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Kobieta

widziany: 28.12.2018 19:24

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  • 38 KB
  • 6 sty 16 10:32
Inspired by the idealism of the civil rights movement, the women who launched the radical second wave of the feminist movement believed, as a bedrock principle, in universal sisterhood and color-blind democracy. Their hopes, however, were soon dashed. To this day, the failure to create an integrated movement remains a sensitive and contested issue. In The Trouble Between Us, Winifred Breines explores why a racially integrated women's liberation movement did not develop in the United States.
Drawing on flyers, letters, newspapers, journals, institutional records, and oral histories, Breines dissects how white and black women's participation in the movements of the 1960s led to the development of separate feminisms. Herself a participant in these events, Breines attempts to reconcile the explicit professions of anti-racism by white feminists with the accusations of mistreatment, ignorance, and neglect by African American feminists. Many radical white women, unable to see beyond their own experiences and idealism, often behaved in unconsciously or abstractly racist ways, despite their passionately anti-racist stance and hard work to develop an interracial movement. As Breines argues, however, white feminists' racism is not the only reason for the absence of an interracial feminist movement. Segregation, black women's interest in the Black Power movement, class differences, and the development of identity politics with an emphasis on "difference" were all powerful factors that divided white and black women.
By the late 1970s and early 1980s white feminists began to understand black feminism's call to include race and class in gender analyses, and black feminists began to give white feminists some credit for their political work. Despite early setbacks, white and black radical feminists eventually developed cross-racial feminist political projects. Their struggle to bridge the racial divide provides a model for all Americans in a multiracial society.

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Assumptions about the family of the past pervade the expectations we bring to our personal interactions and shape the way we think about and study the family as a social institution. Most often, undergraduate courses in family sociology have a “marriage and family” focus, which emphasizes the dynamics of interpersonal relations and contemporary family roles. Similarly, sociological concerns focus on the present and the future of family life, with little attention to the past except as it provides a contrast with current experience.The research conducted by family historians over the past three decades challenges, modifies, and ultimately enriches sociological understandings about American family life today. By looking closely at the historical record, the author is able to debunk certain myths, such as the belief that the “ideal” family (male breadwinner and female domestic manager) has been historically prevalent; that the “traditional” family has been disintegrating in recent years; that the presumed breakdown of the family has left children more vulnerable than in the past. Drawing on and integrating this literature, then, allows students to develop new perspectives on contemporary social issues and reorients the kinds of questions sociologists bring to the study of family structures and processes.

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Based on three years of ethnographic research with Bruce Springsteen fans, and informed by the author's own experiences as a fan, Tramps Like Us is an interdisciplinary study of the ways in which ordinary people form special, sustained attachments to Springsteen and his music and how those attachments function in people's daily lives. An insider's narrative about Springsteen fans--who they are, what they do, and why they do it--this book also explores the phenomenon of fandom in general. The text oscillates between fans' stories and ideas and the author's own anecdotes, commentary, and analysis. Cavicchi challenges the stereotypes of fans as obsessive, delusional, and even mentally ill, and explores fandom as a normal cultural and social phenomenon. He argues that music fandom is a useful and meaningful behavior that enables people to shape identity, create community, and make sense of the world.

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  • 6 sty 16 10:32
Outsourcing is as controversial as ever in today's globalized world. But for all the noise about it in the media, whether reflecting the perspectives of labor, business, consultants, academics, employees, or protestors, there is far more emotion surrounding the benefits and drawbacks of the trend than there is common sense. Not only are these messages from different constituents polarizing, they are also confusing because they muddy the waters regarding corporate performance. Buffington clarifies the role of outsourcing in business today so that Americans can focus on something that really matters—real increases in productivity and competitiveness in a global economy. In most cases, he contends, neither outsourcing nor its close cousin, offshoring, are effective as a means to their intended end. Moreover, he points out, Americans focus a lot of negative energy on offshoring, not realizing that domestic outsourcing might be more harmful to our economy in the long run. Corporations lack awareness of this distinction, according to Buffington, and therefore they don't know which should be implemented in what circumstances. That ignorance is not only an obstacle for any company seeking to implement a successful outsourcing strategy, but it is also a dire threat to the long-term growth of the American economy.


Buffington demonstrates that outsourcing often functions as an easy out for corporations that are reluctant to look instead at the root causes of their problems, whether low productivity, lack of innovation, or an unwillingness to invest in marketing, promotion, and sales. The reason that corporations aren't focusing on these core issues has a historical element as much as an evolutionary one within a global economy; the divisions today between workers and management are as sharp as they were back in the early 20th century, Buffington argues. But as much as we have to learn from the past about the impact of worker/management relations on worker productivity, we have even more to learn about all aspects of the productivity puzzle. Corporate productivity, or lack thereof, drives the success or failure of outsourcing or offshoring more than the act itself, according to Buffington. This book challenges business leaders to find their productivity and only then to make outsourcing decisions. This approach will work for corporations, consulting firms, outsourcers, and in the end, customers themselves. A more productive, worker-manager friendly business environment will lead to greater U.S. productivity, and therefore, more effective outsourcing/offshoring decisions.

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The Citizen’s Almanac is a publication developed for new citizens. It includes information on U.S. civic history, rights and responsibilities of U.S. citizenship, biographical details on prominent foreign-born Americans, landmark decisions of the Supreme Court, presidential speeches on citizenship, and several of our founding documents including the Declaration of Independence and the Constitution.

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Bruce Springsteen: Two Hearts is the definitive biography of one of the most important songwriters and performers of the last three decades. Critic Dave Marsh has traced Springsteen's career from its beginning, and has earned the singer's respect through his careful documentation and critical description of Springsteen's work. This biography brings together for the first time Marsh's two previous biographies, Born To Run (which covered Springsteen's early career through the mid-'70s) and Glory Days (which took him through the mid-'80s). Both were widely praised for their insightful and near definitive coverage of Springsteen's life and music. For this book, Marsh has written a new chapter covering major developments in Springsteen's career to today, particularly focusing on his album The Rising and its impact on American culture.
Until Springsteen writes his autobiography, this book will stand as the best single introduction to a major force in American culture.

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There's never been a Web site like Facebook: more than 350 million people have accounts, and if the growth rate continues, by 2013 every Internet user worldwide will have his or her own page. And no one's had more access to the inner workings of the phenomenon than Kirkpatrick, a senior tech writer at Fortune magazine. Written with the full cooperation of founder Mark Zuckerberg, the book follows the company from its genesis in a Harvard dorm room through its successes over Friendster and MySpace, the expansion of the user base, and Zuckerberg's refusal to sell. The author is at his best discussing the social implications of the site, from the changing notions of privacy to why and how people use Facebook—increasingly it's to come together around a common interest or cause (the eponymous Facebook Effect). Though significantly more informative, thoughtful, and credible than Ben Mezrich's The Accidental Billionaires, it may be hamstrung by its late entry; the furor over Facebook has more or less subsided, and potential readers are more likely to be using the site than to be reading about its origins.

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From the mid-seventeenth century to the 1830s, successful gentry capitalists created an extensive business empire centered on slavery in the West Indies, but inter-linked with North America, Africa, and Europe. S. D. Smith examines the formation of this British Atlantic World from the perspective of Yorkshire aristocratic families who invested in the West Indies. At the heart of the book lies a case study of the plantation-owning Lascelles and the commercial and cultural network they created with their associates. The Lascelles exhibited high levels of business innovation and were accomplished risk-takers, overcoming daunting obstacles to make fortunes out of the New World. Dr Smith shows how the family raised themselves first to super-merchant status and then to aristocratic pre-eminence. He also explores the tragic consequences for enslaved Africans with chapters devoted to the slave populations and interracial relations. This widely-researched book sheds new light on the networks and the culture of imperialism.

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Recollecting is a rich collection of essays that illuminate the lives of late eighteenth century to the mid-twentieth century Aboriginal women, who have been overlooked in sweeping narratives of the history of the West. Some essays focus on individual women -- a trader, a performer, a non-human woman -- while others examine cohorts of women -- wives, midwives, seamstresses, nuns. Authors look beyond the documentary record and standard representations of women, drawing also on records generated by the women themselves, including their beadwork, other material culture, and oral histories.

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  • 6 sty 16 10:32
Want to ace the ASVAB? This essential guide includes in-depth reviews of all nine test subjects with complete explanations for every question, proficiency exercises, and tips to help you pinpoint your weaknesses and hone your test taking skills. You'll discover the pros and cons of the paper and computer exams, which tests are important to your military career, and cutting-edge study techniques.
Features four full-length practice ASVAB tests
Includes a new sample Armed Forces Qualifying Test (AFQT)
Presents a thorough review of foundational concepts for every section, including: building word knowledge, paragraph comprehension, solving math word problems, mechanical comprehension, assembling objects, and more
Helps you conquer the subtests and compute your scores

Packed with practice questions and proven study tips, ASVAB For Dummies, Third Edition is the only guide you need to score your best and find your place in the military!

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The Armed Services Vocational Aptitude Battery (ASVAB) is a multiple choice test, administered by the United States Military Entrance Processing Command, used to determine qualification for enlistment in the United States armed forces. It is often offered to American high school students when they are in the 10th, 11th and 12th grade, though anyone eligible for enlistment may take it.

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In this brash autobiography, comic Leguizamo recalls a life lived "on the fine line between acting and acting out." Readers who know his celebrated one-man shows, Mambo Mouth and Spic-O-Rama among them, will recognize some of the same people and topics: the doting mom, authoritarian father, brother Serge and the author's perpetually adolescent fascination with sex. Familiar, too, are the chameleonlike shifts of tone and theme— Leguizamo's trickster charm and outspoken ethnic pride can morph to candid yet searing takes on money, fame and the acting life. Mostly, Leguizamo tracks his maturation and unlikely rise from a smart-ass acting tyro born in Colombia and raised in Queens, N.Y., to an award-winning actor, director and family man. As he puts it: "I'm a horrible example of how to have a successful career." Yet Leguizamo makes this story full of behavioral quirks and professional beefs memorable. Whether he is being tough on Latin stereotypes or describing his sexual conquests, the text is hilarious—propelled by jokes, quips and situations in which the author usually finds himself driven to reaction instead of reflection. This mix of the glib and the sometimes glam presents a refreshing cultural tonic.

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  • 6 sty 16 10:32
The soap opera, one of U.S. television's longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers' attention from cable and the Internet. Yet, soaps' influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries.

The book contains contributions from established soap scholars such as Robert C. Allen, Louise Spence, Nancy Baym, and Horace Newcomb, along with essays and interviews by emerging scholars, fans and Web site moderators, and soap opera producers, writers, and actors from ABC's General Hospital, CBS's The Young and the Restless and The Bold and the Beautiful, and other shows. This diverse group of voices seeks to intervene in the discussion about the fate of soap operas at a critical juncture, and speaks to longtime soap viewers, television studies scholars, and media professionals alike.

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The Men of Ft. Foster contains enlisted uniforms, equipment and artifacts of the United States Armed Forces, 1836-1842 and is written by Alejandro M. de Quesada, Jr. Fort Foster lasted only a year and a half during the Second Seminole War (1835-1842), but was very strategic guarding a trestle bridge that spanned western Floridas Hillsborough River. The uniforms, equipment and artifacts of the army, militia, navy, marines and revenue marines of this fort represent a transition from a smaller peacetime army to one of wartime, and received new uniforms and equipment. The artifacts from Fort Foster are typical of those from other Seminole War camps & fort sites.

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Blood Meridian (1985), Cormac McCarthy's epic tale of an otherwise nameless "kid" who in his teens joins a gang of licensed scalp hunters whose marauding adventures take place across Texas, Chihuahua, Sonora, Arizona, and California during 1849 and 1850, is widely considered to be one of the finest novels of the Old West, as well as McCarthy's greatest work. The New York Times Book Review ranked it third in a 2006 survey of the "best work of American fiction published in the last twenty-five years," and in 2005 Time chose it as one of the 100 best novels published since 1923. Yet Blood Meridian's complexity, as well as its sheer bloodiness, makes it difficult for some readers. To guide all its readers and help them appreciate the novel's wealth of historically verifiable characters, places, and events, John Sepich compiled what has become the classic reference work, Notes on Blood Meridian.
Tracing many of the nineteenth-century primary sources that McCarthy used, Notes uncovers the historical roots of Blood Meridian. Originally published in 1993, Notes remained in print for only a few years and has become highly sought-after in the rare book market, with used copies selling for hundreds of dollars. In bringing the book back into print to make it more widely available, Sepich has revised and expanded Notes with a new preface and two new essays that explore key themes and issues in the work. This amplified edition of Notes on Blood Meridian is the essential guide for all who seek a fuller understanding and appreciation of McCarthy's finest work.

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Almost all students have seen 2001, but virtually none understand its inheritance, its complexities, and certainly not its ironies. The essays in this collection, commissioned from a wide variety of scholars, examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on the science fiction conventions of the past (Kubrick began thinking of making a science fiction film during the genre's heyday in the fifties), rethinks the convention in light of the time of the film's creation, and in turn changes the look and meaning of the genre that it revived--which now remains as prominent as it was almost four decades ago. Constructed out of its director's particular intellectual curiosity, his visual style, and his particular notions of the place of human agency in the world and, in this case, the universe, 2001 is, like all of his films, more than it appears, and it keeps revealing more the more it is seen. Though their backgrounds and disciplines differ, the authors of this essay collection are united by a talent for vigorous yet incisive writing that cleaves closely to the text--to the film itself, with its contextual and intrinsic complexities--granting readers privileged access to Kubrick's formidable, intricate classic work of science fiction.

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For an entire generation that came to maturity in the 1960s, LSD, the hallucinatory drug which promised liberation of human consciousness, was the catalyst of an all-pervasive cultural revolution. This is the riveting account of the unique social phenomenon created by LSD.

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In Clublife, Rob takes readers on a harrowing tour of the seedy, dangerous, and often deranged world of New York's hottest nightclubs. In the tradition of Kitchen Confidential and The Tender Bar, Clublife is a remarkable memoir of the nightclub business and how drugs, alcohol, troublemakers, and violence conspire against the men clubs enlist to keep it all under control. Brutally honest and filled with incredible tales only a true insider could tell, Clublife gives readers an all-access pass into the seamy subculture of New York nightclub security.

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