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soin74
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Mężczyzna soin74

widziany: 17.02.2023 04:05

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The true story of America's first great explorer and adventurer—an African slave named Esteban Dorantes
Crossing the Continent takes us on an epic journey from Africa to Europe and America as Dr. Robert Goodwin chronicles the incredible adventures of the African slave Esteban Dorantes (1500-1539), the first pioneer from the Old World to explore the entirety of the American south and the first African-born man to die in North America about whom anything is known. Goodwin's groundbreaking research in Spanish archives has led to a radical new interpretation of American history—one in which an African slave emerges as the nation's first great explorer and adventurer.

Nearly three centuries before Lewis and Clark's epic trek to the Pacific coast, Esteban and three Spanish noblemen survived shipwreck, famine, disease, and Native American hostility to make the first crossing of North America in recorded history. Drawing on contemporary accounts and long-lost records, Goodwin recounts the extraordinary story of Esteban's sixteenth-century odyssey, which began in Florida and wound through what is now Alabama, Mississippi, Louisiana, Texas, New Mexico, and Arizona, as far as the Gulf of California. Born in Africa and captured at a young age by slave traders, Esteban was serving his owner, a Spanish captain, when their disastrous sea voyage to the New World nearly claimed his life. Eventually he emerged as the leader of the few survivors of this expedition, guiding them on an extraordinary eight-year march westward to safety.

On the group's return to the Spanish imperial capital at Mexico City, the viceroy appointed Esteban as the military commander of a religious expedition sent to establish a permanent Spanish route into Arizona and New Mexico. But during this new adventure, as Esteban pushed deeper and deeper into the unknown north, Spaniards far to the south began to hear strange rumors of his death at Zuni Pueblo in New Mexico.

Filled with tales of physical endurance, natural calamities, geographical wonders, strange discoveries, and Esteban's almost mystical dealings with Native Americans, Crossing the Continent challenges the traditional telling of our nation's early history, placing an African and his relationship with the Indians he encountered at the heart of a new historical record.

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The Films of Woody Allen is the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work.

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Betty Boyd Caroli's engrossing and informative First Ladies is both a captivating read and an essential resource for anyone interested in the role of America's First Ladies. This expanded and updated fourth edition includes Laura Bush's tenure, Hillary Clinton's 2008 presidential bid, and an in-depth look at Michelle Obama, one of the most charismatic and appealing First Ladies in recent history.
Covering all forty-one women from Martha Washington to Michelle Obama and including the daughters, daughters-in-law, and sisters of presidents who sometimes served as First Ladies, Caroli explores each woman's background, marriage, and accomplishments and failures in office. This remarkably diverse lot included Abigail Adams, whose "remember the ladies" became a twentieth-century feminist refrain; Jane Pierce, who prayed her husband would lose the election; Helen Taft, who insisted on living in the White House, although her husband would have preferred a judgeship; Eleanor Roosevelt, who epitomized the politically involved First Lady; and Pat Nixon, who perfected what some have called "the robot image." They ranged in age from early 20s to late 60s; some received superb educations for their time, while others had little or no schooling. Including the courageous and adventurous, the emotionally unstable, the ambitious, and the reserved, these women often did not fit the traditional expectations of a presidential helpmate.
Here then is an engaging portrait of how each First Lady changed the role and how the role changed in response to American culture. These women left remarkably complete records, and their stories offer us a window through which to view not only this particular sorority of women, but also American women in general.

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During the Civil War, Confederates fought for much more than their political independence. They also fought to prove the distinctiveness of the Southern people and to legitimate their desire for a separate national existence through the creation of a uniquely Southern literature and culture. In this important new book, Michael Bernath follows the activities of a group of Southern writers, thinkers, editors, publishers, educators, and ministers--whom he labels Confederate cultural nationalists--in order to trace the rise and fall of a cultural movement dedicated to liberating the South from its longtime dependence on Northern books, periodicals, and teachers.
This struggle for Confederate intellectual independence was seen as a vital part of the larger war effort. For the Southern nationalists, independence won on the battlefield would be meaningless as long as Southerners remained in a state of cultural vassalage to their enemy. As new Confederate publications appeared at a surprising rate and Southerners took steps toward establishing their own system of education, cultural nationalists believed they saw the Confederacy coalescing into a true nation. Ultimately, however, Confederates proved no more able to win their intellectual independence than their political freedom.
By analyzing the motives driving the struggle for Confederate intellectual independence, by charting its wartime accomplishments, and by assessing its failures, Bernath makes provocative arguments about the nature of Confederate nationalism, life within the Confederacy, and the perception of Southern cultural distinctiveness.

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About the Author
is the LeRoy A. Martin Distinguished Professor of Religious Studies Emeritus, University of Tennessee at Chattanooga. A past president of the American Society of Church History, he has written or edited more than 20 books on American religious life. His most recentis Introducing American Religion, which appeared in 2009. Charles H. Lippy is the LeRoy A. Martin Distinguished Professor of Religious Studies Emeritus, University of Tennessee at Chattanooga. A past president of the American Society of Church History, he has written or edited more than 20 books on American religious life. His most recent is Introducing American Religion, which appeared in 2009.

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Gross joined the army in November 1968 at age 18 to fly helicopters, believing the Vietnam War would be over by the time he completed his flight training. It wasn't. He put in a year in the war zone, from May 1970 to May 1971, as a young Huey helicopter pilot, flying hundreds of dangerous missions under the Rattler 17 call sign with the 71st Assault Helicopter Company near Chu Lai and later in Quang Tri. Gross took part in the massive Operation Lam Son 719 in February 1971, when American forces provided air and artillery support for Army of South Vietnam troops who crossed into Laos to raid the Ho Chi Minh Trail. His war memoir is heavy on detail; Gross dutifully, and sometimes dully, describes his day-to-day activities in the air and on the ground. Reflections on the latter include passages on his interactions with his fellow pilots and superior officers and with the Vietnamese "hootch maids" who did the GIs' laundry and polished their boots, as well as details of his R&R and leave time in Australia. He offers some commentary ("What bothers me most is that we could have won the war!"), but wealth of detail, rather than of insight, is the draw.

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Superb, detailed look at the similarities and differences between American and British Clipper Ships that were in service in the 1850's; profusely illustrated with the author's own, highly detailed plans and line drawings plus additional b & w illustrations.

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Atmospheric Nuclear Weapons Testing, Volume I of Battlefi eld of the Cold War : The Nevada Test Site, was written in conjunction with the opening of the Atomic Testing Museum in Las Vegas, Nevada. The museum with its state-of-the-art facility is the culmination of a unique cooperative effort among cross-governmental, community, and private sector partners. The initial impetus was provided by the Nevada Test Site Historical Foundation, a group primarily consisting of former U.S. Department of Energy and Nevada Test Site federal and contractor employees. The foundation worked with the Department’s National Nuclear Security Administration, the State of Nevada, and a local non-profi t, the Desert Research Institute, to bring to fruition a mixed-use, public outreach facility that benefi ts all concerned parties. The facility houses the museum, the Department’s public reading room and Nuclear Testing Archive, and offi ce space utilized partially for cultural resources/historic preservation activities at the Nevada Test Site.

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Operation Crossroads was a joint operation of the U.S. Navy, the Army Air Forces, and the Army Ground Forces, to determine the effect of the atom bomb against various types of naval vessels. Two tests were carried out by Joint Task Force One: Test Able - a plutonium bomb similar to Fat Man was dropped by the B-29 "Dave's Dream" and detonated over a lagoon at Bikini Atoll in the Pacific on July 1, 1946. Twenty-four days later, on July 25, 1946, a second device, sitting slightly below the surface of the water, was detonated. This was called Test Baker.

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Louis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong's death in 1971 as one of the best-known figures in American entertainment.

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Provides an easy-to-use guide to the 5-volume North American Free Trade Agreement, to related trade issues, and to the unfolding New American Community.

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This volume begins to show why the current period in humanistic studies could be known as "The Age of Edward Said." The collection brings together outstanding intellectuals from the wide variety of fields to which Edward Said, the most important humanist of his generation, has made contributions: literary criticism, postcolonial studies, musicology, Middle Eastern Studies, anthropology, and journalism.

Featured is a new interview with Said, conducted by W. J. T. Mitchell, in which Said discusses the importance of the visual to his thinking, specifically the works of Goya and Caravaggio, which in turn made possible Said's valuable contributions to our understanding of photography and painting. Other contributions reflect on Said's influences on the American public sphere; the subtle personal politics that inform the relationship between music and emotion; Said's importance to a thinking about "race before racism" and the disappearance of the American; and jazz man Jim Merod reflects on Said's "sublime lyrical abstractions.

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This hefty, posthumous study is an ambitious, intensive look at a brief period of American culture, spanning the domains of visual art, literature and music. Following up the author's two previous volumes covering the century's early years, this book devotes chapters to the usual suspects with a smattering of lesser-knowns: photographers Paul Strand and Alfred Stieglitz; artists Charles Sheeler and Georgia O'Keeffe; writers Gertrude Stein, Sherwood Anderson and Ernest Hemingway; composers Edgard Varese and George Antheil; and Theosophical architect Claude Bragdon.

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The vibrant urban folk scene of the 1960s is dazzlingly portrayed in this collection of more than 150 previously unpublished photographs by Raeburn Flerlage. From concert performances and studio sessions to interviews and intimate club shows, Flerlage's images effortlessly capture the essence of both the artists and their music. Arresting photographs of popular performers, such as Bob Dylan, Joan Baez, and Pete Seeger, mingle with those of more traditional musicians, including the Reverend Gary Davis, Booker White, Dock Boggs, and Mother Maybelle Carter as well as many other blues, bluegrass, Cajun, and gospel artists who performed at the University of Chicago Folk Festival.

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This passionate and controversial book is the work of one of America's most outspoken and talented new journalists. William Rivers Pitt's caustic critique of the last four years of American government gives voice to the growing tide of dissent and outrage with America's leaders both inside the country and in the wider world.
Burning with anger, this incisive and readable book argues that, under George W. Bush, America makes a mockery of the values of liberty and truth that it purports to stand for, and that it is now more important than ever to speak out.
William Rivers Pitt reveals how the crisis in American has been engineered by a group of Christian conservatives, whose attempts in 1998 to bring down the Clinton government led to a perversion of the American electoral process, resulting in the illegitimate installation of George W. Bush into the Presidency by five like-minded conservative Justices of the Supreme Court.
In the aftermath of September 11th, America has in many senses lost its way. Citizens are counseled to "watch what they say" by the White House, just as questions of deadly import are ignored by the government and the media. In their rush to defend "liberty", George Bush and his allies are actually endangering the freedom of the individual, as laid down in international law. Yet how do we save freedom by limiting it? Why, after all this time, have there been no answers regarding what really happened on 9/11?
Pitt's message is clear: seeking answers and demanding truth is not treasonous. In these dangerous days, with all that is at stake, the greatest sedition in America is silence.

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