Stretching from the end of World War II to 1989, the Cold War between the Western powers and the Communist bloc shaped national alliances around the world.
In 15 chapters, the Almanac treats the historic causes of the tension; the mutual suspicions that fueled the conflict for more than 40 years; the ideological clash between communism and democracy; and the policies that marked the long standoff -- the Marshall Plan,Truman's Point Four program, the nuclear arms race, economic aid, the Berlin Wall, detente; and much more. Also covered are the times when the Cold War burst into armed conflict in such areas as Korea, Cuba and Southeast Asia.
Biographies presents approximately 50 intriguing stories of the lives and actions of Harry Truman, Winston Churchill, Joseph Stalin, Mao Zedong, Ronald Reagan, Mikhail Gorbachev and many others, both famous and less well-known.
Giving first-hand views of various aspects of the Cold War, Primary Sources provides key complete and excerpted documents of the war, such as Winston Churchill's "Iron Curtain" speech and correspondence between John F. Kennedy and Nikita Khrushchev during the Cuban Missile Crisis.

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William Keller, Kurt Keller - United States Army S houlder Patches and Related Insignia From World Wa r I to Korea (41st Division to 106th Division) (20 02).jpg

01 - USA1 - William Keller, Kurt Keller - United States Army Shoul...ld War I to Korea 41st Division to 106th Division 2002.jpg

Beginning in the Civil War, the U.S. Army sought to find an effective system to distinguish troops from different units. In the closing days of World War I, it finally arrived at a practical and desirable solution with the adoption of the shoulder patch or shoulder sleeve insignia. For more than eighty years, this often simple device, has been the source of pride and inspiration for servicemen everywhere. This book (the second of a multi-volume set), with a gallery of more than 700 color and sepia toned illustrations of original insignia and period photographs, documents the evolution of these special insignia. From the period beginning with World War I to the Korean War era, you won't find a more indispensable guide for the study and collection of U.S. Army shoulder patches. Collectors will especially enjoy the handy reference section for determining whether a patch was made by an ally or a former foe. With special emphasis on theater made patches, these volumes are sure to be a collector's paradise.

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William Keller, Kurt Keller - United States Army S houlder Patches and Related Insignia From World Wa r I to Korea (41st Division to 106th Division) (20 02).pdf

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Concord - Armour at War 7058 - Steven J. Zaloga - The US Army Jeep at War (2009).jpg

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Concord - Armour at War 7058 - Steven J. Zaloga - The US Army Jeep at War (2009).pdf

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Concord - Mini Color Series 7511 - Carl Schulze - M113 in the 1990s Part 1 (2004).jpg

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Concord - Mini Color Series 7511 - Carl Schulze - M113 in the 1990s Part 1 (2004).pdf

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E. J. Kahn - Fighting Divisions, Histories of Each United States Army Combats Division in World War II (1983).jpg

01 - USA1 - E. J. Kahn - Fighting Divisions, Histories of Each Uni...ited States Army Combats Division in World War II 1983.jpg

Abstract: No soldier's patch is worn with greater pride than that displayed on the shoulder of a man who has belonged to a combat division. In World War II, as in every past war, the major share of our fighting has been done by our ground troops, particularly those of the Infantry. Most of our Infantrymen belong to divisions which are our Army's principal combat teams, composed of soldiers who are trained and expected to do one primary job fight. This book is not a complete history of our combat divisions. It is, rather, an attempt to assemble for the first time enough material on every one of our divisions to give the average citizen a brief idea of where each has been and what each has done.

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E. J. Kahn - Fighting Divisions, Histories of Each United States Army Combats Division in World War II (1983).pdf

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Rebecca Smith, John R. Emshwiller - 24 Days, How T wo Wall Street Journal Reporters Uncovered the Lie s that Destroyed Faith in Corporate America (2004).jpg

01 - USA1 - Rebecca Smith, John R. Emshwiller - 24 Days, How Two W...e Lies that Destroyed Faith in Corporate America 2004.jpg

This is the story of Rebecca Smith and John R. Emshwiller, the two reporters who led the Wall Street Journal's reporting on Enron and uncovered the unorthodox partnerships at the heart of the scandal through skill, luck, and relentless determination.

It all started in August 2001when Emshwiller was assigned to write a supposedly simple article on the unexpected resignation of Enron CEO Jeff Skilling. During his research, Emshwiller uncovered a buried reference to an off-balance-sheet partnership called LJM. Little did he know, this was the start of a fast and furious ride through the remarkable downfall of a once highly-prized company.

Written in an intense, fast paced narrative style, 24 Days tells the gripping story of the colossal collapse of what would become the world's most notorious corporation. The reader follows along as Smith and Emshwiller continue to uncover new partnerships and self-dealing among the highest levels of Enron's management. As they publish articles detailing their findings in the Journal, Wall Street and individual investors have a crisis of confidence and start selling Enron stock at unprecedented levels of volume. In the end - 24 short days later - Enron had completely collapsed, erasing 16 years of growth and losing $19 billion in market value while watching the stock drop from $33.84 to $8.41. Not only was the company destroyed, but investors and retired employees were completely wiped out-all the while Enron executives were collecting millions of dollars.

Climaxing with this 24-day period, this book shows the reporter's-eye view of a David-and-Goliath battle between journalists and a giant corporation. Each day a new story uncovered another fact; each day the company issued denials. And when the investigative stories reached critical mass and momentum, the stock market cast its final vote of no confidence. In the tradition of Indecent Exposure and Barbarians at the Gate, two other gripping narratives that began as a series of Wall Street Journal stories and ended up as books that defined an era, 24 Days brings the importance of great investigative journalism to life.

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Xenia Burgtof - American Diner leicht gemacht (199 7).jpg

Heute ist er Kultobjekt, die ....

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Xenia Burgtof - American Diner leicht gemacht (199 7).pdf

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R Hunnicutt - Sherman, A History of the American M edium Tank (1076).jpg

The M4 Sherman medium tank was the mainstay of the American and British armored forces in World War II. From its introduction in 1942 until the production line closed in the second half of 1945, tens of thousands of these versatile armored fighting vehicles were produced. In addition to the basic tank, which itself went through numerous modifications during its three year production run, many more Sherman variants were produced. The M4 was adapted for use as armored artillery, self-propelled antiaircraft artillery, tank destroyers, cargo and personnel carriers, and a vast array of specialized armored combat engineer vehicles.
As a result of the vast numbers of operational M4s still in service at the end of World War II, the Sherman soldiered on around the world for decades. Indeed, the basic design was so sound and durable that the Israeli Army still had some in use in the 1973 Yom-Kippur War. Heavily modified with a modem, high velocity 75mm gun it was dubbed the Super Sherman.
This massive, heavily illustrated book is, without doubt, the definitive work on its subject.

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R Hunnicutt - Sherman, A History of the American M edium Tank (1076).pdf

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Gregory S. Bell, Gregory Bell - In the Black, A Hi story of African Americans on Wall Street (2001).jpg

Here, for the first time, is the fascinating history of the African American experience on Wall Street as told by Gregory Bell, the son of the man who founded the first black-owned member firm of the New York Stock Exchange. A successful finance professional in his own right with close ties to leading figures in both the black financial and civil rights communities, Bell tells the stories of the pioneers who broke down the ancient social and political barriers to African American participation in the nation s financial industry. With the help of profiles of many important black leaders of the past fifty years including everyone from Jesse Jackson and Maynard Jackson, former mayor of Atlanta, to E. Stanley O Neal, COO and President of Merrill Lynch, and Russell Goings, founder of First Harlem Securities and cofounder of First Harlem Securities he shows how in the years following World War II the growing social, political, and financial powers of African Americans converged on Wall Street. Set to publish during Black History Month, In the Black will be warmly received by African American business readers and general readers alike.

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Gregory S. Bell, Gregory Bell - In the Black, A Hi story of African Americans on Wall Street (2001).pdf

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F. Koran, J. Mostek - WWP Special Museum Line No. 23, Studebaker US6 in Detail (2002).jpg

Including Russian US6 with BM-13 "Stalin's Organ". 132 colour photos, Another gloriously detailed photo manual for modellers and enthusiasts with detail colour shots from every conceivable angle, inside and out, of the examples preserved at Lesany museum and Rockycany collections.

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F. Koran, J. Mostek - WWP Special Museum Line No. 23, Studebaker US6 in Detail (2002).pdf

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Anna Brickhouse - Transamerican Literary Relations and the Nineteenth-Century Public Sphere (2004).jpg

Arguing for a fundamental reassessment of the literary history of the nineteenth-century United States within transamerican and multilingual contexts, Anna Brickhouse examines a broad array of texts in English, French, and Spanish. She discovers literary influences from Latin American and Caribbean American literatures which made the period a rich era of literary border-crossing and transcontinental cultural exchange.

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Simon Malpas - The Postmodern (2005).jpg

HOW CAN ONE UNDERSTAND THE NATURE OF THE PRESENT?
WHAT MIGHT IT MEAN TO SAY THE WORLD HAS BECOME POSTMODERN?

Simon Malpas investigates the theories and definitions of postmodernism and postmodernity, and explores their impact in such areas as identity, history, art, literature and culture. In attempting to locate the essence of the postmodern, and the contrasting experiences of postmodernity in the Western and developing worlds, he looks closely at:

• modernism and postmodernism
• modernity and postmodernity
• subjectivity
• history
• politics

This useful guidebook will introduce students to a range of key thinkers who have sought to question the contemporary situation, and will enable readers to begin to approach the primary texts of postmodern theory and culture with confidence.

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Michael Hanan - Cuban Cinema (2004).jpg

The earliest films made in Cuba-newsreel footage of the Cuban-Spanish-American War-date from the end of the nineteenth century, but Cuba cannot be said to have had an indigenous film industry before the revolution of 1959. The melodramas, musicals, and comedies made until then reflected Hollywood's-and the United States's-cultural domination of the island, but the revolution precipitated urgent debates about the role of cinema in a socialist country and the kinds of films best suited to the needs of the people and their rulers. Among the feature films, documentaries, and short subjects made in accordance with revolutionary principles are celebrated works by Tomás Gutiérrez Alea, Humberto Solás, and other filmmakers who have had a profound influence on both Latin American and world cinema.

Michael Chanan provides a comprehensive, authoritative, and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba's social, political, and cultural history. First published as The Cuban Image in 1984 to wide acclaim, Cuban Cinema now appears in a new, expanded edition that updates Chanan's discussion to the beginning of the twenty-first century. New chapters address ongoing concerns about freedom of expression; Havana's restored importance within the Latin American film industry through the Havana Film Festival, before state support for filmmakers dwindled in the economic collapse that followed the fall of the Soviet Union; Cuban cinema's place within the globalized cultural market; and the changing audience for Cuban films.

The only book-length study of Cuban cinema written in English, this indispensable work on one of the world's most vital national cinemas offers a unique perspective on the Cuban experience in the twentieth century.

Michael Chanan is a documentary filmmaker and professor of cultural and media studies at the University of the West of England in Bristol.

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Michael Hanan - Cuban Cinema (2004).pdf

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Esther Whitfield - Cuban Currency, The Dollar and ''Special Period'' Fiction (2008).jpg

With the collapse of the Soviet Union in the 1990s, during an economic crisis termed its “special period in times of peace,” Cuba began to court the capitalist world for the first time since its 1959 revolution. With the U.S. dollar instated as domestic currency, the island seemed suddenly accessible to foreign consumers, and their interest in its culture boomed.

Cuban Currency is the first book to address the effects on Cuban literature of the country’s spectacular opening to foreign markets that marked the end of the twentieth century. Based on interviews and archival research in Havana, Esther Whitfield argues that writers have both challenged and profited from new transnational markets for their work, with far-reaching literary and ideological implications. Whitfield examines money and cross-cultural economic relations as they are inscribed in Cuban fiction. Exploring the work of Zoé Valdés, Pedro Juan Gutiérrez, Antonio José Ponte and others, she draws out writers’ engagements with the troublesome commodification of Cuban identity.

Confronting the tourist and publishing industries’ roles in the transformation of the Cuban revolution into commercial capital, Whitfield identifies a body of fiction peculiarly attuned to the material and political challenges of the “special period.”

Esther Whitfield is assistant professor of comparative literature at Brown University.

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Esther Whitfield - Cuban Currency, The Dollar and ''Special Period'' Fiction (2008).pdf

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Rachel C. Lee - The Americas of Asian American Lit erature (1999).jpg

Drawing on a wide array of literary, historical, and theoretical sources, Rachel Lee addresses current debates on the relationship among Asian American ethnic identity, national belonging, globalization, and gender. Lee argues that scholars have traditionally placed undue emphasis on ethnic-based political commitments--whether these are construed as national or global--in their readings of Asian American texts. This has constrained the intelligibility of stories that are focused less on ethnicity than on kinship, family dynamics, eroticism, and gender roles. In response, Lee makes a case for a reconceptualized Asian American criticism that centrally features gender and sexuality.

Through a critical analysis of select literary texts--novels by Carlos Bulosan, Gish Jen, Jessica Hagedorn, and Karen Yamashita--Lee probes the specific ways in which some Asian American authors have steered around ethnic themes with alternative tales circulating around gender and sexual identity. Lee makes it clear that what has been missing from current debates has been an analysis of the complex ways in which gender mediates questions of both national belonging and international migration. From anti-miscegenation legislation in the early twentieth century to poststructuralist theories of language to Third World feminist theory to critical studies of global cultural and economic flows, The Americas of Asian American Literature takes up pressing cultural and literary questions and points to a new direction in literary criticism.

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Robert A. Williams, Jr - Like a Loaded Weapon, The Rehnquist Court, Indian Rights, and the Legal His tory of Racism in America (2005).jpg

01 - USA1 - Robert A. Williams, Jr - Like a Loaded Weapon, The Reh...ghts, and the Legal History of Racism in America 2005.jpg

Robert A. Williams Jr. boldly exposes the ongoing legal force of the racist language directed at Indians in American society. Fueled by well-known negative racial stereotypes of Indian savagery and cultural inferiority, this language, Williams contends, has functioned “like a loaded weapon” in the Supreme Court’s Indian law decisions.

Beginning with Chief Justice John Marshall’s foundational opinions in the early nineteenth century and continuing today in the judgments of the Rehnquist Court, Williams shows how undeniably racist language and precedent are still used in Indian law to justify the denial of important rights of property, self-government, and cultural survival to Indians. Building on the insights of Malcolm X, Thurgood Marshall, and Frantz Fanon, Williams argues that racist language has been employed by the courts to legalize a uniquely American form of racial dictatorship over Indian tribes by the U.S. government.

Williams concludes with a revolutionary proposal for reimagining the rights of American Indians in international law, as well as strategies for compelling the current Supreme Court to confront the racist origins of Indian law and for challenging bigoted ways of talking, thinking, and writing about American Indians.

Robert A. Williams Jr. is professor of law and American Indian studies at the James E. Rogers College of Law, University of Arizona. A member of the Lumbee Indian Tribe, he is author of The American Indian in Western Legal Thought: The Discourses of Conquest and coauthor of Federal Indian Law.

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Robert A. Williams, Jr - Like a Loaded Weapon, The Rehnquist Court, Indian Rights, and the Legal His tory of Racism in America (2005).pdf

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Elisabeth Mudimbe Boyi - Beyond Dichotomies, Histo ries, Identities, Cultures, and the Challenge of G lobalization (2002).jpg

01 - USA1 - Elisabeth Mudimbe Boyi - Beyond Dichotomies, Histories...ies, Cultures, and the Challenge of Globalization 2002.jpg

Confronts the cultural challenges of globalization.

Beyond Dichotomies examines literary texts, cultural production, and concrete local practices within the context of modernity and globalization by focusing on the ways in which some societies confront the complexity of cultures reflected in new forms of knowledge, narratives, and subjectivities. The contributors explore how particular societies negotiate the relations between the global and the local, and use a geographical, comparative perspective combined with an interdisciplinary approach to offer a diversity of views and illuminate the cultural impact of globalization on different societies around the world: Africa, Asia, Europe, and the Americas. These societies face complex questions regarding people's histories, identities, and cultures that embody the ambivalence, contradictions, and anxieties generated by the process of globalization. The contributors provide a compelling conclusion for a rethinking and reconfiguration of cultures and intercultural relations in today's global world in which dichotomized representations coexist with a discourse of globalization.

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Elisabeth Mudimbe Boyi - Beyond Dichotomies, Histo ries, Identities, Cultures, and the Challenge of G lobalization (2002).pdf

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H. Samy Alim - Global Linguistic Flows Hip Hop Cul tures, Youth Identities, And the Politics of Langu age (2008).jpg

01 - USA1 - H. Samy Alim - Global Linguistic Flows Hip Hop Culture..., Youth Identities, And the Politics of Language 2008.jpg

Located at the intersection of sociolinguistics and Hip Hop Studies, this cutting-edge book moves around the world - spanning Africa, Asia, Australia, the Americas and the European Union - to explore Hip Hop Cultures, youth identities, the politics of language, and the simultaneous processes of globalization and localization. Focusing closely on language, these scholars of sociolinguistics, linguistic anthropology, (Hip Hop) cultural studies, and critical pedagogies offer linguistic insights to the growing scholarship on Hip Hop Culture, while reorienting their respective fields by paying closer attention to processes of globalization and localization. The book engages complex processes such as transnationalism, (im)migration, cultural flow, and diaspora in an effort to expand current theoretical approaches to language choice and agency, speech style and stylization, codeswitching and language mixing, crossing and sociolinguistic variation, and language use and globalization. Moving throughout the Global Hip Hop Nation, through scenes as diverse as Hong Kong's urban center, Germany's Mannheim inner-city district of Weststadt, the Brazilian favelas, the streets of Lagos and Dar es Salaam, and the hoods of the San Francisco Bay Area, this global intellectual cipha breaks new ground in the ethnographic study of language and popular culture.

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