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soin74
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Mężczyzna soin74

widziany: 17.02.2023 04:05

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  • 2 lis 13 15:02
This is the true story of a woman whose work and life teetered between realism and romanticism and who wrote novels a^€oelike a mana^€ yet ran her businesses and love affairs like a liberated feminist. Prep-school educated (she attended the Moravian Seminary for girls) and well-traveled (her assignments took her throughout Europe), she chose to live out her passions in a time when to bare one's ankle could ruin a woman for life.

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Gathered from museums and private collections, the hundreds of images here are a reminder of a time when sailing was central to the life and growth of New England. Including paintings and photographs of vessels built, owned, or commanded by New England men, these illustrations will fascinate anyone who imagines harbors filled with tall ships. Some of the pieces reproduced were completed in the ports of Marseilles, Genoa, Leghorn, Trieste, Smyrna, and Hong Kong; also included is the oldest known painting of a New England vessel, the ship Bethe, of Boston, painted in 1748. An extensive introduction discusses a wide range of vessels, and there are sailors’ histories, adventure stories, and tales of maritime disaster. With more than 300 illustrations, this book will appeal to both historians and casual lovers of nautical life.

About the Author
George Francis Dow was an American antiquarian for the Society for the Preservation of New England Antiquities. He completed several works on ships, arts and crafts, and daily living in New England.

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This volume details the design, construction, and operation of the first six of the ten US fast battleships, two of the North Carolina class and four of the South Dakota class. These six battleships were all authorized in 1936 and were the first vessels built in the US since 1923. Consequently, these ships benefitted from enormous technological leaps, with improvements in ship design, power, armor, armament and the single most important improvement the use of radar guided fire control helping to change the course of the war in the Pacific. Packed with first-hand accounts, battle reports, and specially created artwork this book tells the story of these war-winning vessels.

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Carefully documenting African American slave foods, this book reveals that slaves actively developed their own foodways-their customs involving family and food. The authors connect African foods and food preparation to the development during slavery of Southern cuisines having African influences, including Cajun, Creole, and what later became known as soul food, drawing on the recollections of ex-slaves recorded by Works Progress Administration interviewers. Valuable for its fascinating look into the very core of slave life, this book makes a unique contribution to our knowledge of slave culture and of the complex power relations encoded in both owners' manipulation of food as a method of slave control and slaves' efforts to evade and undermine that control.

While a number of scholars have discussed slaves and their foods, slave foodways remains a relatively unexplored topic. The authors' findings also augment existing knowledge about slave nutrition while documenting new information about slave diets.

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From the author of the critically acclaimed In Black and White: The Life of Sammy Davis, Jr., comes another illuminating socio-historical narrative of the twentieth century, this one spun around one of the most iconic figures of the fight game, Sugar Ray Robinson.
Continuing to set himself apart as one of our canniest cultural historians, Wil Haygood grounds the spectacular story of Robinson's rise to greatness within the context of the fighter's life and times. Born Walker Smith, Jr., in 1921, Robinson had an early childhood marked by the seething racial tensions and explosive race riots that infected the Midwest throughout the twenties and thirties. After his mother moved him and his sisters to the relative safety of Harlem, he came of age in the vibrant post-Renaissance years. It was there that—encouraged to box by his mother, who wanted him off the streets—he soon became a rising star, cutting an electrifying, glamorous figure, riding around town in his famous pink Cadillac. Beyond the celebrity, though, Robinson would emerge as a powerful, often controversial black symbol in a rapidly changing America. Haygood also weaves in the stories of Langston Hughes, Lena Horne, and Miles Davis, whose lives not only intersected with Robinson's but also contribute richly to the scope and soul of the book.
From Robinson's gruesome six-bout war with Jake "Raging Bull" LaMotta and his lethal meeting with Jimmy Doyle to his Harlem nightclub years and thwarted show-biz dreams, Haygood brings the champion's story, in the ring and out, powerfully to life against a vividly painted backdrop of the world he captivated.
Review
"Haygood's book is certainly one of the best biographies of a boxer ever written . . . an important contribution to both sports literature and African American studies." -Gerald Early, Washington Post
". . . Thoroughly marvelous . . ." -Tim Rutten, Los Angeles Times
"Mr. Haygood captures his grace and power, at many disparate moments, as well as it’s been captured . . . Mr. Haygood . . . is a biographer in his own prime."-Dwight Garner, New York Times
". . . an ambitious portrait of an American legend." -Pete Hamill, Sunday Times

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This definitive work will take you inside the history of American revolver conversions from the standard percussion (cap and ball) ammunition to the newer and faster self-contained metallic cartridges. Witness through never-before-released documents, drawings and photographs a sequence of events that changed American firepower. Step inside the factories, museums and private collections and discover how a simple alteration in concept led to the design of the famous Colt Single Action Army revolver, and ultimately to a flood of revolver conversions from 1868 to 1880. The exceptionally detailed photos, drawings and technical specifications provide essential identification information. Distinguish between factory conversions. Distinguish between factory conversions and those made by private sources. Author Bruce McDowell brings years of exacting research to this complete reference work on conversion Colts, Smith & Wessons, Remingtons, and other major revolver manufacturers. The revealing historical and technical information provided in this essential volume fills in a previously neglected but very important section of firearms history.

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In 1851 Olive Oatman was a thirteen-year old pioneer traveling west toward Zion, with her Mormon family. Within a decade, she was a white Indian with a chin tattoo, caught between cultures. The Blue Tattoo tells the harrowing story of this forgotten heroine of frontier America. Orphaned when her family was brutally killed by Yavapai Indians, Oatman lived as a slave to her captors for a year before being traded to the Mohave, who tattooed her face and raised her as their own. She was fully assimilated and perfectly happy when, at nineteen, she was ransomed back to white society. She became an instant celebrity, but the price of fame was high and the pain of her ruptured childhood lasted a lifetime.
Based on historical records, including letters and diaries of Oatman’s friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois—including the massacre, her captivity, and her return to white society—to her later years as a wealthy banker’s wife in Texas.
Oatman’s story has since become legend, inspiring artworks, fiction, film, radio plays, and even an episode of Death Valley Days starring Ronald Reagan. Its themes, from the perils of religious utopianism to the permeable border between civilization and savagery, are deeply rooted in the American psyche. Oatman’s blue tattoo was a cultural symbol that evoked both the imprint of her Mohave past and the lingering scars of westward expansion. It also served as a reminder of her deepest secret, fully explored here for the first time: she never wanted to go home.

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Covers some of the heaviest weapons employed in the U.S. Coast Artillery Corps such as the 6 and 12 inch guns Model 1900, other gunnery, ballistics, seacoast engineering etc.

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With more than 1,750 porn films under his belt (and director of more than 135), Jeremy is still cranking them out two decades after most adult film performers have retired. His memoir (co-written by humorist Spitznagel, author of Fast Forward: Confessions of a Porn Screenwriter) details a life of relentless self-promotion that often borders on the excessive (who else would call himself "the biggest porn star on the planet" and attach an appendix of the mainstream projects he was almost cast in or was cut out of the final product?). Fans won't find much introspection, and the incessant celebrity name-dropping is daunting, but the book is like Jeremy: self-effacing, affably vulgar, eager-to-please and constantly on the run. The anecdotes fly by: trying to direct a performance out of John Wayne Bobbitt's reattached organ in Uncut; having sex with an 87-year-old co-star; battling the LAPD on pandering charges; offering instructions on autofellatio; and hanging with Sam Kinison and Rodney Dangerfield. "I've given confidence to millions of men across the world," Jeremy boasts. "They look at themselves in the mirror and think, Y'know, compared to Ron Jeremy, I'm not that bad looking at all. At least that's what I tell myself whenever I go back to the buffet for seconds."

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How does a girl go from being a shy, awkward bookworm to the biggest porn star in the world? In Sinner Takes All, Tera Patrick reveals all, including: her career as an international model; losing her virginity at fourteen to a thirtysomething photographer; learning oral sex techniques backstage at a Guns N' Roses concert; having an orgy with a team of firefighters; her unglamorous job in a nursing home; her first forays into the adult movie business; and how, with her husband's help, she launched her own multimillion-dollar empire.

Along the way, she dishes on the emotional side of being Tera Patrick, writing candidly about her battles with depression and anxiety. She also discusses finding true love and building a healthy marriage, achievements that many consider to be impossible in the world of porn. Featuring hundreds of photos, plus diary pages and scintillating sidebars, Sinner Takes All takes the tell-all to raunchy new heights.

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With over 750 entries, the Encyclopedia of United States National Security is the first single, concise reference source to provide accurate and informative answers to the many challenging questions of how, why, when, and where national security has evolved. In addition to presenting historical facts and analyses, this two-volume encyclopedia is designed to provide a comprehensive introduction to some of the more complicated and abstract questions concerning world politics and national security. A thoroughly interdisciplinary work, this encyclopedia views national security from historical, economic, political, and technological perspectives.

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In this highly original book, Robert Nagel demonstrates how contemporary constitutional politics relate to the moral character of American culture. He argues persuasively that judicial decisions reflect wider social tendencies towards moral evasiveness, privatization, and opportunism. Constitutional interpretation, he urges, is often an effort to stifle political disagreement and, ultimately, to censor our own beliefs and traditions. Nagel ranges over such controversial topics as the confirmation hearings of Clarence Thomas and Robert Bork, local resistance to abortion rights, political correctness on campus, and judicial decisions dealing with pornography, flag burning, gay rights, school prayer, and racial desegregation.

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To write a thorough, balanced history of the United States in under 400 pages is no mean feat. Remini, professor of history emeritus at the University of Illinois at Chicago and a National Book Award winner for his work on Andrew Jackson, deftly wraps his expertise and deep knowledge of his subject in stripped-down prose that provides everything a casual (or bewildered) reader needs to know about the United States from the first English colonists until the beginning of 2008. Remini's final chapters are slightly rushed and his judgments too general to be useful, but these flaws are easily overshadowed by his masterful middle sections focusing on the 19th century (his scholarly specialty). In contrast to some surveys of American history, like Howard Zinn's People's History of the United States or William Bennett's America: The Last Best Hope, Remini delivers an objective narrative of this nation's history that readers of all political stripes will appreciate. 16 pages of b&w illus., 14 maps.

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Grade 7 Up-Over 1,300 entries are included in this valuable resource. Terms, concepts, stories, and symbols from more than 100 different Native American cultures are described and illustrated. Maps are useful for locating various peoples, and a tribal index refers readers to entries and to the extensive bibliography. Commonalities, such as the trickster motif, are discussed under English entry titles; other entries are under titles in specific Native American languages. An excellent cross-reference system makes this approach accessible to students. Rituals currently practiced and stories are described in the present tense in order to place "the reader more directly into the action of the story." If a ritual is no longer practiced, the past tense is used. This work updates and supplements North American Indian Mythology (Bedrick, 1985), which has more photographs and is more colorful, but is not as thorough, and The Portable North American Indian Reader (Viking, 1977), which contains poetry and oratory as well as mythology. An important resource, Gill's book will be useful for casual browsers and advanced students.

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A history of the ships and equipment used by the U.S. government for ocean exploration. Drawings, paintings and photos showing the ships used.

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Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of "the normal American child." He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without a vision of a normal American child and the belief that movies and television either helped or hindered its development, Disney might never have found its market niche as the paragon of family entertainment. At the same time, without media producers such as Disney, representations of the ideal child would not have circulated as freely in American popular culture.

In vivid detail, Sammond describes how the latest thinking about human development was translated into the practice of child-rearing and how magazines and parenting manuals characterized the child as the crucible of an ideal American culture. He chronicles how Walt Disney Productions' greatest creation--the image of Walt Disney himself--was made to embody evolving ideas of what was best for the child and for society. Bringing popular child-rearing manuals, periodicals, advertisements, and mainstream sociological texts together with the films, tv programs, ancillary products, and public relations materials of Walt Disney Productions, Babes in Tomorrowland reveals a child that was as much the necessary precursor of popular media as the victim of its excesses.

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