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Kobieta

widziany: 28.12.2018 19:24

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  • 119 KB
  • 6 sty 16 10:32
Our thinking is inhabited by images-images of sometimes curious and overwhelming power. The mushroom cloud, weird rays that can transform the flesh, the twilight world following a nuclear war, the white city of the future, the brilliant but mad scientist who plots to destroy the world-all these images and more relate to nuclear energy, but that is not their only common bond. Decades before the first atom bomb exploded, a web of symbols with surprising linkages was fully formed in the public mind. The strange kinship of these symbols can be traced back, not only to medieval symbolism, but still deeper into experiences common to all of us.

This is a disturbing book: it shows that much of what we believe about nuclear energy is not based on facts, but on a complex tangle of imagery suffused with emotions and rooted in the distant past. Nuclear Fear is the first work to explore all the symbolism attached to nuclear bombs, and to civilian nuclear energy as well, employing the powerful tools of history as well as findings from psychology, sociology, and even anthropology. The story runs from the turn of the century to the present day, following the scientists and journalists, the filmmakers and novelists, the officials and politicians of many nations who shaped the way people think about nuclear devices. The author, a historian who also holds a Ph.D. in physics, has been able to separate genuine scientific knowledge about nuclear energy and radiation from the luxuriant mythology that obscures them. In revealing the history of nuclear imagery, Weart conveys the hopeful message that once we understand how this imagery has secretly influenced history and our own thinking, we can move on to a clearer view of the choices that confront our civilization.

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In the first half of the 20th century, itinerant photographers known as picture men traveled the backroads of Applachia making their living taking photographs of the local farmers and their families. These picture men come to life in this story of an Applachian farm girl who is intrigued by an offer to photograph her family. Gentle brown-toned watercolors hint of old photographs, while poetic text leads readers from the picture man's arrival to the taking of the photograph. The story culminates with the actual 1940s photograph that inspired this story.

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Between World War I and World War II, America's corporate liberals experienced a profound ideological change. In the 1920s, corporate liberals embraced company-specific solutions to economic problems. They believed that if every company, in every industry, employed advanced managerial techniques -- such as granting workers non-wage benefits to increase their job satisfaction -- employment, production, and profits could be stabilized and prosperity sustained indefinitely. The Great Depression, of course, made a mockery of this idyllic vision. Corporate liberals admitted that private efforts failed to maintain the nation's economic health, ultimately endorsing large-scale government intervention to bail out the stricken economy. By 1935, the corporate liberal conversion from privatism to business-government partnership was well under way. Corporate liberals served President Franklin Roosevelt throughout the Depression and preparedness periods. Marion Folsom of Eastman Kodak Corporation, Edward Stettinius, Jr. of United States Steel, and others joined New Deal agencies struggling to re-employ workers and bring about social security. Later, at Roosevelt's request, they entered emergency preparedness bodies to ready the United States for the possibility of war. When Japan attacked Pearl Harbor on December 7, 1941, the reconfigured American economy (which the corporate liberals had done so much to create) proved capable of mass producing weapons and other equipment. The bottom line, staunchly revisionist in nature, is that the corporate liberals ran an effective mobilization campaign, overcoming isolationist resistance to rearmament, Roosevelt's reluctance to grant them genuine authority, and other constraints. Richard E. Holl is professor of history at the Lees College Campus of Hazard Community and Technical College. His latest article, on Axis prisoners of war in Kentucky, won the Collins Award of the Kentucky Historical Society.

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The Citizen’s Almanac is a publication developed for new citizens. It includes information on U.S. civic history, rights and responsibilities of U.S. citizenship, biographical details on prominent foreign-born Americans, landmark decisions of the Supreme Court, presidential speeches on citizenship, and several of our founding documents including the Declaration of Independence and the Constitution.

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Out-of-control costs. Box office bombs that should have been foreseen. A mania for sequels at the expense of innovation. Blockbusters of ever-diminishing merit. What other industry could continue like this--and succeed as spectacularly as Hollywood has? The American movie industry's extraordinary success at home and abroad--in the face of dire threats from broadcast television and a wealth of other entertainment media that have followed--is David Waterman's focus in this book, the first full-length economic study of the movie industry in over forty years.

Combining historical and economic analysis, Hollywood's Road to Riches shows how, beginning in the 1950s, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces.

Waterman argues that the movie studios have multiplied their revenues by effectively using pay television and home video media to extract the maximum amounts that individual consumers are willing to pay to watch the same movies in different venues. Along the way, the Hollywood studios have masterfully handled piracy and other economic challenges to the multimedia system they use to distribute movies.

The author also looks ahead to what Internet file sharing and digital production and distribution technologies might mean for Hollywood's prosperity, as well as for the quality and variety of the movies it makes.

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Marine Corps Air Station Kaneohe Bay or MCAS Kaneohe Bay is a United States Marine Corps airfield located within the Marine Corps Base Hawaii complex, formerly known as Marine Corps Air Facility Kaneohe Bay. It is located two miles (3 km) northeast of the central business district of Kaneohe, in Honolulu County, Hawaii, United States.
The Osprey Superbase series takes the enthusiast behind the scenes on the world's major air bases. This up-front series features spectacular, exclusive colour photography from aviation's camera sharpshooters. If you want to get inside the perimeter fence to see combat aircraft in their natural habitat, the Superbase series is literally where it's at.

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The Vietnam War raged for ten years and when it was over 58,000 Americans lay dead. The war changed the consciousness of the military and the very nature of warfare in the future. Gathering the voices and eyewitness stories of seventy-seven veterans from all branches of the military, THE SOLDIERS' STORY is the first major oral history of the Vietnam War. Through story after story, we come to understand that war is harrowing, powerful and unforgettable. The men in this book are a tribute to the triumph of the human spirit over terrible adversity in a world they neither made nor wanted. These veterans have opened their hearts and souls to readers, and Steinman's commentary puts everything into perspective.

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Following the success of the first edition, the updated and revised DC Comics Encyclopedia offers even more incredible DC detail and imagery than the original. 48 brand-new pages include major updates on characters and storylines (including the recent "Infinite Crisis" story arc). This spectacular, up-to-the-minute encyclopedia will delight comic fans of every age. -- Product Description

This copiously illustrated encyclopedia chronicles more than 1,000 DC Comics characters from the 1930s to the present. Arranged alphabetically, each entry gives the first appearance, status (hero, villain, etc.), real name, occupation, height, weight, and eye and hair color of the superheroes or supervillains. Special abilities and superpowers are also listed along with ample cross-references to other comic characters or superleague affiliations, such as the L.E.G.I.O.N. cosmic peacekeeping force. The biographical entries make fascinating reading in alternative history. For example, the Crimson Avenger served in a league called the Seven Soldiers of Victory during World War II. Afterward, he was sent backward in time. He came forward in time and discovered that he was struck with a terminal disease. After his death, an unknown woman purchased two guns that had belonged to him. These guns transformed her into Crimson Avenger II, who became an agent of vengeance and execution. Of course, famous characters such as Wonder Woman or Batman are included. But lesser-known characters, such as Superman's college flame, Lori Lemaris (a mermaid), are also listed. The colorful design makes this book a pleasure to browse. Special two-page features, such as "Amazing Weapons" and "Romantic Moments," are interspersed with the biographies. Recommended for public libraries with active comic readership. -- review of 1st edition, Jack O'Gorman, amazon.com

I bought this book for my husband who is a comic fan. As soon as he opened it I knew he loved it. I was very impressed with the colours, information and pictures. Its going to take him months to get through it but its one of the best presents i have ever got him and highly recommend it. I spent a long time trying to decide on the best book and this is it! -- Shelley (customer reviewer, amazon.com), 5 Nov 2008

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The US Army fielded no fewer than five different types of light tanks during World War II. Of these, the most important types were the M3 and M5 light tanks, better known by their British name. Stuart. The US light tanks had a troubled history in US Army wartime service, often being employed in roles for which they were not well suited. At first, they were employed in normal lank roles, both for infantry support and tank fighting. They were not effective in either role, so by the middle of the war. they were assigned to secondary missions with the primary tank roles taken over by the M4 medium lank. Light tanks were more successful in the Pacific theatre, though their importance considerably diminished by 1944.

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n this introductory American politics text, Cal Jillson provides not only a sense of how politics works today but also how institutions, systems, political participation, and policies have developed over time to produce today's political environment in the United States. This historical context provides the necessary backdrop for students to understand why things work the way they do now. Going one step further, the book identifies critical reforms and how American democracy might work better.

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Multitasking is endemic in modern life and work: drivers talk on cell phones, office workers type while answering phone calls, students do homework while text messaging, nurses prepare injections while responding to doctor's calls, and air traffic controllers direct aircraft in one sector while handling additional traffic in another. Whether in daily life or at work, we are constantly bombarded with multiple, concurrent interruptions and demands and we have all somehow come to believe in the myth that we can, and in fact are expected to, easily address them all - without any repercussions. However, accumulating scientific evidence now reveals that multitasking increases the probability of human error. This book presents a set of NASA studies that characterize concurrent demands in one work domain, routine airline cockpit operations, in order to illustrate that attempting to manage multiple operational task demands concurrently makes human performance in this, and in any domain, vulnerable to potentially serious errors and to accidents. The authors review evidence that individuals often overestimate their ability to multitask, and explain why human capacity to perform more than one task at a time effectively is severely limited. Working from flight manuals, classroom and simulator training, their own jumpseat observations, and incident reports, the authors analyze cockpit operational demands in detail and go on to show that existing procedures sometimes exacerbate concurrent task demands and that existing training does not adequately prepare pilots to manage those demands. The entire book is written in a way that the principles for understanding multitasking errors and the countermeasures to such error can be applied to any area of human performance, from maintenance to surgery to nuclear power plant operation.

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Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought.
Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968.
This extraordinary book captures the life of the woman who was a tireless champion of capitalism and the freedom of the individual, and whose ideas are still devoured by eager students, debated on blogs, cited by political candidates, and promoted by corporate tycoons.

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Sometimes a place can be as good a subject for a "biography" as a person--and Niagara Falls turns out to be such a place. Fortunately, it found its ideal biographer in Canadian historian Pierre Berton, who chronicles its colorful history with a storyteller's verve. Niagara Falls was a sort of laboratory and breeding ground for a wide variety of American phenomena: carnivals and theme parks, destination tourism, industrialization based on cheap hydroelectric power, and the conservation movement, among others. Berton weaves all this together in a readable, well-paced book rich with anecdotes, memorable characters, and nicely crafted language.

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A growing number of people are disturbed by the values exhibited by the contemporary church. Worship has become entertainment, the church has become a shopping mall, and God has become a consumable product. Many sense that something is wrong, but they cannot imagine an alternative way. The Divine Commodity finally articulates what so many have been feeling and offers hope for the future of a post-consumer Christianity.
Through Scripture, history, engaging narrative, and the inspiring art of Vincent van Gogh, The Divine Commodity explores spiritual practices that liberate our imaginations to live as Christ's people in a consumer culture opposed to the values of his kingdom. Each chapter shows how our formation as consumers has distorted an element of our faith. For example, the way churches have become corporations and how branding makes us more focused on image than reality. It then energizes an alternative vision for those seeking a more meaningful faith. Before we can hope to live differently, we must have our minds released from consumerism's grip and captivated once again by Christ.

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During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade's best films. Both large- and small-scale filmmakers responded to the social, political, and cultural conditions of the time. The two-term presidency of Ronald Reagan spawned a new Cold War with the Soviet Union, which Hollywood film both embraced and critiqued. Also during this time, Hollywood launched a long-awaited cycle of films about the Vietnam War, exploring its impact both at home and abroad. But science fiction remained the era's most popular genre, ranging from upbeat fantasies to dark, dystopic visions.

Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, Robocop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape.

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Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself.
Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories.
Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players.
Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.

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Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Era combines music and cultural history and criticism to examine how rock and the rock lifestyle have been merchandised first to a teenage audience and eventually to a worldwide consumer society. Well-known, iconoclastic writer/ critic David Walley examines the entire rock culture and how it has infused all aspects of American (and world) life, from entertainment to politics to academic education. In a series of what he describes as "word-jazz rock and roll improvisations and variations," Walley examines how adult culture has been "adolescent-ized" and what the ramifications are on our society.
Walley is not an uninvolved observer-his personal story and opinions are right up front, where they belong. Famous for being the first writer to recognize the commercial genius of Frank Zappa (in the landmark book, No Commercial Potential, first published in 1972 and still in print today), Walley is ideally suited to examine how commercialism has invaded rock music, and in turn how this commercialism has invaded rock music, and in turn how this commercial stepchild of rock has become a culture unto itself. He tackles everything from the elevation of youth culture to the mainstream; the fast-food economy; the commercial hijack of the counterculture movement; the "cool" aesthetic; the marketing of politicians; psychotropic drugs from LSD to Prozac; and much, much more. Along the way, he touches on a diverse range of figures. From Ma Rainey to Elvis, from Béla Bartók to Batman; from Timothy Leary to Rush Limbaugh; from The Man From U.N.C.L.E. to Understanding Media.

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The Holocaust holds a unique place in American public culture, and, as Jeffrey Shandler argues in While America Watches, it is television, more than any other medium, that has brought the Holocaust into our homes, our hearts, and our minds.
Much has been written about Holocaust film and literature, and yet the medium that brings the subject to most people--television--has been largely neglected. Now Shandler provides the first account of how television has familiarized the American people with the Holocaust. He starts with wartime newsreels of liberated concentration camps, showing how they set the moral tone for viewing scenes of genocide, and then moves to television to explain how the Holocaust and the Holocaust survivor have gained stature as moral symbols in American culture. From early teleplays to coverage of the Eichmann trial and the Holocaust miniseries, as well as documentaries, popular series such as All in the Family and Star Trek, and news reports of recent interethnic violence in Bosnia, Shandler offers an enlightening tour of television history.
Shandler also examines the many controversies that televised presentations of the Holocaust have sparked, demonstrating how their impact extends well beyond the broadcasts themselves. While America Watches is sure to continue this discussion--and possibly the controversies--among many readers.

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