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  • 6 mar 13 5:36
Here, for the first time, is the fascinating history of the African American experience on Wall Street as told by Gregory Bell, the son of the man who founded the first black-owned member firm of the New York Stock Exchange. A successful finance professional in his own right with close ties to leading figures in both the black financial and civil rights communities, Bell tells the stories of the pioneers who broke down the ancient social and political barriers to African American participation in the nation s financial industry. With the help of profiles of many important black leaders of the past fifty years including everyone from Jesse Jackson and Maynard Jackson, former mayor of Atlanta, to E. Stanley O Neal, COO and President of Merrill Lynch, and Russell Goings, founder of First Harlem Securities and cofounder of First Harlem Securities he shows how in the years following World War II the growing social, political, and financial powers of African Americans converged on Wall Street. Set to publish during Black History Month, In the Black will be warmly received by African American business readers and general readers alike.

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  • 144 KB
  • 6 mar 13 5:36
Including Russian US6 with BM-13 "Stalin's Organ". 132 colour photos, Another gloriously detailed photo manual for modellers and enthusiasts with detail colour shots from every conceivable angle, inside and out, of the examples preserved at Lesany museum and Rockycany collections.

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  • 6 mar 13 5:36
Arguing for a fundamental reassessment of the literary history of the nineteenth-century United States within transamerican and multilingual contexts, Anna Brickhouse examines a broad array of texts in English, French, and Spanish. She discovers literary influences from Latin American and Caribbean American literatures which made the period a rich era of literary border-crossing and transcontinental cultural exchange.

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  • 6 mar 13 5:36
HOW CAN ONE UNDERSTAND THE NATURE OF THE PRESENT?
WHAT MIGHT IT MEAN TO SAY THE WORLD HAS BECOME POSTMODERN?

Simon Malpas investigates the theories and definitions of postmodernism and postmodernity, and explores their impact in such areas as identity, history, art, literature and culture. In attempting to locate the essence of the postmodern, and the contrasting experiences of postmodernity in the Western and developing worlds, he looks closely at:

• modernism and postmodernism
• modernity and postmodernity
• subjectivity
• history
• politics

This useful guidebook will introduce students to a range of key thinkers who have sought to question the contemporary situation, and will enable readers to begin to approach the primary texts of postmodern theory and culture with confidence.

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  • 43 KB
  • 6 mar 13 5:36
The earliest films made in Cuba-newsreel footage of the Cuban-Spanish-American War-date from the end of the nineteenth century, but Cuba cannot be said to have had an indigenous film industry before the revolution of 1959. The melodramas, musicals, and comedies made until then reflected Hollywood's-and the United States's-cultural domination of the island, but the revolution precipitated urgent debates about the role of cinema in a socialist country and the kinds of films best suited to the needs of the people and their rulers. Among the feature films, documentaries, and short subjects made in accordance with revolutionary principles are celebrated works by Tomás Gutiérrez Alea, Humberto Solás, and other filmmakers who have had a profound influence on both Latin American and world cinema.

Michael Chanan provides a comprehensive, authoritative, and absorbing account of Cuban cinema both before and after the revolution, deftly setting individual films and filmmakers within the larger framework of Cuba's social, political, and cultural history. First published as The Cuban Image in 1984 to wide acclaim, Cuban Cinema now appears in a new, expanded edition that updates Chanan's discussion to the beginning of the twenty-first century. New chapters address ongoing concerns about freedom of expression; Havana's restored importance within the Latin American film industry through the Havana Film Festival, before state support for filmmakers dwindled in the economic collapse that followed the fall of the Soviet Union; Cuban cinema's place within the globalized cultural market; and the changing audience for Cuban films.

The only book-length study of Cuban cinema written in English, this indispensable work on one of the world's most vital national cinemas offers a unique perspective on the Cuban experience in the twentieth century.

Michael Chanan is a documentary filmmaker and professor of cultural and media studies at the University of the West of England in Bristol.

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  • 4,3 MB
  • 6 mar 13 5:36

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  • 6 mar 13 5:36
With the collapse of the Soviet Union in the 1990s, during an economic crisis termed its “special period in times of peace,” Cuba began to court the capitalist world for the first time since its 1959 revolution. With the U.S. dollar instated as domestic currency, the island seemed suddenly accessible to foreign consumers, and their interest in its culture boomed.

Cuban Currency is the first book to address the effects on Cuban literature of the country’s spectacular opening to foreign markets that marked the end of the twentieth century. Based on interviews and archival research in Havana, Esther Whitfield argues that writers have both challenged and profited from new transnational markets for their work, with far-reaching literary and ideological implications. Whitfield examines money and cross-cultural economic relations as they are inscribed in Cuban fiction. Exploring the work of Zoé Valdés, Pedro Juan Gutiérrez, Antonio José Ponte and others, she draws out writers’ engagements with the troublesome commodification of Cuban identity.

Confronting the tourist and publishing industries’ roles in the transformation of the Cuban revolution into commercial capital, Whitfield identifies a body of fiction peculiarly attuned to the material and political challenges of the “special period.”

Esther Whitfield is assistant professor of comparative literature at Brown University.

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  • 6 mar 13 5:36
Drawing on a wide array of literary, historical, and theoretical sources, Rachel Lee addresses current debates on the relationship among Asian American ethnic identity, national belonging, globalization, and gender. Lee argues that scholars have traditionally placed undue emphasis on ethnic-based political commitments--whether these are construed as national or global--in their readings of Asian American texts. This has constrained the intelligibility of stories that are focused less on ethnicity than on kinship, family dynamics, eroticism, and gender roles. In response, Lee makes a case for a reconceptualized Asian American criticism that centrally features gender and sexuality.

Through a critical analysis of select literary texts--novels by Carlos Bulosan, Gish Jen, Jessica Hagedorn, and Karen Yamashita--Lee probes the specific ways in which some Asian American authors have steered around ethnic themes with alternative tales circulating around gender and sexual identity. Lee makes it clear that what has been missing from current debates has been an analysis of the complex ways in which gender mediates questions of both national belonging and international migration. From anti-miscegenation legislation in the early twentieth century to poststructuralist theories of language to Third World feminist theory to critical studies of global cultural and economic flows, The Americas of Asian American Literature takes up pressing cultural and literary questions and points to a new direction in literary criticism.

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  • 6 mar 13 5:36
Robert A. Williams Jr. boldly exposes the ongoing legal force of the racist language directed at Indians in American society. Fueled by well-known negative racial stereotypes of Indian savagery and cultural inferiority, this language, Williams contends, has functioned “like a loaded weapon” in the Supreme Court’s Indian law decisions.

Beginning with Chief Justice John Marshall’s foundational opinions in the early nineteenth century and continuing today in the judgments of the Rehnquist Court, Williams shows how undeniably racist language and precedent are still used in Indian law to justify the denial of important rights of property, self-government, and cultural survival to Indians. Building on the insights of Malcolm X, Thurgood Marshall, and Frantz Fanon, Williams argues that racist language has been employed by the courts to legalize a uniquely American form of racial dictatorship over Indian tribes by the U.S. government.

Williams concludes with a revolutionary proposal for reimagining the rights of American Indians in international law, as well as strategies for compelling the current Supreme Court to confront the racist origins of Indian law and for challenging bigoted ways of talking, thinking, and writing about American Indians.

Robert A. Williams Jr. is professor of law and American Indian studies at the James E. Rogers College of Law, University of Arizona. A member of the Lumbee Indian Tribe, he is author of The American Indian in Western Legal Thought: The Discourses of Conquest and coauthor of Federal Indian Law.

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  • 6 mar 13 5:36
Confronts the cultural challenges of globalization.

Beyond Dichotomies examines literary texts, cultural production, and concrete local practices within the context of modernity and globalization by focusing on the ways in which some societies confront the complexity of cultures reflected in new forms of knowledge, narratives, and subjectivities. The contributors explore how particular societies negotiate the relations between the global and the local, and use a geographical, comparative perspective combined with an interdisciplinary approach to offer a diversity of views and illuminate the cultural impact of globalization on different societies around the world: Africa, Asia, Europe, and the Americas. These societies face complex questions regarding people's histories, identities, and cultures that embody the ambivalence, contradictions, and anxieties generated by the process of globalization. The contributors provide a compelling conclusion for a rethinking and reconfiguration of cultures and intercultural relations in today's global world in which dichotomized representations coexist with a discourse of globalization.

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  • 6 mar 13 5:36
Located at the intersection of sociolinguistics and Hip Hop Studies, this cutting-edge book moves around the world - spanning Africa, Asia, Australia, the Americas and the European Union - to explore Hip Hop Cultures, youth identities, the politics of language, and the simultaneous processes of globalization and localization. Focusing closely on language, these scholars of sociolinguistics, linguistic anthropology, (Hip Hop) cultural studies, and critical pedagogies offer linguistic insights to the growing scholarship on Hip Hop Culture, while reorienting their respective fields by paying closer attention to processes of globalization and localization. The book engages complex processes such as transnationalism, (im)migration, cultural flow, and diaspora in an effort to expand current theoretical approaches to language choice and agency, speech style and stylization, codeswitching and language mixing, crossing and sociolinguistic variation, and language use and globalization. Moving throughout the Global Hip Hop Nation, through scenes as diverse as Hong Kong's urban center, Germany's Mannheim inner-city district of Weststadt, the Brazilian favelas, the streets of Lagos and Dar es Salaam, and the hoods of the San Francisco Bay Area, this global intellectual cipha breaks new ground in the ethnographic study of language and popular culture.

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  • 117 KB
  • 6 mar 13 5:36
Challenging Authority argues that ordinary people exercise real power in American politics mainly at those extraordinary moments when they rise up in anger and hope; defy the rules that ordinarily govern their daily lives; and, by doing so, disrupt the workings of the institutions in which they are enmeshed. These are the conditions that produce the democratic moments in American political development.

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  • 6 mar 13 5:36
From Library Journal The first half of this guide gives information on how to go about backpacking and camping-what kind of pack to buy (though no brand names or models are mentioned), food to eat, boots to wear, and so forth. The second half lists places where wilderness can be experienced-e.g., national parks and forests, state parks-with addresses and phone numbers. On the one hand, this is all anyone needs to know about backpacking; on the other, the coverage is cursory. Traditionally, the "how" is covered in separate books such as Mountaineering: The Freedom of the Hills (Mountaineers, 1992), while the "where" is handled by local or regional guidebooks. While the author certainly knows his stuff (he's professionally led more than 700 trips in the Northeast), he may be biting off too much. It's just too difficult to evaluate critically a two million-acre wilderness in a couple of paragraphs. Recommended for beginning "practitioners" and the most comprehensive of libraries.
Thomas K. Fry, Univ. of Denver Lib.

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Indians, Environment, and Identity on the Borders of American Literature foregrounds amalgamation among American Indians, African Americans, and Euramericans as a central feature of American literature. The authors discussed, including James Fenimore Cooper, William Faulkner, Toni Morrison, Alice Walker, and Leslie Marmon Silko, place this cross-cultural contact in nature, not only collapsing cultural and racial boundaries, but also complicating divisions between “wilderness” and “civilization.” Responding to contemporary theoretical approaches to race, culture, and nationhood, this book points toward the multiple perspectives and cultures that distinguish American literature. Smith highlights the role of geography in these critical discourses, forging a connection between ecological theory and ethnic studies.

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  • 6 mar 13 5:36
The U.S. healthcare system is in critical condition--but this should come as a surprise to no one. Yet until now the solutions proposed have been unworkable, pie-in-the-sky plans that have had little chance of becoming law and even less of succeeding. In Code Red, David Dranove, one of the nation’s leading experts on the economics of healthcare, proposes a set of feasible solutions that address access, efficiency, and quality.

Dranove offers pragmatic remedies, some of them controversial, all of them crucially needed to restore the system to vitality. He pays special attention to the plight of the uninsured, and proposes a new direction that promises to make premier healthcare for all Americans a national reality. Setting his story against the backdrop of healthcare in the United States from the early twentieth century to the present day, he reveals why a century of private and public sector efforts to reform the ailing system have largely failed. He draws on insights from economics to diagnose the root causes of rising costs and diminishing access to quality care, such as inadequate information, perverse incentives, and malfunctioning insurance markets. Dranove describes the ongoing efforts to revive the system--including the rise of consumerism, the quality movement, and initiatives to expand access--and argues that these efforts are doomed to fail without more fundamental, systemic, market-based reforms. Code Red lays the foundation for a thriving healthcare system and is indispensable for anyone trying to make sense of the thorny issues of healthcare reform.

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Dead Fish and Fats Cats is a lively, no holds barred account of the experiences and entanglements of Eric Wickham, a commercial fisherman who fished for salmon, halibut and sablefish for over fifty years. It describes the unpredictable life of independent commercial fishermen and chastises the fishing bureaucrats for their mismanagement of the fishing industry. Dead Fish and Fat Cats provides a first hand look at the world of coastal fishing, describing everything from electronic fishing gadgets and fishing boats to fish farms. The book also answers the question: "Where have all the salmon gone?" and explains how we have moved from fish in abundance to scarcity and barrenness. The author proposes some innovative methods of dealing with some of the problems that plague the fishing industry.

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CANADA

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With a lively and engaging style, Myths for the Masses provides a critical, interdisciplinary, and historically informed statement about communication in contemporary life.
* Written by Hanno Hardt, one of the world’s leading authorities on the subject.
* Offers a comprehensive appraisal of mass communication.
* Provides a critical perspective on media and communication in society.
* Contains critical insights into the state of mass communication, democracy, and the construction of the self in society.

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What makes people cosmopolitan? How is cosmopolitanism shaping everyday life experiences and the practices of ordinary people?Making use of empirical research, "Cosmopolitanism in Practice" examines the concrete settings in which individuals display cosmopolitan sensibilities and dispositions, illustrating the ways in which cosmopolitan self-transformations can be used as an analytical tool to explain a variety of identity outlooks and practices. The manner in which both past and present cosmopolitanisms compete with meta-narratives such as nationalism, multiculturalism and religion is also investigated, alongside the employment of cosmopolitan ideas in situations of tension and conflict.With an international team of contributors, including Ulrich Beck, Steven Vertovec, Rob Kroes and Natan Sznaider, this book draws on a variety of intellectual disciplines and international contexts to show how people embrace and make use of cosmopolitan ideas and attitudes.

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