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soin74
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Mężczyzna soin74

widziany: 17.02.2023 04:05

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  • 37 KB
  • 2 lis 13 15:02
Abendzeitung, 15. September 2003
Eine provokante Streitschrift gegen den Krieg als Mittel der Politik.

Süddeutsche Zeitung, 11. September 2003
In seinem aktuellen Buch zeigt Ali die Parallelen zwischen den Kolonialregimen früherer Epochen und dem Unilateralismus der Bush-Regierung auf. Durch Kenntnisse über die irakische Geschichte möchte Ali helfen, das entstandene Chaos zu verstehen.

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Much has been written about the USA Patriot Act, and the controversy that surrounds this far-reaching legislation has also generated a great deal of confusion and uncertainty about its impact and importance in the war on terrorism. As Professor Kam C. Wong notes in this important contribution to the literature: "There is little scholarly research on the legislation, implementation and impact of the Act". Undoubtedly, few Americans are actually aware of most of the details in the Act, or its implications in a free society.The events of September 11, 2001 in attacks on the World Trade Centre and the Pentagon prompted a unique response by Congress in passing a series of wide reaching laws, expanding the powers of law enforcement and the judiciary. Of particular concern to many are the requirements of public and private organisations to provide information in connection with homeland security that is considered intrusive and in violation of privacy rights. Ultimately, it will be many years before the actual impact of the Patriot Act can be assessed. In this new and important book, Professor Wong provides a critical analysis of the legislation and its capacity for abuse.

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Charles Duelfer is one of the most senior intelligence officers with on-the-ground experience to have worked in Iraq before, during, and after the Gulf War. His 2004 CIA report is widely renowned as the most authoritative account on how the world was led to believe that Saddam possessed weapons of mass destruction. But until now, Duelfer has never publicly shared his unrivaled expertise on just how the U.S.-Iraq relationship spiraled into a second war, and ultimately into chaos.

Hide and Seek is his account—based on unparalleled access to Iraqi leadership, the White House, and the CIA—of the long and tragic unraveling of the U.S. relationship with Iraq. This book sees beyond the propaganda and deceits of both sides to tell the story of the miscalculations in assessing Iraq as a threat, why Saddam responded as he did to U.S. demands, and precisely how the U.S. implemented its decision to topple Saddam’s regime. No one is better able than Duelfer to see inside the mindsets of the two administrations, with their mismatched priorities, wounded pride, and dangerous ability to bluff and counterbluff.

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Vietnam was America's most divisive and unsuccessful foreign war. It was also the first to be televised and the first of the modern era fought without military censorship. From the earliest days of the Kennedy-Johnson escalation right up to the American withdrawal, and even today, the media's role in Vietnam has continued to be intensely controversial. The "Uncensored War" gives a richly detailed account of what Americans read and watched about Vietnam. Hallin draws on the complete body of the New York Times coverage from 1961 to 1965, a sample of hundreds of television reports from 1965-73, including television coverage filmed by the Defense Department in the early years of the war, and interviews with many of the journalists who reported it, to give a powerful critique of the conventional wisdom, both conservative and liberal, about the media and Vietnam. Far from being a consistent adversary of government policy in Vietnam, Hallin shows, the media were closely tied to official perspectives throughout the war, though divisions in the government itself and contradictions in its public relations policies caused every administration, at certain times, to lose its ability to "manage" the news effectively. As for television, it neither showed the "literal horror of war," nor did it play a leading role in the collapse of support: it presented a highly idealized picture of the war in the early years, and shifted toward a more critical view only after public unhappiness and elite divisions over the war were well advanced. The "Uncensored War" is essential reading for anyone interested in the history of the Vietnam war or the role of the media in contemporary American politics.

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This book provides a thorough explanation of the nature and history of booms, bubbles and busts in financial markets. The first part of the book deals with financial booms and bubbles and how they emerge, develop and collapse. It describes the distribution of wealth, inflation, rationality of bankers, monetary and fiscal policy, the role of central banks, tax policies, social security, US federal, state, municipal and personal debt, and valuation of common stocks.

The book describes historical boom/bust cycles including bubbles of the 1720s, the Florida land boom and the stock market in the 1920s, the depression of the 1930s, the S&L scandal of the 1980s, the great bull market of 1982-1995, the crash of 1987, the dot.com mania of 1995-2000, corporate swindles of the 1990s and 2000s, the sub-prime fiasco of the 2000s, and Japan in the late 20th century.

Most of the recent wealth generation has derived from increased debt and appreciation of paper assets. The architects of the new economics were Ronald Reagan and Arthur Greenspan. Inevitably, the US Government's cure for excessive spending and inadequate revenues is to increase spending and cut revenues. American voters must choose between `tax and spend' Democrats and `spend and borrow' Republicans. The theme of American finance was uttered by VP Cheney: `Deficits don't matter'.

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Starred Review. A distinguished scholar of American history makes a significant contribution to Oxford's excellent series Pivotal Moments in American History in this definitive analysis of the United States' 1877 war with the Nez Percé. West (The Contested Plains) integrates a broad spectrum of sources to depict the fate of a people whose history of friendship with the U.S. dated to 1805. The Nez Percé were caught up in the questions posed by the Civil War and the period of expansion that followed: who would be the Americans and what obligations would bind them together? Such questions influenced Idaho and Oregon, where the Nez Percé lived, as much as Massachusetts and Virginia. The 1877 war, the Nez Percé's epic journey to reach the Canadian border, American conquest and Indian exile is the heart of the book, and West tells it brilliantly. No less compelling is his account of the Nez Percé taking up farming and making and selling Indian trinkets, developing their image as beloved losers and negotiating their return home—on white terms, but with honor and integrity upheld. 40 b&w illus., maps.

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Nearly a century and a half after his death, Abraham Lincoln remains an intrinsic part of the American consciousness, yet his intentions as president and his personal character continue to stir debate.
Now, in The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life, including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald highlights the similarities and differences of the Union and Confederate presidents' roles as commanders-in-chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a young man who questions his own identity and struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final chapter Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art.
Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.

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This critical examination of American-Israeli relations from the last year of the Kennedy administration to the last year of Bill Clinton's tenure in office is a companion volume to Herbert Druks' previous book The Uncertain Friendship: The U.S. and Israel from Roosevelt to Kennedy.

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Throughout time, major wars have defined historical epochs and charted the rise and decline of great powers. The U.S. global "war on terror," with Iraq as the Bush administration’s chosen centerpiece, is almost certainly destined to do the same. Indeed, the Bush doctrine for conducting the war on terror and the Iraqi Freedom campaign are likely to prove benchmarks in U.S. history precisely because of the many orthodoxies and traditions the administration has purposely challenged. At the same time, fundamental flaws have already appeared in many tenets underlying the Bush transformation of foreign and military affairs.

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This provocative and important text offers a new way of thinking about sovereignty, both past and present. Distinguished geographer John Agnew boldly challenges the widely popular story that state sovereignty is in worldwide eclipse in the face of the overwhelming processes of globalization. In challenging this perception, Agnew first traces the ways in which it has become commonplace. He then develops a new way of thinking about the geography of effective sovereignty and the various geographical forms in which sovereignty actually operates in the world, offering an exciting intellectual framework that breaks with the either/or thinking of state sovereignty versus globalization.

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This lavish book deals with one of the most infamous battles in the Old West when the Mexican army fought Texans at the Alamo mission in San Antonio. Inside you'll find new rules, army lists and scenarios so you can take your battles to a whole new scale, creating sweeping military actions to recreate the Texas War for Independence.

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The battle which took place on the Little Bighorn river on June 25, 1876, between LtCol Custer's US 7th Cavalry and a large force of Sioux and Cheyenne Indians, has passed into legend as 'Custer's Last Stand'. While research on the battlefield is still producing new information, most of the attention has been focused on the fate of Custer's troopers. This remarkable book offers something very different: a unique analysis of the oral and pictorial evidence for the appearance of named Plains Indian warriors, and the parts they played in the battle. The fruit of many years' study by one of today's most internationally respected interpreters and illustrators of Native American material culture, it offers biographical notes and meticulously researched color reconstructions of nearly 30 individuals, together with rare photographs and pictographs. We are proud to publish this important contribution to the historical record.

About the Author
Richard Hook was born in 1938 and trained at Reigate College of Art. After national service with 1st Bn, Queen's Royal Regiment, he became art editor of the much-praised magazine Finding Out during the 1960s. He has worked as a freelance illustrator ever since, earning an international reputation particularly for his deep knowledge of Native American material culture; and has illustrated more than 30 titles. Richard is married and lives in Sussex; his three children Adam, Jason, and Christa are all professionally active in various artistic disciplines.

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Over the past decade, a virtual cottage industry has arisen to produce books and articles describing the nature, origins, and impact of globalization. Largely and surprisingly absent from this literature, however, has been extensive discussion of how globalization is affecting the United States itself. Indeed, it is rarely even acknowledged that while the United States may be providing a crucial impetus to globalization, the process of globalization — once set in motion — has become a force unto itself. Thus globalization has its own logic and demands that are having a profound impact within the United States, often in ways that are unanticipated.

This set offers the first in-depth, systematic effort at assessing the United States not as a globalizing force but as a nation being transformed by globalization. Among the topics studied are globalization in the form of intensified international linkages; globalization as a universalizing and/or Westernizing force; globalization in the form of liberalized flows of trade, capital, and labor; and globalization as a force for the creation of transnational and superterritorial entities and allegiances. These volumes examine how each of these facets of globalization affects American government, law, business, economy, society, and culture.

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Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist.

In Why We Fought: America’s Wars in Film and History, editors Peter C. Rollins and John E. O’Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture.

This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today’s global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts.

With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country’s current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93.

From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns’s popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book’s editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history.

As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation’s past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to “Duty, honor, and country.” Why We Fought chronicles how, for more than half a century, war films have shaped our nation’s consciousness.

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Pulitzer s Gold is the first book to trace the ninety-year history of the coveted Pulitzer Prize for Public Service, awarded annually to a newspaper rather than to individuals. Harris recalls dozens of stories behind the stories, often allowing the journalists involved to share their own accounts. Readers will recognize some of the stories, like the New York Times Pentagon Papers exclusive and the Watergate scandal that Bob Woodward and Carl Bernstein dug out for the Washington Post. But Harris takes his Gold Medal saga through two World Wars, the Great Depression, the Civil Rights struggle, and the Vietnam era before bringing public-service journalism into today s age of environmental and corporate exposes. Story after story illustrates how for small town papers or metropolitan dailies alike, public-service reporting is a point of pride for the American press.

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Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the cinema.

The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry's conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework on which U.S. communications policy continues to be based, the development of several powerful media conglomerates, and the birth of a new acoustic commodity in which a single story, song, or other product was made available to consumers in multiple media forms and formats.

But what role would this new media play in society? Celebrants saw an opportunity for educational and cultural uplift; critics feared the degradation of the standards of public taste. Some believed acoustic media would fulfill the promise of participatory democracy by better informing the public, while others saw an opportunity for manipulation. The innovations of this period prompted not only a restructuring and consolidation of corporate mass media interests and a shift in the conventions and patterns of media consumption but also a renegotiation of the social functions assigned to mass media forms.

Steve J. Wurtzler's impeccably researched history adds a new dimension to the study of sound media, proving that the ultimate form technology takes is never predetermined. Rather, it is shaped by conflicting visions of technological possibility in economic, cultural, and political realms. Electric Sounds also illustrates the process through which technologies become media and the ways in which media are integrated into American

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