtic languages and traditions survive into the present, the work does not slight the reaches of the Celtic empire, which was the largest language and cultural group on earth prior to the rise of Rome. In some 1,500 articles, many representing original research by the finest Celtic scholars, the work covers the Celts from prehistory to the present, giving comprehensive treatment to all topics from myth to music, religion to rulers, literature to language, government to games, and all topics in between.

Entry into the rich world of Celtic scholarship has been difficult: The available information must be teased out of dense scholarly tomes or lightweight books emphasizing such popular elements of Celtic tradition as wee people, Druids, and blue-painted pagans. While this work treats those topics within its broad scope, the information is presented as scholarship, without the pop patina.

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  • 26 lut 12 17:23
Imperial German Colonial Troops and Marine Infantry 1889-1913; The Flags and Standards of Imperial Germany; Scenes from the peace time armies of the German States; The Imperial German Army 1895.

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  • 26 lut 12 17:23
In its wide historical sweep, German Orientalisms offers important new insight into many of the most famous writers in the German language, from Goethe to Thomas Mann to Günter Grass. Building on Edward Said's Orientalism -- which defined Orientalism as a form of Western knowledge directly linked to imperial power -- author Todd Kontje offers a more nuanced version as seen through the lens of German literature of the last 1,500 years.

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  • 26 lut 12 17:23

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  • 26 lut 12 17:23
Medinet Habu in western Thebes (modern Luxor) is among the most important sites in Egypt. It is dominated by the great mortuary temples of King Ramesses III (ca. 1182 b.c.), and Kings Aye and Horemheb (ca. 1324-1293 B.C). It served as the seat of the regional government in the Late New Kingdom (ca. 1140 b.c.), and an important Coptic Christian community grew up within its great fortification walls. For nearly 1,500 years Medinet Habu played a central role in Egyptian religion, life, and politics. In 1924, the Oriental Institute of the University of Chicago began the documentation of Medinet Habu. The Epigraphic Survey still works on the complete photographic and facsimile publication of the reliefs and inscriptions that appear on the temple walls. From 1926 to 1933, the Architectural Survey led by Uvo Hölscher studied and later published the architectural features of the complex. The last facet of the documentation - the publication of thousands of objects excavated at the site - was interrupted by World War II. This book, the first of a projected multiple volume series, marks the resurrection of the project to publish the small finds. This volume presents 349 scarabs, scaraboids (including lentoids, cowroids, and buttons), heart scarabs and their Sons of Horus amulets, heart amulets, seals, and seal impressions on bullae, vessel stoppers, amphora handles, mudbricks, and funerary cones that date from approximately 1470 b.c. to the eighth century a.d. Each object is described and illustrated, and whenever possible, placed in its original archaeological context. The scarabs and scaraboids from Medinet Habu comprise one of the largest groups of such material excavated from any site in Egypt.

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  • 26 lut 12 17:23
Following up on his two recent, widely acclaimed studies of the history and social life of ancient Israel, William Dever here uses archaeological and biblical evidence to reconstruct the folk religion of ancient Israel. Did God Have a Wife? shines new light on the presence and influence of women's cults in early Israel and their implications for our understanding of the official "religion of the book." Dever pays particular attention to presences of the goddess Asherah, reviled by the authors of the Hebrew Bible as a foreign deity but considered by many modern scholars to have been popularly envisioned as the consort of biblical Yahweh.
The first book by an archaeologist on ancient Israelite religion, this fascinating study critically reviews virtually all of the archaeological literature of the past generation, and it brings fresh evidence to the table as well. While Dever digs deep into the past — revealing insights are found, for example, in the form of local and family shrines where sacrifices and other rituals were performed — his discussion is extensively illustrated and communicated in non-technical language accessible to everyone.
Dever calls his book "a feminist manifesto — by a man," and his work gives a new prominence to women as the custodians of Israel's folk religion. Though the monotheistic faith and practice recounted in the Bible likely held sway among educated, elite men in Jerusalem, the heart and soul of Israelite religion was polytheistic, concerned with meeting practical needs, and centered in the homes of common, illiterate people.

Even more popularly written than Dever's two previous books, Did God Have a Wife? is sure to spur wide, even passionate, debate in all quarters.

zachomikowany

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  • 26 lut 12 17:23
This new edition of the definitive guide to Civil War battlefields is really a completely new book. While the first edition covered 60 major battlefields, from Fort Sumter to Appomattox, the second covers all of the 384 designated as the "principal battlefields" in the Civil War Sites Advisory Commission Report. As in the first edition, the essays are authoritative and concise, written by such leading historians as David McCullough, James M. McPherson, Stephen W. Sears, Edwin C. Bearss, James I. Robinson, Jr., and Gary W. Gallager. The second edition also features 83 new four-color maps covering the most important battles. The Civil War Battlefield Guide is an essential reference for anyone interested in the Civil War.

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  • 26 lut 12 17:23
"...an outstandingly sure, lucid and astute guide. His book is compact but singularly well thought out, rigorous in discussion but easily comprehensible." -- History

"Marenbon...gives us a lucid account...He not only concerns himself with philosophical aspects...but strives to achieve a contextually correct vision of the period, conscious that much of the material he's called upon is not strictly philosophical but also theological, logical and poetic in nature." -- Dialogo Filosofico

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  • 26 lut 12 17:23
Although Leonardo’s Giant Crossbow is one of his most popular drawings, it has been one of the least understood. "Leonardo’s Giant Crossbow" offers the first in-depth account of this drawing’s likely purpose and its highly resolved design. This fascinating book has a wealth of technical information about the Giant Crossbow drawing, as it’s a complete study of this project, though this is as accessible to the general audience as much as it is also informative with new discoveries for the professors of engineering, technology and art. The book explores the context of Leonardo’s invention with an examination of the extensive documentary evidence, a short history of the great crossbow and ballista, the first accurate translation of the text and the technical specifications, and a detailed analysis of Leonardo’s design process for the crossbow, from start to finish. Dozens of preparatory drawings, along with the recent discovery of nearly invisible metal stylus preparatory incisions under the ink of the Giant Crossbow drawing, are evidence of Leonardo’s intent to offer engineers and other viewers a thorough design of the massive machine. The book proposes these new discoveries with the help of a strategy that had been at the core of Leonardo’s working philosophy: the proportional method. As proven with an analysis of the Giant Crossbow project, he used a consistent approach to 1/3rd proportions throughout the design and drawing process and employed this kind of proportional strategy at the start of almost every important project. Thanks to this proof of his knowledge of geometry, evidence of his studies of impetus and force, and thanks to the highly polished and complex nature of the Giant Crossbow design, a later date for the drawing is proposed in the present book, associating the drawing with his drafting capabilities around 1490-93.

zachomikowany

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  • 26 lut 12 17:23
It is hard to overestimate the importance of the contribution made by Dame Frances Yates to the serious study of esotericism and the occult sciences. The Occult Philosophy of the Elizabethan Age was her last book, and in it she condensed many aspects of her wide learning to present a clear, penetrating, and, above all, accessible survey of the occult movements of the Renaissance, highlighting the work of John Dee, Giordano Bruno, and other key esoteric figures.

zachomikowany

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  • 26 lut 12 17:23
Elegant contributions to the vast literature on mythology, these well-informed and thoroughly documented studies enhance our understanding of this elusive topic. Originally a series of lectures, Leeming's Myth is divided into four complementary essays covering myths and religious faith, creation stories, gender, and hero stories. The essays investigate the role of ancient beliefs in modern culture, clarifying the relationship between myth and fact and showing how myths evolve and endure in the works of noted authors (Yeats, Woolf), scientists (Einstein), environmentalists (Thomas Berry), and others. Attentive to the subjects' complexities, this book is nonetheless comprehensible to nonspecialists. In Gods, Heroes, and Kings, Leeming teams with Fee to delineate the complex patchwork of belief systems found in the British Isles. The authors, both academic authorities with many previous publications on the topic, offer a thoroughgoing and instructive overview of the isles's many folkloric traditions, including rites, legends, and beliefs drawn from Anglo-Saxon, Judeo-Christian, Germanic, and Celtic traditions.

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