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widziany: 10.09.2011 15:51

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  • 13 KB
  • 19 sie 11 17:40
With more than 500 entries (including up-to-date information on such high profile cases as Martha Stewart and Enron), the Encyclopedia of White-Collar & Corporate Crime gathers history, definitions, examples, investigation, prosecution, assessments, challenges, and projections into one definitive reference work on the topic. The Encyclopedia of White-Collar & Corporate Crime is edited to incorporate information about a variety of white-collar crimes, and provides examples of persons, statutes, companies, and convictions. Each entry offers a thorough and thoughtful summary of the topic. Rather than a simple definition, users are given a satisfying and sophisticated synopsis with references for further study. Articles consider all aspects of white-collar and corporate crime, including: * Law: describes specific elements of corporate law and the various illegal acts to which they apply * Individuals: brief biographical sketches, primarily focused on how they relate to the study of white-collar crime * Events: criminal events include descriptions of specific cases of white-collar crime, both past and current The Encyclopedia was developed primarily for college, public, and high school libraries. Post-graduate academics, law firms, and corporations will also find this a valuable addition to their libraries.

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  • 19 sie 11 17:40
Nicholas Guyatt offers a completely new understanding of a central question in American history: how did Americans come to think that God favored the United States above other nations? Making sense of previously diffuse debates on manifest destiny, millenarianism, and American mission, Providence and the Invention of the United States explains the origins and development of the idea that God has a special plan for America. The benefits and costs of this idea deserve careful consideration.

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American political development (APD) has claimed in recent years the attention of a growing band of political scientists, and scholars have begun to speak of "APD" as a subfield within the discipline. This book provides a justification for studying politics historically, not only for what it reveals about the roots of political affairs at the present time but what it teaches about politics as an ongoing activity. Placing the character of political institutions at the center of analysis, the authors survey past and current scholarship and outline a course of study for the future.

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Everywhere you look people are more aware of what they eat and where their food comes from. In a cafeteria in Los Angeles, children make their lunchtime food choices at fresh-fruit and salad bars stocked with local foods. In a community garden in New York, low-income residents are producing organically grown fruits and vegetables for their own use and to sell at market. In Madison, Wisconsin, shoppers select their food from a bounty of choices at a vibrant farmers' market. Together at the Table is about people throughout the United States who are building successful alternatives to the contemporary agrifood system and their prospects for the future.
At the heart of these efforts are the movements for sustainable agriculture and community food security. Both movements seek to reconstruct the agrifood system--the food production chain, from the growing of crops to food production and distribution--to become more ecologically sound, economically viable, and socially just. Allen describes the ways in which people working in these movements view the world and how they see their place in challenging and reshaping the agrifood system. She also shows how ideas and practices of sustainable agriculture and community food security have already woven their way into the dominant agrifood institutions. Allen explores the possibilities this process may hold for improving social and environmental justice in the American agrifood system.
Together at the Table is an important reminder that much work still remains to be done. Now that the ideas and priorities of alternative food movements have taken hold, it is time for the next--even more challenging--step. Alternative agrifood movements must acknowledge and address the deeper structural and cultural patterns that constrain the long-term resolution of social and environmental problems in the agrifood system.

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Anglo-American private law has been a far more complex phenomenon than has been usually recognized. Attempts to reduce it to a single explanatory principle, or to a precisely classified or categorized map, scheme, or diagram, are liable to distort the past by omitting or marginalizing material inconsistent with proposed principles or schemes. This study will be of importance to all who are interested in property, tort, contract, unjust enrichment, legal reasoning, legal method, the history of the common law, and the relation between legal theory and legal history.

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Custer ogarnął spojrzeniem pozycję. Na horyzoncie słońce chyliło się za majestatyczne, ośnieżone szczyty gór Big Horn. Bliżej, u stóp urwistych wzgórz, wiła się rzeka Little Big Horn. Jej drugi brzeg porastał las, za któym widać było setki tipi...

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  • 19 sie 11 17:40
Seria "Wielkie Bitwy Historii" to polska wersja słynnego cyklu "Campaign" oraz "Essential Histories" wydawnictwa Osprey Publishing. W ramach serii opublikowane zostaną omówienia wszystkich znaczących starć w konfliktach na przestrzeni dziejów.

Dwudziestego piątego czerwca 1876 roku przed godziną 18 na zboczu wzgórza w południowej Montanie poległo 210 żołnierzy z Siódmego Regimentu Kawalerii Armii Stanów Zjednoczonych. Zginął też ich dowódca, podpułkownik George Armstrong Custer. Sześć i pół kilometra dalej w górę rzeki leżało ponad czterystu kolejnych żołnierzy, również martwych. Wszyscy zginęli z rąk Siuksów i Czejenów podczas bitwy nad rzeką Little Big Horn. Indianie nazwali ją bitwą "tłustej trawy". Bitwa nad Little Big Horn od strony taktycznej zakończyła się zwycięstwem plemion zamieszkujących Wielkie Równiny Ameryki Północnej, ale pod względem strategicznym przyniosła im klęskę. Dla Amerykanów "ostatnia bitwa Custera" była podręcznikową porażką.

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In the 1930s, swing music reigned, and the Jimmie Lunceford Orchestra was the hottest and hippest attraction on the black dance circuits. Known for its impeccable appearance and infectious rhythms, Lunceford's group was able to out-swing and outdraw any band. For ten consecutive years, they were the best-loved attraction at Harlem's famed Apollo Theater. The group's hit recordings sold in the hundreds of thousands, and Jimmie Lunceford's band rivaled Ellington's for popularity in the African American community.

Jimmie Lunceford was also an innovator, elevating big-band showmanship to an art and introducing such novel instruments as the electric guitar and bass. The band's arrangements, written by Sy Oliver, Edwin Wilcox, Gerald Wilson, Billy Moore, Jr., and Tadd Dameron, were daring and forward looking, influencing generations of big-band writers.

Rhythm Is Our Business traces the development of the Jimmie Lunceford Orchestra from its infant days as a high school band in Memphis to its record-breaking tours across the United States, Canada, and Europe. The book also unveils Lunceford's romantic yet ill-fated involvement with Yolande Du Bois, daughter of famous writer and opinion leader W.E.B. Du Bois. And by reconstructing Lunceford's last day, the book offers a glimpse into the mysteries surrounding the leader's untimely death. This is essential reading for anyone interested in the history and legacy of swing.

Eddy Determeyer has been a freelance music journalist for more than three decades. In 1984 Determeyer wrote a seven-part series on Jimmie Lunceford for the Dutch magazine Jazz Nu. Determeyer has written thousands of articles on music for a variety of Dutch publications and is the author of several books. He currently produces the Holiday for Hipsters radio show for Dutch station Concertzender.

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Camille, which swept through coastal Mississippi and Louisiana in August 1969, was the storm that inspired the five-level scale currently used to predict the damage inflicted by hurricanes, and remains the only Category 5 storm—the strongest—to make landfall in modern American history. Zebrowski and Howard ground the storm's story in personal narratives, opening with the tale of a couple who fear their son has been killed when the storm hits the Mississippi coast. They interview other survivors in the region and up in Virginia, where Camille collided with another storm system, tracking the destruction and the confused response of local authorities. Zebrowski, a physicist, and Howard, a political columnist for a northern Louisiana newspaper, also focus on the role of Southern racial politics in shaping the civic response, particularly in one remote Louisiana parish. It's a serviceable recounting, with a thin layer of analysis discussing how Camille influenced the eventual creation of FEMA. Brief reference is made to Hurricane Katrina, but at this early stage, the authors can't say more than that authorities appear not to have learned from the earlier storm's effects.

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The USS Carondelet had a revolutionary ship design and was the most active of all the Union's Civil War river ironclads. From Fort Henry through the siege of Vicksburg and from the Red River campaign through the Battle of Nashville, the gunboat was prominent in war legend and literature. This history draws on the letters of Ensign Scott Dyer Jordan and Rear Adm. Henry Walke's memoirs.

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Nat Hentoff, renowned jazz critic, civil liberties activist, and fearless contrarian--"I'm a Jewish atheist civil-libertarian pro-lifer"--has lived through much of jazz's history and has known many of jazz's most important figures, often as friend and confidant. Hentoff has been a tireless advocate for the neglected parts of jazz history, including forgotten sidemen and -women. This volume includes his best recent work--short essays, long interviews, and personal recollections. From Duke Ellington and Louis Armstrong to Ornette Coleman and Quincy Jones, Hentoff brings the jazz greats to life and traces their art to gospel, blues, and many other forms of American music. At the Jazz Band Ball also includes Hentoff's keen, cosmopolitan observations on a wide range of issues. The book shows how jazz and education are a vital partnership, how free expression is the essence of liberty, and how social justice issues like health care and strong civil rights and liberties keep all the arts--and all members of society--strong.

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Tort law is the body of law governing negligence, intentional misconduct, and other wrongful acts for which civil actions can be brought. The conventional wisdom is that the rules, concepts, and structures of tort law are neutral and unbiased, free of considerations of gender and race.
In The Measure of Injury, Martha Chamallas and Jennifer Wriggins prove that tort law is anything but gender and race neutral. Drawing on an in-depth analysis of case law ranging from the Jim Crow South to the 9/11 Victim Compensation Fund, the authors demonstrate that women and minorities have been under-compensated in tort law and that traditional biases have resurfaced in updated forms to perpetuate patterns of disparate recovery based on race and gender. Grappling with tort theory, the intricacies of legal doctrine and the practical effects of legal rules, The Measure of Injury is a unique treatise on torts that uncovers the public and cultural dimensions of this always-controversial domain of private law.

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Hollywood has exerted a profound influence on British style and design. From its earliest days, Hollywood glamour in the form of make-up, hairstyles, and fashion was mimicked by women throughout Britain. But the influence of Hollywood was more than skin-deep. Nearly every form of British material culture in the twentieth century has been influenced to some extent by American style, disseminated through the medium of film to a broad and receptive market.

With the erection of the Chrysler Building in New York in the late 20s, representing the city and modern American urban life, the Manhattan skyline became an enduring icon in popular culture on both sides of the Atlantic. Not only Hollywood film, but jazz and American companies all combined to bring the new Moderne style to bear on Britain. The architecture of shops, cinemas, and factories all reflect this influence, as did various forms of transportation and the interiors of homes. Even as late as the consumer boom in the 80s, revivals celebrating the Moderne style were popular in Britain as well as abroad. This influence was naturally not without its critics. The very popularity of American design challenged the aesthetics and elitism of British high arts and remains controversial.

Anyone interested in design, material culture, film or architecture will find this book to be a lucid and absorbing exploration of a popular aesthetic.

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John Gregory Bourke kept a monumental set of diaries as aide-de-camp to Brigadier General George Crook. This fourth volume (of a projected set of eight) chronicles the political and managerial affairs in Crook's Department of the Platte. A large portion centers on the continuing controversy concerning the forced relocation of the Ponca Indians from their ancient homeland along the Dakota-Nebraska line to a new reservation in the Indian Territory. An equally large portion concerns Bourke's ethnological work under official sanction from the army and the Bureau of Ethnology. Each volume in the series is extensively annotated and contains a biographical appendix on Indians, civilians, and military personnel named in the volume.

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Covering more than 3,200 classic country music songs, this book embraces the country genre from its earliest roots to the end of 1989. It includes all of the recorded number-one hits from the early 1920s along with notable gospel songs which have become a part of the country music repertory, major fiddle tunes used throughout country music history, and major instrumentals, among others. Each song is documented with essential publishing, licensing, and recording information, including chart placements and notable awards earned. Many entries are annotated either with remarks from the songwriters or historical notes by the author.

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When bombs rained down on Pearl Harbor in 1941, Japanese American college students were among the many young men enrolled in ROTC and called upon to defend the islands against invasion immediately after the attack. In a matter of weeks, however, the military government questioned their loyalty and disarmed them.
In this book, Franklin Odo places the largely untold story of the war-time experience of these young men in the context of the community created by their immigrant families and its relationship to the larger, white-dominated society. At the heart of the book are vivid oral histories that recall the young men's service on the home front in the Varsity Victory Volunteers, a non-military group dedicated to public works, as well as in the segregated 442nd Regimental Combat Team that fought in Europe and the Military Intelligence Service. Odo shows how their war-time experiences and their post-war success in business and politics contributed to the simplistic view of Japanese Americans as a model minority in Hawai'i and glossed over significant differences in their lives and perspectives. No Sword to Bury is a book about a critical moment in ethnic identity formation among the first generation of Americans of Japanese descent (the nisei) as well as a history of their community during the war.

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The Historical Dictionary of U.S. Diplomacy from World War I through World War II relates the events of this crucial period in U.S. history through a chronology, an introductory essay, over 600 cross-referenced dictionary entries on key persons, places, events, institutions, and organizations.

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In 1852 Hannah Rebecca Crowell married sea captain William Burgess and set sail. Within three years, Rebecca Burgess had crossed the equator eleven times and learned to navigate a vessel. In 1856, 22-year-old Rebecca saved the ship Challenger as her husband lay dying from dysentery. The widow returned to her family's home in Sandwich, Massachusetts, where she refused all marriage proposals and died wealthy in 1917.
This is the way Burgess recorded her story in her prodigious journals and registers, which she donated to the local historical society upon her death, but there is no other evidence that this dramatic event occurred exactly this way. In The Captain’s Widow of Sandwich, Megan Taylor Shockley examines how Burgess constructed her own legend and how the town of Sandwich embraced that history as its own. Through careful analysis of myriad primary sources, Shockley also addresses how Burgess dealt with the conflicting gender roles of her life, reconciling her traditionally masculine adventures at sea and her independent lifestyle with the accepted ideals of the period’s “Victorian woman.

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Stuart A. Scheingold's landmark work introduced a new understanding of the contribution of rights to progressive social movements, and it continues to stand out as a seminal and provocative book bridging political science and sociolegal studies. Since its original publication, a flourishing body of scholarship has been built on the foundations laid in the original volume. In his new preface, the author provides a cogent and constructive analysis of this new scholarship -- which constitutes the legacy of the first edition and the occasion for this thirtieth anniversary second edition. Malcolm Feeley of the Boalt Hall School of Law at the University of California, Berkeley, also contributes a new foreword tracing the intellectual roots of The Politics of Rights to the classic texts of social theory and sociolegal studies.

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yooghurt26

yooghurt26 napisano 4.06.2012 11:51

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