Linking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of "the normal American child." He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without a vision of a normal American child and the belief that movies and television either helped or hindered its development, Disney might never have found its market niche as the paragon of family entertainment. At the same time, without media producers such as Disney, representations of the ideal child would not have circulated as freely in American popular culture.

In vivid detail, Sammond describes how the latest thinking about human development was translated into the practice of child-rearing and how magazines and parenting manuals characterized the child as the crucible of an ideal American culture. He chronicles how Walt Disney Productions' greatest creation--the image of Walt Disney himself--was made to embody evolving ideas of what was best for the child and for society. Bringing popular child-rearing manuals, periodicals, advertisements, and mainstream sociological texts together with the films, tv programs, ancillary products, and public relations materials of Walt Disney Productions, Babes in Tomorrowland reveals a child that was as much the necessary precursor of popular media as the victim of its excesses.

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71,2 MB
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Nicholas Sammond - Babes in Tomorrowland, Walt Dis ney and the Making of the American Child, 1930-196 0 (2005).pdf

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Mary Herczog, Paula Tevis - California For Dummies (2007).jpeg

From Hollywood and Disneyland to San Francisco, Yosemite, and the Napa Valley, California offers an endless supply of vacation fun. From the L.A. nightlife to the natural wonders, from great restaurants to fun outdoor activities, this friendly guide covers it all:

* Great itineraries for Northern California, Southern California, and the whole state
* Complete coverage of all the natural wonders
* Entire sections on Disneyland and Yosemite National Park
* Wacky events from sandcastle building contests to the Jumping Frog Jubilee

Like every For Dummies travel guide, California For Dummies, Third Edition includes:

* Down-to-earth trip-planning advice
* What you shouldn’t miss—and what you can skip
* The best hotels and restaurants for every budget
* Handy Post-it Flags to mark your favorite pages

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Mary Herczog, Paula Tevis - California For Dummies (2007).pdf

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J. C. Tidball - Manual of Heavy Artillery Service (1884).jpg

Prepared for the use of the army and militia of the United States.

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37,7 MB
21 cze 14 12:35

J. C. Tidball - Manual of Heavy Artillery Service (1884).pdf

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Glenn Hastedt - Encyclopedia of American Foreign P olicy (2004).jpg

Looking at American foreign policy from a historical viewpoint, Encyclopedia of American Foreign Policy details U.S. foreign affairs from the American Revolution through the present day. This comprehensive A-to-Z reference guide covers important people, groups and organizations, events, and legislation. It is the ideal place for students and general readers to start their research on America's relationship with the rest of the world.

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10,6 MB
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Glenn Hastedt - Encyclopedia of American Foreign P olicy (2004).pdf

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Eric Rauchway - The Great Depression and New Deal, A Very Short Introduction (2008).jpg

The New Deal shaped our nation's politics for decades, and was seen by many as tantamount to the "American Way" itself. Now, in this superb compact history, Eric Rauchway offers an informed account of the New Deal and the Great Depression, illuminating its successes and failures.
Rauchway first describes how the roots of the Great Depression lay in America's post-war economic policies--described as "laissez-faire with a vengeance"--which in effect isolated our nation from the world economy just when the world needed the United States most. He shows how the magnitude of the resulting economic upheaval, and the ineffectiveness of the old ways of dealing with financial hardships, set the stage for Roosevelt's vigorous (and sometimes unconstitutional) Depression-fighting policies. Indeed, Rauchway stresses that the New Deal only makes sense as a response to this global economic disaster. The book examines a key sampling of New Deal programs, ranging from the National Recovery Agency and the Securities and Exchange Commission, to the Public Works Administration and Social Security, revealing why some worked and others did not. In the end, Rauchway concludes, it was the coming of World War II that finally generated the political will to spend the massive amounts of public money needed to put Americans back to work. And only the Cold War saw the full implementation of New Deal policies abroad--including the United Nations, the World Bank, and the International Monetary Fund.
Today we can look back at the New Deal and, for the first time, see its full complexity. Rauchway captures this complexity in a remarkably short space, making this book an ideal introduction to one of the great policy revolutions in history.

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David Whitley - The Idea of Nature in Disney Anima tion (2008).jpeg

Given that Disney's animated films are an important part of many children's viewing experience worldwide, the messages movies such as "Bambi", "The Jungle Book", "Pocahontas", and "Beauty and the Beast" convey about the natural world are of crucial importance, and never more so than today. David Whitley's compelling study examines a range of Disney's feature animations, from "Snow White" to "Finding Nemo", in which images of wild nature are a central aspect of the narrative. Whitley challenges the notion that the sentimentality of the Disney aesthetic prevents audiences from developing a critical awareness of contested environmental issues. Rather, he argues, even as the films communicate the central ideologies of the times in which they were produced, they also express the ambiguities and tensions that underlie these dominant values. Differentiating among the effects produced by particular films, therefore, produces a more complex understanding of the classic Disney canon.Whitley's exploration of the way images of nature are mediated in Disney animation produces greater understanding of the role popular art may play in shaping feelings and ideas that are central to contemporary experience.

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Matthew Bannister - White Boys, White Noise, Mascu linities And 1980s Indie Guitar Rock (2006).jpg

To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including the Smiths, the Jesus and Mary Chain, My Bloody Valentine and the Go-Betweens; from the US, R.E.M., the Replacements, Dinosaur Jr, Husker Du, Nirvana and hardcore; and from NZ, Flying Nun acts, including the Chills, the Clean, the Verlaines, Chris Knox, Bailter Space, and the Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.

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Frederick Morse Cutler - The Old First (1917).jpg

Massachusetts Coast Artillery In War And Peace

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10,3 MB
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Frederick Morse Cutler - The Old First (1917).pdf

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Peter W. Edge - Religion And Law, An Introduction (2006).jpg

Discussion of the way in which law engages with religious difference often takes place within the context of a single jurisdiction. "Religion and Law: An Introduction", presents a comprehensive text for students, drawing on examples from across key Anglophone jurisdictions - the United Kingdom, the United States, Canada, New Zealand, Australia, and South Africa, as well as international law, to explore a broad range of issues. Aimed at a non-legal readership, this book introduces the use of legal sources and focuses on factual situations as much as legal doctrine. Key issues arising from interaction of the religious individual and the State are discussed, as well as the religious organisation or community and the State. The interaction is explored through case studies of areas as diverse as the legal regulation of religious drug use, sacred spaces and sacred places, and claims of clergy misconduct. Taking a broad, non-jurisdictional approach to the key issues, in particular providing insights differing from the dominant US experiences and paradigms, this student-friendly textbook includes a clearly structured bibliography and clear guidance on how to approach relevant legal materials

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Daniel T. Rodgers - The Work Ethic in Industrial A merica, 1850-1920 (1979).jpg

"Rodgers's book is a study of how technology affects ideas. That is the issue to which Rodgers always returns: how did men and women react to the economy of unprecedented plenty that the 19th-century revolution in power and machines had produced? . . . This is certainly . . . one of the most refreshing and penetrating analyses of the relation of diverse levels of 19th-century culture that it has been my pleasure to read in a long time."

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Francesco Duina - Winning, Reflections on an Ameri can Obsession (2010).jpg

Most of us are taught from a young age to be winners and avoid being losers. But what does it mean to win or lose? And why do we care so much? Does winning make us happy? Winning undertakes an unprecedented investigation of winning and losing in American society, what we are really after as we struggle to win, our collective beliefs about winners and losers, and much more. Francesco Duina argues that victory and loss are not endpoints or final destinations but gateways to something of immense importance to us: the affirmation of our place in the world. But Duina also shows that competition is unlikely to provide us with the answers we need. Winning and losing are artificial and logically flawed concepts that put us at odds with the world around us and, ultimately, ourselves. Duina explores the social and psychological effects of the language of competition in American culture. Primarily concerned with our shared obsessions about winning and losing, Winning proposes a new mind-set for how we can pursue our dreams, and, in a more satisfying way, find our proper place in the world.

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Francesco Duina - Winning, Reflections on an Ameri can Obsession (2010).pdf

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Glenna R. Schroeder-Lein - The Encyclopedia of Civ il War Medicine (2008).jpg

The American Civil War is the most read about era in our history, and among its most compelling aspects is the story of Civil War medicine - the staggering challenge of treating wounds and disease on both sides of the conflict. Written for general readers and scholars alike, this first-of-its kind encyclopedia will help all Civil War enthusiasts to better understand this amazing medical saga. Clearly organized, authoritative, and readable, "The Encyclopedia of Civil War Medicine" covers both traditional historical subjects and medical details. It offers clear explanations of unfamiliar medical terms, diseases, wounds, and treatments. The encyclopedia depicts notable medical personalities, generals with notorious wounds, soldiers' aid societies, medical department structure, and hospital design and function. It highlights the battles with the greatest medical significance, women's medical roles, period sanitation issues, and much more. Presented in A-Z format with more than 200 entries, the encyclopedia treats both Union and Confederate material in a balanced way. Its many user-friendly features include a chronology, a glossary, cross-references, and a bibliography for further study.

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Glenna R. Schroeder-Lein - The Encyclopedia of Civ il War Medicine (2008).pdf

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Khalid Sohail, Bette Davis - The Art of Working in Your Green Zone (2004).jpg

- It's a zoo in there " best describes the jungle that has become today's workplace.
- Downsizing, condensing, assimilating and all the other buzz words used by corporate USA, workers have become the low person on the corporate ladder.
- Teachers dealing with enlarged classroom enrollments, can't wait to flee their stressful environment at the end of the day.

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Khalid Sohail, Bette Davis - The Art of Working in Your Green Zone (2004).pdf

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Larry Engelmann - Tears before the Rain, An Oral H istory of the Fall of South Vietnam (1990).jpg

CBS camera-man Mike Marriott was on the last plane to escape from Danang before it fell in the spring of 1975. The scene was pure chaos: thousands of panic-stricken Vietnamese storming the airliner, soldiers shooting women and children to get aboard first, refugees being trampled to death. Marriott remembers standing at the door of the aft stairway, which was gaping open as the plane took off. "There were five Vietnamese below me on the steps. As the nose of the aircraft came up, because of the force and speed of the aircraft, the Vietnamese began to fall off. One guy managed to hang on for a while, but at about 600 feet he let go and just floated off--just like a skydiver.... What was going through my head was, I've got to survive this, and at the same time, I've got to capture this on film. This is the start of the fall of a country. This country is gone. This is history, right here and now."
In Tears Before the Rain, a stunning oral history of the fall of South Vietnam, Larry Engelmann has gathered together the testimony of seventy eyewitnesses (both American and Vietnamese) who, like Mike Marriott, capture the feel of history "right here and now." We hear the voices of nurses, pilots, television and print media figures, the American Ambassador Graham Martin, the CIA station chief Thomas Polgar, Vietnamese generals, Amerasian children, even Vietcong and North Vietnamese soldiers. Through this extraordinary range of perspectives, we experience first-hand the final weeks before Saigon collapsed, from President Thieu's cataclysmic withdrawal from Pleiku and Kontum, (Colonel Le Khac Ly, put in command of the withdrawal, recalls receiving the order: "I opened my eyes large, large, large. I thought I wasn't hearing clearly") to the last-minute airlift of Americans from the embassy courtyard and roof ("I remember when the bird ascended," says Stuart Herrington, who left on one of the last helicopters, "It banked, and there was the Embassy, the parking lot, the street lights. And the silence").
Touching, heroic, harrowing, and utterly unforgettable, these dramatic narratives illuminate one of the central events of modern history. "It was like being at Waterloo," concludes Ed Bradley of 60 Minutes. "It was so important, so historical. And today it is still very obvious that we Americans have not recovered from Vietnam....Nothing else in my lifetime was as important as that--as important as Vietnam."

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Larry Engelmann - Tears before the Rain, An Oral H istory of the Fall of South Vietnam (1990).pdf

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Mark E. Neely - The Fate of Liberty, Abraham Linco ln and Civil Liberties (1992).jpg

If Abraham Lincoln was known as the Great Emancipator, he was also the only president to suspend the writ of habeas corpus. Indeed, Lincoln's record on the Constitution and individual rights has fueled a century of debate, from charges that Democrats were singled out for harrassment to Gore Vidal's depiction of Lincoln as an "absolute dictator." Now, in the Pulitzer Prize-winning The Fate of Liberty, one of America's leading authorities on Lincoln wades straight into this controversy, showing just who was jailed and why, even as he explores the whole range of Lincoln's constitutional policies.
Mark Neely depicts Lincoln's suspension of habeas corpus as a well-intentioned attempt to deal with a floodtide of unforeseen events: the threat to Washington as Maryland flirted with secession, disintegrating public order in the border states, corruption among military contractors, the occupation of hostile Confederate territory, contraband trade with the South, and the outcry against the first draft in U.S. history. Drawing on letters from prisoners, records of military courts and federal prisons, memoirs, and federal archives, he paints a vivid picture of how Lincoln responded to these problems, how his policies were actually executed, and the virulent political debates that followed. Lincoln emerges from this account with this legendary statesmanship intact--mindful of political realities and prone to temper the sentences of military courts, concerned not with persecuting his opponents but with prosecuting the war efficiently. In addition, Neely explores the abuses of power under the regime of martial law: the routine torture of suspected deserters, widespread antisemitism among Union generals and officials, the common practice of seizing civilian hostages. He finds that though the system of military justice was flawed, it suffered less from merciless zeal, or political partisanship, than from inefficiency and the friction and complexities of modern war.
Informed by a deep understanding of a unique period in American history, this incisive book takes a comprehensive look at the issues of civil liberties during Lincoln's administration, placing them firmly in the political context of the time. Written with keen insight and an intimate grasp of the original sources, The Fate of Liberty offers a vivid picture of the crises and chaos of a nation at war with itself, changing our understanding of this president and his most controversial policies.

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Mark E. Neely - The Fate of Liberty, Abraham Linco ln and Civil Liberties (1992).pdf

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Michael S. Neiberg - Fighting the Great War, A Glo bal History (2005).jpg

Despair at Gallipoli. Victory at Vimy Ridge. A European generation lost, an American spirit found. The First World War, the deadly herald of a new era, continues to captivate readers. In this lively book, Michael Neiberg offers a concise history based on the latest research and insights into the soldiers, commanders, battles, and legacies of the Great War.

Tracing the war from Verdun to Salonika to Baghdad to German East Africa, Neiberg illuminates the global nature of the conflict. More than four years of mindless slaughter in the trenches on the western front, World War I was the first fought in three dimensions: in the air, at sea, and through mechanized ground warfare. New weapons systems--tanks, bomber aircraft, and long-range artillery--all shaped the battle environment. Moving beyond the standard portrayal of the war's generals as "butchers and bunglers," Neiberg offers a nuanced discussion of officers constrained by the monumental scale of complex events. Diaries and letters of men serving on the front lines capture the personal stories and brutal conditions--from Alpine snows to Mesopotamian sands--under which these soldiers lived, fought, and died.

Generously illustrated, with many never-before-published photographs, this book is an impressive blend of analysis and narrative. Anyone interested in understanding the twentieth century must begin with its first global conflict, and there is no better place to start than with Fighting the Great War.

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Michael S. Neiberg - Fighting the Great War, A Glo bal History (2005).pdf

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Paul Goalby Cressey - The Taxi-Dance Hall, A Socio logical Study in Commercialized Recreation and Cit y Life (2008).jpg

O USA - Paul Goalby Cressey - The Taxi-Dance Hall, A Sociologica...al Study in Commercialized Recreation and City Life 2008.jpg

"This is perhaps my Ur book, a combination guaranteed to satisfy both my Cornell Woolrich induced taxi-hall obsession and my jones for gritty ethnography. . . . An unflinching, keenly observed portrait of the Chicago tax-dance hall circa 1928. Via extensive case studies, interviews, and even historical, economic and geographic analysis, [Cressey] captures the personality of the customers and dancers and the atmosphere of their noirish milieu. . . . This is the real noir." (John Marr Murder Can Be Fun)

First published in 1932, The Taxi-Dance Hall is Paul Goalby Cressey’s fascinating study of Chicago’s urban nightlife—as seen through the eyes of the patrons, owners, and dancers-for-hire who frequented the city’s notoriously seedy “taxi-dance” halls.

Taxi-dance halls, as the introduction notes, were social centers where men could come and pay to dance with “a bevy of pretty, vivacious, and often mercenary” women. Ten cents per dance was the usual fee, with half the proceeds going to the dancer and the other half to the owner of the taxi-hall. Cressey’s study includes detailed maps of the taxi-dance districts, illuminating interviews with dancers, patrons, and owners, and vivid analyses of local attempts to reform the taxi-dance hall and its attendees.

Cressey’s study reveals these halls to be the distinctive urban consequence of tensions between a young, diverse, and economically independent population at odds with the restrictive regulations of Prohibition America. Thick with sexual vice, ethnic clashes, and powerful undercurrents of class, The Taxi-Dance Hall is a landmark example of Chicago sociology, perfect for scholars and history buffs alike.

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Paul Goalby Cressey - The Taxi-Dance Hall, A Socio logical Study in Commercialized Recreation and Cit y Life (2008).pdf

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Super chomik! Zapraszam do mnie po wiele świetnych materiałów.

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