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monroeville
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Kobieta

widziany: 28.12.2018 19:24

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  • 68 KB
  • 6 sty 16 10:32
John Bryant's book is a strong and significant argument for the centrality of humor in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Arguing that Melville saw writing as a series of attempts to reach an unreachable union of word and thought ("voicing the voiceless"), Bryant shows how Melville attempted to place the reader in an equivalent condition of "tense repose". He posits that Melville incorporated laughter into his writing as a means of teasing the reader into deeper thought. To this end, Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale, thus creating his own amiably cosmopolitan "rhetoric of aesthetic repose". Looking closely at Typee, Moby Dick, and The Confidence-Man, Bryant offers unique and ground-breaking readings of Melville's work - particularly with respect to the rhetoric of humor and repose, the picturesque, and cosmopolitanism. Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.

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Air Force Centennial of Flight: Commemorative Edition. Commemorating the first century of aviation, this chronology is dedicated to the men and women who gave their lives to advance air and space flight. It includes significant air and space events since the Wright brothers first demonstrated in 1903 that humankind could fly in heavier-than-air machines. Although focused on the evolution of the United States Air Force (USAF), it also includes major developments in military, naval, civil, and international air power.

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  • 6 sty 16 10:32
Throughout the centuries of slavery, since the very first Africans came to the New World in the early 1500s, there was a will to rebel. Made to suffer hard labor, disease, split families, and a forever-grueling tyranny, Africans faced the reality of what would be passed down to their children. Whether intentionally working slower, stealing, escaping, or actually staging violent slave rebellions, slaves continued to resist the hold owners placed on them throughout slavery's duration. From the new set "Slavery in the Americas", "Slave Rebellions" explores this intriguing time in American history more thoroughly. Topics include: The Hispaniola Revolt of 1522; The Correction Law of 1669; The Stono Rebellion, also known as Cato's Conspiracy; The first Fugitive Slave Act; The Missouri Compromise outlawing the slave trade; David Walker's "Appeal: To the Coloured Citizens of the World", but in particular, and very expressly, to those of the United States of America; The Anthony Bums case; and The New York City race riots.

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Despite its inflated title, this volume is a worthy jeremiad against corporate excess, especially the kind hastened by the mutual fund industry that Bogle, former CEO of low-cost Vanguard, knows well. Among the problems: inflated executive compensation and creative accounting that allows companies to claim profits even when they're in the red. Mutual fund companies, Bogle charges, care more about short-term results than long-term value, and many of them gain profits for larger parent corporations by charging investors unnecessary fees that undermine the funds' net returns. To remedy such problems, Bogle writes, mutual fund owners and their fiduciaries must exercise the corporate responsibility they now shirk, and fund boards must be reshaped to serve the interests of shareholders.

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The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this new edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, D.C., and in neighboring Prince George's County, making it the most geographically compact form of popular music.
Go-go--the only musical form indigenous to Washington, D.C.--features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. Now updated and back in print, The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.

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When an industrious slave named Willis Hodges Cromwell earned the money to obtain liberty for his wife - who then bought freedom for him and for their children - he set in motion a family saga that resounds today. His youngest son, John Wesley Cromwell, became an educator, lawyer, and newspaper publisher - and one of the most influential men of letters in the generation that bridged Frederick Douglass and W. E. B. Du Bois. Now, in "Unveiled Voices, Unvarnished Memories", his granddaughter, Adelaide M. Cromwell, documents the journey of her family from the slave marts of Annapolis to achievements in a variety of learned professions. John W. Cromwell began the family archives from which this book is drawn - letters and documents that provide an unprecedented view of how one black family thought, strived, and survived in American society from the seventeenth to the twentieth century. These papers reflect intimate thoughts about such topics as national and local leaders, moral behavior, color consciousness, and the challenges of everyday life in a racist society.hey also convey a wealth of rich insights on the burdens that black parents' demands for achievement placed on their children, the frequently bitter rivalries within the intellectual class of the African American community, and the negative impact on African American women of sexism in a world dominated by black men whose own hold on respect was tentative at best. The voices gathered here give readers an inside look at the formation and networks of the African American elite, as John Cromwell forged friendships with such figures as journalist John E. Bruce and the Reverend Theophilus Gould Steward. Letters with those two faithfully depict the forces that shaped the worldview of the small but steadily expanding community of African American intellectuals who helped transform the nation's attitudes and policies on race, and whose unguarded comments on a wide range of matters will be of particular interest to social historians. Additional correspondence between John and his son, John Jr., brings the family story into modern times. "Unveiled Voices, Unvarnished Memories" is a rare look at the public and private world of individuals who refused to be circumscribed by racism and the ghetto while pursuing their own well-being. Its narrative depth breaks new ground in African American history and offers a unique primary source for that community.

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Although many refer to the American South as the "Bible Belt", the region was not always characterized by a powerful religious culture. In the seventeenth century and early eighteenth century, religion-in terms both of church membership and personal piety-was virtually absent from southern culture. The late eighteenth century and early nineteenth century, however, witnessed the astonishingly rapid rise of evangelical religion in the Upper South. Within just a few years, evangelicals had spread their beliefs and their fervor, gaining converts and building churches throughout Virginia and North Carolina and into the western regions. But what was it that made evangelicalism so attractive to a region previously uninterested in religion? Monica Najar argues that early evangelicals successfully negotiated the various challenges of the eighteenth-century landscape by creating churches that functioned as civil as well as religious bodies. The evangelical church of the late eighteenth century was the cornerstone of its community, regulating marriages, monitoring prices, arbitrating business, and settling disputes. As the era experienced substantial rifts in the relationship between church and state, the disestablishment of colonial churches paved the way for new formulations of church-state relations. The evangelical churches were well-positioned to provide guidance in uncertain times, and their multiple functions allowed them to reshape many of the central elements of authority in southern society. They assisted in reformulating the lines between the "religious" and "secular" realms, with significant consequences for both religion and the emerging nation-state.
Touching on the creation of a distinctive southern culture, the position of women in the private and public arenas, family life in the Old South, the relationship between religion and slavery, and the political culture of the early republic, Najar reveals the history behind a religious heritage that remains a distinguishing mark of American society.

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In Words for the Taking author Neal Bowers takes the reader on an unusual hunt for a literary stalker. A poet and teacher by profession, Bowers became a detective out of necessity when he discovered one of his poems had been plagiarized and repeatedly published by someone calling himself David Sumner. Later, he learned Sumner had stolen more of his work and the poems of other writers as well. Here he describes his almost surreal search for the plagiarist and its surprising aftermath.

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The level of vitriol in American politics has been rising with no end in sight. Terms like "evildoer," "war on terror," and "axis of evil" have become commonplace in our discussion of international politics. What ever happened to civil debate? Where has all this moralizing come from? And what harm has this new level of attack caused to democracy in America? In this compelling and cogent account, Tom De Luca and John Buell chart the rise of what they rightly label as the "demonization" of American politics, showing how political campaigns often neglect debates over policy in favor of fights over the private character and personal lives of politicians. Political interests are still served by this style of politics, but democracy, the authors contend, is the loser. Covering everything from the Clinton impeachment to the war on terrorism to the 2004 presidential campaign, the authors show the distinctly American qualities of demonization and how their frequency and intensity has grown in the last four decades.

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For Franklin D. Roosevelt, the spring of 1941 was a time of uncertainty and fear. Hitler's armies were poised to strike, but no one was sure where the next attack would come. The United States had begun its military build-up, but as yet the Army and Navy were ill-prepared for war with Germany and Japan. And though the American public was not ready to support an unprovoked declaration of war, Churchill and members of Roosevelt's administration were urging him to intervene before it was too late.

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Two series of letters described as "the wellsprings of nearly all ensuing debate on the limits of governmental power in the United States" address the whole remarkable range of issues provoked by the crisis of British policies in North American out of which a new nation emerged from an overreaching empire.

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Illustrated with fifty-four photographs and featuring a comprehensive discography and sessionography, this book traces Eddy Arnold’s origins from a cotton farm in western Tennessee to his legendary status in the world of country music. Michael Streissguth covers Arnold’s success as a top-selling artist in the 1940s and 1950s and his temporary wane as listeners gravitated toward the rock & roll sound, embodied by newcomer Elvis Presley. Arnold (1918–2008) kept recording, however, and working on his craft. By the mid-60s, he reemerged as a pop crooner with his hit song " Make the World Go Away.” His blend of country sentiments and pop stylings created the template for Nashville’s modern country music sound. Throughout his career he was a major concert attraction and a radio and television star. Few other figures can claim to have had as great an influence on contemporary country and popular arranging.

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Designers create so much of what we see, what we use, and what we experience. In this time of unprecedented environmental, social, and economic crises, designers can choose what their young profession will be about: inventing deceptions that encourage more consumption—or helping repair the world.

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This new work summarizes the research on all forms of media on children, looking at how much time they spend with media everyday, television programming and its impact on children, how advertising has changed to appeal directly to children and the effects on children and the consumer behavior of parents, the relationship between media use and scholastic achievement, the influence of violence in media on anti-social behavior, and the role of media in influencing attitudes on body image, sex and work roles, fashion, & lifestyle.

The average American child, aged 2-17, watches 25 hours of TV per week, plays 1 hr per day of video or computer games, and spends an additional 36 min per day on the internet. 19% of children watch more than 35 hrs per week of TV. This in the face of research that shows TV watching beyond 10 hours per week decreases scholastic performance.

In 1991, George Comstock published Television and the American Child, which immediately became THE standard reference for the research community of the effects of television on children. Since then, interest in the topic has mushroomed, as the availability and access of media to children has become more widespread and occurs earlier in their lifetimes. No longer restricted to television, media impacts children through the internet, computer and video games, as well as television and the movies. There are videos designed for infants, claiming to improve cognitive development, television programs aimed for younger and younger children-even pre-literates, computer programs aimed for toddlers, and increasingly graphic, interactive violent computer games.

*Presents the most recent research on the media use of young people
*Investigates the content of children's media and addresses areas of great concern including violence, sexual behavior, and commercialization
*Discusses policy making in the area of children and the media
*Focuses on experiences unique to children and adolescents.

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Tocqueville's Democracy in America continues to be widely read, but for all this familiarity, the vivid imagery with which he conveys his ideas has been overlooked, left to act with unexamined force upon readers' imaginations. In this first sustained feminist reading of Democracy in America Laura Janara assesses the dramatic feminine, masculine, and infantile metaphorical figures that represent the historical political drama that is Tocqueville's primary topic. These tropes are analyzed as both historical artifacts and symbols for psychoanalytic interpretation, deepening and complicating the standing interpretations of Tocqueville's work. Democracy Growing Up comments critically upon the peculiar gendered and familial foundations of modern Western democracy and upon the notion of democratic maturity that Tocqueville offers us.

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