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Quentin R. Skrabec, Jr. - William McKinley, Apostle of....pdf

Ann Gaines - Woodrow Wilson (2003).pdf

United States Army in World War II - M. Hamlin Cannon ....pdf

United States Army in World War II - Harry C. Thomson,....pdf

United States Army in World War II - Mattie E. Treadwe....pdf

United States Army in World War II - R. Elberton Smith....pdf

United States Army in World War II - Vincent C. Jones ....pdf

Charles Floyd - Exploring with Lewis and Clark, The 18....pdf

John W. Storey, Mary L. Kelley - Twentieth-Century Tex....pdf

09-ane_brun-oh_love-dnr.mp3

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165 KB
2 lis 13 15:02

National Bank of Commerce in New York - War financ e primer (1917).jpg

Includes bibliographical references

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National Bank of Commerce in New York - War financ e primer (1917).pdf

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National Executive Committee of the National Stude nt League - Students fight war (1935).jpg

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National Executive Committee of the National Stude nt League - Students fight war (1935).pdf

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Office of Indian Affairs - Indians in the war (194 5).jpg

A booklet about the American Indians contribution to the war effort.

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Office of Indian Affairs - Indians in the war (194 5).pdf

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Spenser Wilkinson - War and policy; essays (1900).jpg

The American Civil War and the war in South Africa

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Spenser Wilkinson - War and policy; essays (1900).pdf

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United States Army in World War II - Alvin P. Stau ffer - The Quartermaster Corps; Operations in the War Against Japan (1990).jpg

01 - USA - United States Army in World War II - Alvin P. Stauffer...rmaster Corps Operations in the War Against Japan 1990.jpg

This volume tells the story of Quartermaster supply and service in the war against Japan in the Pacific. The principal Quartermaster function during World War II was to supply items commonly required by all Army troops—food, clothing, petroleum products, and other supplies of a general character—regardless of their duties. In the Pacific, as elsewhere, Quartermaster supply responsibilities included the determination of requirements, the procurement of the items needed both from the United States and from local producers, and the storage and distribution of items after they had been received. Quartermaster troops also furnished numerous services, including the collection and repair of worn-out and discarded articles, the provision of bath and laundry facilities, and the identification and burial of the dead. The author has concentrated in this volume on the many problems which were inevitable in a distant and strange environment, and his narrative naturally reflects the viewpoint of the troops and the commanders in the field.

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United States Army in World War II - Alvin P. Stau ffer - The Quartermaster Corps; Operations in the War Against Japan (1990).pdf

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United States Army in World War II - William F. Ro ss, Charles F. Romanus - The Quartermaster Corps; Operations in the War Against Germany (1991).jpg

01 - USA - United States Army in World War II - William F. Ross, ...aster Corps Operations in the War Against Germany 1991.jpg

A history of the Quartermaster establishment in Europe, the largest organization in military history for feeding and clothing people and providing other services to American and Allied forces, impoverished civilians, and prisoners of war.

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2 lis 13 15:02

United States Army in World War II - William F. Ro ss, Charles F. Romanus - The Quartermaster Corps; Operations in the War Against Germany (1991).pdf

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2 lis 13 15:02

James Q. Wilson - American Government, Brief Editi on (2008).jpg

This popular brief edition text for the one semester or one quarter American Government course maintains the framework of Wilsons complete text, emphasizing the historical development of the American political system, who governs, and to what end. Completely up to date, AMERICAN GOVERNMENT, BRIEF, 9e offers new coverage of such key and emerging issues as creationism and the establishment clause, tactics from the 2008 presidential campaign, Congressional ethics, repercussions from the Valerie Plume scandal, national debt, the Social Security debate, military involvement in Iraq, and much more.

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Alicia Camacho - Migrant Imaginaries; Latino Cultu ral Politics in the U.S.-Mexico Borderlands (2008).jpg

Migrant Imaginaries explores the transnational movements of Mexican migrants in pursuit of labor and civil rights in the United States from the 1920s onward. Working through key historical moments such as the 1930s, the Chicano Movement, and contemporary globalization and neoliberalism, Alicia Schmidt Camacho examines the relationship between ethnic Mexican expressive culture and the practices sustaining migrant social movements. Combining sustained historical engagement with theoretical inquiries, she addresses how struggles for racial and gender equity, cross-border unity, and economic justice have defined the Mexican presence in the United States since 1910.
Schmidt Camacho covers a range of archives and sources, including migrant testimonials and songs, Amrico Parede’s last published novel, The Shadow, the film Salt of the Earth, the foundational manifestos of El Movimiento, Richard Rodriguez’s memoirs, narratives by Marisela Norte and Rosario Sanmiguel, and testimonios of Mexican women workers and human rights activists, as well as significant ethnographic research. Throughout, she demonstrates how Mexicans and Mexican Americans imagined their communal ties across the border, and used those bonds to contest their noncitizen status. Migrant Imaginaries places migrants at the center of the hemisphere’s most pressing concerns, contending that border crossers have long been vital to social change.

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Alicia Camacho - Migrant Imaginaries; Latino Cultu ral Politics in the U.S.-Mexico Borderlands (2008).pdf

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Kite Balloons to Airships (1987).jpg

The dawn of aviation began with lighter-than-air craft and gliders. They were in the forefront of what eventually led to the Wright brothers' activities at Kitty Hawk.

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Kite Balloons to Airships (1987).pdf

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Robert S. McElvaine - The Great Depression; Americ a 1929-1941 (1993).jpg

One of the classic studies of the Great Depression, featuring a new introduction by the author with insights into the economic crises of 1929 and today.

In the twenty-five years since its publication, critics and scholars have praised historian Robert McElvaine’s sweeping and authoritative history of the Great Depression as one of the best and most readable studies of the era. Combining clear-eyed insight into the machinations of politicians and economists who struggled to revive the battered economy, personal stories from the average people who were hardest hit by an economic crisis beyond their control, and an evocative depiction of the popular culture of the decade, McElvaine paints an epic picture of an America brought to its knees—but also brought together by people’s widely shared plight.

In a new introduction, McElvaine draws striking parallels between the roots of the Great Depression and the economic meltdown that followed in the wake of the credit crisis of 2008. He also examines the resurgence of anti-regulation free market ideology, beginning in the Reagan era, and argues that some economists and politicians revised history and ignored the lessons of the Depression era.

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Art on the Edge; 17 Contemporary American Artists (2004).jpg

This publication showcases the work of 17 contemporary American artists. All have made their art available in U.S. ambassador's residences in countries around the world. As a group, these up-and-comers exemplify such bedrock American values as innovation, diversity, freedom, individualism, and competitive excellence.

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Art on the Edge; 17 Contemporary American Artists (2004).pdf

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2 lis 13 15:02

The Philosophy of Popular Culture - Mark T. Conard - The Philosophy of Martin Scorsese (2007).jpg

Academy Award--winning director Martin Scorsese is one of the most significant American filmmakers in the history of cinema. Although best known for his movies about gangsters and violence, such as Mean Streets, Goodfellas, Casino, and Taxi Driver, Scorsese has addressed a much wider range of themes and topics in the four decades of his career. In The Philosophy of Martin Scorsese, an impressive cast of contributors explores the complex themes and philosophical underpinnings of Martin Scorsese's films. The essays concerning Scorsese's films about crime and violence investigate the nature of friendship, the ethics of vigilantism, and the nature of unhappiness. The authors delve deeply into the minds of Scorsese's tortured characters and explore how the men and women he depicts grapple with moral codes and their emotions. Several of the essays explore specific themes in individual films. The authors describe how Scorsese addresses the nuances of social mores and values in The Age of Innocence, the nature of temptation and self-sacrifice in The Last Temptation of Christ and Bringing Out the Dead, and the complexities of innovation and ambition in The Aviator. Other chapters in the collection examine larger philosophical questions. In a world where everything can be interpreted as meaningful, Scorsese at times uses his films to teach audiences about the meaning in life beyond the everyday world depicted in the cinema. For example, his films touching on religious subjects, such as Kundun and The Last Temptation of Christ, allow the director to explore spiritualism and peaceful ways of responding to the chaos in the world.Filled with penetrating insights on Scorsese's body of work, The Philosophy of Martin Scorsese shows the director engaging with many of the most basic questions about our humanity and how we relate to one another in a complex world.

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The Philosophy of Popular Culture - Dean A. Kowals ki - Steven Spielberg and Philosophy; We're Gonna Need a Bigger Book (2008).jpg

01 - USA - The Philosophy of Popular Culture - Dean A. Kowalski -...berg and Philosophy Were Gonna Need a Bigger Book 2008.jpg

Has any film director had a greater impact on popular culture than Steven Spielberg? Whether filming Holocaust heroes and villains, soldiers, dinosaurs, extraterrestrials, or explorers in search of the Holy Grail, Spielberg has given filmgoers some of the most memorable characters and wrenching moments in the history of cinema. Whatever his subject—war, cloning, slavery, terrorism, or adventure—all of Spielberg’s films have one aspect in common: a unique view of the moral fabric of humanity.

Dean A. Kowalski’s Steven Spielberg and Philosophy is like a remarkable conversation after a night at the movie theater, offering new insights and unexpected observations about the director’s most admired films. Some of the nation’s most respected philosophers investigate Spielberg’s art, asking fundamental questions about the nature of humanity, cinema, and Spielberg’s expression of his chosen themes. Applying various philosophical principles to the movies, the book explores such topics as the moral demands of parenthood in War of the Worlds; the ultimate unknowability of the “other” in Close Encounters of the Third Kind and Schindler’s List; the relationship between nature and morality in Jurassic Park; the notion of consciousness in A.I.: Artificial Intelligence; issues of war theory and ethics in Munich; and the foundation of human rights in Amistad.

Impressive in scope, this volume illustrates the philosophical tenets of a wide variety of thinkers from Plato to Aquinas, Locke, and Levinas. Contributors introduce readers to philosophy while simultaneously providing deeper insight into Spielberg’s approach to filmmaking. The essays consider Spielberg’s movies using key philosophical cornerstones: metaphysics, epistemology, ethics, axiology, aesthetics, and political philosophy, among others. At the same time, Steven Spielberg and Philosophy is accessible to those new to philosophy, using the philosophical platform to ponder larger issues embedded in film and asking fundamental questions about the nature of cinema and how meanings are negotiated.

The authors contend that movies do not present philosophy—rather philosophy is something viewers do while watching and thinking about films. Using Spielberg’s films as a platform for discussing these concepts, the authors contemplate questions that genuinely surprise the reader, offering penetrating insights that will be welcomed by film critics, philosophers, and fans alike.

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2 lis 13 15:02

The Philosophy of Popular Culture - Dean A. Kowals ki - The Philosophy of the ''X-Files'' (2007).jpg

From its first appearance in 1993, The X-Files has attracted millions of viewers interested in the paranormal investigations of intuitionist and belief-driven Fox Mulder and his partner, Dana Scully, the “consummate scientist” and skeptic. Addressing questions of trust and authority that plague our information-addled society, the series acquired a large fan base of individuals interested in debating and interpreting the philosophical themes that underlie the symbiotic partnership between Mulder and Scully.

The Philosophy of The X-Files concentrates not only on the philosophical assumptions and presuppositions of the show but also on how the episodes portray the process of philosophical inquiry. Editor Dean A. Kowalski argues that both philosophy and The X-Files center around a determination to search for truth despite a frequent lack of information and proper tools. It is no surprise, then, to find the series riddled with common philosophical themes, including metaphysics, epistemology, ethics, political philosophy, aesthetics, and existentialism, among others.

The first section of the book addresses the credos put forth by the series and examines the philosophical significance of its three popular slogans: “The truth is out there,” “Trust no one,” and “I want to believe.” In the second section, contributors analyze the philosophical underpinnings of the characters of Mulder, Scully, the Cigarette Smoking Man, and Assistant Director Walter Skinner. A final section is devoted to individual episodes and engages with the philosophical issues raised by “Clyde Bruckman’s Final Repose” and “Jose Chung’s ‘From Outer Space,’” in addition to the 1998 film The X-Files: Fight the Future. Two appendixes offer a summary of the main storyline and brief plot summaries of each television episode together with the philosophical issues it raises.

The first collection of philosophical essays devoted exclusively to the show, The Philosophy of The X-Files shows a television series successfully engaged with the philosophical quandaries of the modern world and explores how Mulder and Scully’s personalities and actions invite inquiry into patterns of human belief and behavior.

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Eyewitness History - David F. Burg - The Great Dep ression (2005).jpg

On October 29, 1929, better known as Black Tuesday, the stock market crashed, abruptly ending a decade of prosperity and catapulting the United States into the Great Depression, arguably the worst economic crisis the country has ever experienced. During the years that followed, until U.S. entry into World War II in 1941, unemployment was at an all-time high, hundreds of banks foreclosed, and a sense of hopelessness pervaded the nation. It was only when America was drawn into the war that the United States finally emerged from the Great Depression. With updated narratives and testimonies, The Great Depression, Updated Edition provides hundreds of firsthand accounts of the period - including memoirs, letters, speeches, and newspaper accounts - that illustrate how historical events appeared to those who lived through them. Among the eyewitness testimonies included are those of Franklin D. Roosevelt, Huey Long, Lionel Robbins (who coined the term "The Great Depression"), and hundreds more. In addition to the firsthand accounts, each chapter provides an introductory essay and a chronology of events. This updated edition includes 22 new photographs, a new appendix with 10 graphs, and a revised introduction, as well as relevant documents, capsule biographies of more than 200 key figures, and much more.

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Eyewitness History - David F. Burg - The Great Dep ression (2005).pdf

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William Harwar Parker, Stephen Bleecker Luce - Ins truction for Naval Light Artillery; Afloat and Ash ore (1863).jpg

01 - USA - William Harwar Parker, Stephen Bleecker Luce - Instruc...ction for Naval Light Artillery Afloat and Ashore 1863.jpg

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William Harwar Parker, Stephen Bleecker Luce - Ins truction for Naval Light Artillery; Afloat and Ash ore (1863).pdf

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Wilson Vance - God's war (1899).jpg

Menendez. Civil War novels

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Wilson Vance - God's war (1899).pdf

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Michael Collins Piper - High Priests of War (2004).jpg

The Secret History of How America's "Neo-Conservative" Trotskyites came to power and Orchestrated the war against Iraq as the First Step in their drive for Global Empire. Written by the author of the #1 Banned Book in America: "Final Judgement".

After reading Final Judgment, I jokingly commented to an acquaintance, “Michael Collins Piper has ruined any further JFK research on my part because, compared to his book, everything else seems like child’s play.” Well, the same rationale now applies to the mainstream media’s coverage of the men who are orchestrating our war in Iraq. In contrast to what Michael Collins Piper has accomplished in his latest work, The High Priests of War, our corporate newsmen resemble an emasculated band of poseurs who can’t (or won’t) tell the American people what’s actually taking place within the corridors of power in our nation’s capital.

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