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widziany: 10.09.2011 15:51

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  • 19 sie 11 17:40
Published together for the first time, this anthology of essays on boxing covers the sport in all its forms and at its many levels. Written in bestselling author Katherine Dunn’s characteristic vernacular, these pieces range from portraits of legendary fighters such as Sugar Ray Leonard, Roberto Duran, Marvin Hagler, and Mike Tyson to the unsung stories of trainers, amateurs, promoters, cutmen, and a pair of pugilistic priests. Spanning 30 years and including all who make up the vibrant boxing world, this compilation—from one of the most original voices in American sports literature—finely elevates the sport and communicates its beauty, passion, and character.

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This volume examines the Anglo-Israeli relationship from early 1956 to the summer of 1958, against the wider background of the Cold War, rivalry of the superpowers and the upheavals in the Middle East. During this period the Anglo-Israeli relationship went through two major phases. The first one, from early 1956 to early 1957, was marked by growing tension in the Middle East when relations between Britain and Israel were at best cool and at times hostile. The second phase, from March 1957 to the summer/autumn of 1958, was characterized by the growing instability of pro-western states in the region and by an eventual breakthrough in Anglo-Israeli relations. Anglo-Israeli relations were overshadowed by Britain's interest in the Middle East, which were essentially to keep oil supply routes and communication with the Indian Ocean open. It was only the Iraqi coup d'etat in 1958 and the collapse of the Baghdad Pact, which paved the way for the change in Anglo-Israeli relations. This dramatic set of events, coupled with Israel's willingness to co-operate with the US and the British military rescue operation in Jordan, led to a less antagonistic and distrustful relationship resulting in a definite change in Whitehall's attitudes. This study aims to demonstrate that as far as Anglo-Israeli relations were concerned it was the upheavals after the Suez war and primarily the crisis during the summer of 1958 that led to an enhanced understanding between Britain and Israel.

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Focusing on the key topics within the period covered, the book explores the build up to the War of Independence, the American Civil War, the New Deal, and civil rights. The background to each topic is then explored along with essay writing advice and examples, source work and historical skills exercises.

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Changing International affairs and the forces of technological innovation shaped the lives of Americans in the last decades of the 20th century. While the end of the Cold War and the collapse of the Soviet Union gave rise to hopes of peaceful international relations, the Gulf War and the attacks of September 11, 2001 on the World Trade Center in New York shattered these aspirations. In the social sphere, cell phones, CDs, and the Internet completely transformed the ways by which people communicated and conveyed information. The election of an African-American man to the presidency marked the successful continuation of the struggle for equal civil rights, bolstering America's reputation as a radically changing place in this contemporary period.

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This one-volume collection of all five books in the Facts On File series on American regional expressions is to my knowledge the only single-volume
dictionary in print on American regionalisms. Designed to appeal to the general reader, it unites all the material in the original five books, including the introductions (slightly abridged). Each of the earlier five books constitutes a separate section in the new one-volume work, making it easier to use as a reference work than if the 20,000 or so total entries of all the books were alphabetized together.

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Movies play a central role in shaping our understanding of crime and the world generally, helping us define what is good and bad, desirable and unworthy, lawful and illicit, strong and weak. Crime films raise controversial issues about the distribution of social power and the meanings of deviance, and they provide a safe space for fantasies of rebellion, punishment, and the restoration of order. In this first comprehensive study of its kind, well-known criminologist Nicole Rafter examines the relationship between society and crime films from the perspectives of criminal justice, film history and technique, and sociology. Dealing with over 300 films ranging from gangster and cop to trial and prison movies, Shots in the Mirror concentrates on works in the Hollywood tradition but also identifies a darker strain of critical films that portray crime and punishment more bleakly.

Review: Crime films
A must read for students - and fans - of crime films! I enjoyed it a great deal!

Review: Enjoying Crime Films
This wonderful book grew out of a college course that Nicole Rafter developed on crime films and society. It will interest general readers, too--those of us who enjoy crime films and are curious about their history and enduring appeal. The book, covering American film from the early 1900s through 1998, begins with an introductory chapter on the history of crime films, followed by chapters on specific genres, such as cop films and courtroom dramas, and other topics.Rafter's guiding focus is the interaction between crime films and their eras' dominant beliefs and controversies. Crime films mirror cultural ideas about crime and help shape them. Thus, she features films that have received critical or popular recognition and provide provocative entree to significant social issues of their times. Crime films, Rafter argues, are social tools, as well. They help build consensus, expose our differences, and chart new courses of action. While readers will not always agree with Rafter's interpretations and analyses, they will become more sensitive observers, more active players in the ongoing exchange between crime films and everyday social life. In addition, readers will come away from this engaging book with a long list of films to see and to rethink. (Rafter mentions over 300 crime films in all, discussing over 100 in some depth.)On a personal note, I share the author's observation that students in criminology are well versed in crime films and interested in their import. SHOTS IN THE MIRROR provides a marvelous vehicle for capitalizing on their interest and broadening the study of crime, as well. The book's historical perspective and its sensitivity to issues of race and gender could also prove useful for other courses in the social sciences.

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"The Almanacs of American Wars" series traces American war history from the 18th century to the present day, with each volume providing an up-close look at a particular period of American history and its role and influence on various acts of war. The bulk of each book is devoted to a detailed, day-by-day chronology of the people and events important during wartime conflicts. An A-to-Z dictionary follows, covering people, battles, events, and other exciting details such as military strategies from the opposing sides and information on significant military leaders and their roles during battle. Dozens of maps, photographs, and illustrations combine with a comprehensive index, a bibliography, and cross-references to make each volume an accessible reference for those interested in American war history and the role America played in times of military struggle.

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This collection of essays covers a particularly turbulent and important period in European and American history. As a vital component of print and political culture, newspapers feature prominently in many accounts of social and political change between 1750 and 1850. Yet despite the influence attributed to the newspaper press (by historians and contemporaries), not enough is known about the press itself, particularly in terms of national comparison. This collection aims to fill this gap in our knowledge by examining the press of several European countries and of North America.

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Belligerents, Brinkmanship, and the Big Stick: A Historical Encyclopedia of American Diplomatic Concepts is the first comprehensive encyclopedic work to focus specifically on America's extraordinary history of political engagement with the world. With hundreds of alphabetically organized entries and a rich collection of primary sources, it offers a unique way of understanding the centrality of diplomacy and the role of foreign relations throughout U.S. history.

The encyclopedia is divided into five chronological sections, each containing a brief introduction, topical entries, biographical portraits, and representative documents. It is designed to help readers gain a deeper understanding of both general ideas as well as specific policies like the Monroe Doctrine, the Open Door Policy, and Shuttle Diplomacy. By examining seminal events, important ideas, and individual contributions in the context of U.S. history, the encyclopedia reveals the underlying traditions and motivations of American foreign policy as it has evolved over time.

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For the past two decades, Orville Hicks has enthralled audiences with his storytelling performances. In 2007, Orville was honored with a North Carolina Heritage Award. Jack Tales and Mountain Yarns includes more than 20 transcribed stories that expertly capture the voice of the master storyteller. Each of these stories is paired with lively pencil sketches by Sherry Jensen.
Some of the stories tell of Orville's childhood and focus on mountain traditions such as gathering galax and selling pumpkins. Others are traditional Jack tales, which feature the antics of the mischievous boy named Jack. The most recognizable traditional Jack tale is the story of Jack and the beanstalk.

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Since the end of the Cold War the United States has intervened militarily in a number of civil conflicts around the world, with varying degrees of success. This book examines four US-sponsored interventions (Panama, Somalia, Haiti and Bosnia), focusing on the vital nation-building efforts which have followed military action. The book seeks to provide a greater understanding of the successes and failures of US policy, to improve strategies for reconstruction, and to provide some insight into the conditions under which intervention and nation-building are likely to succeed.

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Although cinema was invented in the mid-1890s, it was a decade more before the concept of a "film spectator" emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown--vaudeville, dime museums, fairgrounds--a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere. Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School's debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm--as one of the new industry's strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience.

After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith's Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer.

Babel and Babylon recasts the debate on early American cinema--and by implication on American film as a whole. It is a model study in the field of Cinema Studies, mediating the concerns of recent film theory with those of recent film history.

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Religion has always played an important role in U.S. politics, from the writing of the Constitution to the most recent presidential elections. The subjects of religion and politics In America seem to perpetually spark passionate debate and study. Issues such as abortion, capital punishment, prayer in public schools, and family values keep religion and politics closely entwined in American public life. Encyclopedia of American Religion and Politics is an A-to-Z reference covering all facets of American politics and religion, from the early days of the American republic to the rise of the political power of the Christian Right. More than 600 entries cover key religious and political leaders, important historical events, descriptions of court cases, concepts, and religious denominations.

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American religious pacifism is usually explained in terms of its practitioners' ethical and philosophical commitments. Patricia Appelbaum argues that Protestant pacifism, which constituted thereligious center of the large-scale peace movement in the United States after World War I, is best understood as a culture that developed dynamically in the broader context of Americanreligious, historical, and social currents.

Exploring piety, practice, and material religion, Appelbaum describes a surprisingly complex culture of Protestant pacifism expressed through social networks, iconography, vernacular theology, individual spiritual practice, storytelling, identity rituals, and cooperative living. Between World War I and the Vietnam War, she contends, a paradigm shift took place in the Protestant pacifist movement. Pacifism moved from a mainstream position to a sectarian and marginal one, from an embrace of modernity to skepticism about it, and from a Christian center to a purely pacifist one, with an informal, flexible theology.

The book begins and ends with biographical profiles of two very different pacifists, Harold Gray and Marjorie Swann. Their stories distill the changingreligious culture of American pacifism revealed in Kingdom to Commune.

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A classic examination of the early American intellectual life. All serious students and scholars of American literature and history must read this book.

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Our thinking is inhabited by images-images of sometimes curious and overwhelming power. The mushroom cloud, weird rays that can transform the flesh, the twilight world following a nuclear war, the white city of the future, the brilliant but mad scientist who plots to destroy the world-all these images and more relate to nuclear energy, but that is not their only common bond. Decades before the first atom bomb exploded, a web of symbols with surprising linkages was fully formed in the public mind. The strange kinship of these symbols can be traced back, not only to medieval symbolism, but still deeper into experiences common to all of us.

This is a disturbing book: it shows that much of what we believe about nuclear energy is not based on facts, but on a complex tangle of imagery suffused with emotions and rooted in the distant past. Nuclear Fear is the first work to explore all the symbolism attached to nuclear bombs, and to civilian nuclear energy as well, employing the powerful tools of history as well as findings from psychology, sociology, and even anthropology. The story runs from the turn of the century to the present day, following the scientists and journalists, the filmmakers and novelists, the officials and politicians of many nations who shaped the way people think about nuclear devices. The author, a historian who also holds a Ph.D. in physics, has been able to separate genuine scientific knowledge about nuclear energy and radiation from the luxuriant mythology that obscures them. In revealing the history of nuclear imagery, Weart conveys the hopeful message that once we understand how this imagery has secretly influenced history and our own thinking, we can move on to a clearer view of the choices that confront our civilization.

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yooghurt26

yooghurt26 napisano 4.06.2012 11:51

zgłoś do usunięcia

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