For more than a century, the coupling of art with commerce has made New York's Metropolitan Museum of Art the world's most glamorous whore, according to this sprawling history. Gross, a veteran chronicler of the rich and beautiful (Model: The Ugly Business of Beautiful Women), highlights the relationship between the directors and curators who amassed the Met's collection—fakes and questionably acquired antiquities included, he notes—and its patrons. In his telling, the exchange of money for prestige (contributor John D. Rockefeller wanted good publicity after striking workers were massacred at the family's Ludlow mine) is a tawdry business, with the museum's high-toned seduction of well-heeled egotists, who in turn felt betrayed when newer collections impinged on their own galleries. Not the best-curated of exhibitions, Gross's thematically unfocused chronicle is overstuffed with the details of fund drives, building plans and bequests; some figures feel like they were profiled mainly because there were juicy anecdotes about them—a rarity in tight-lipped Met circles—not because their doings are especially illuminating. Still, browse long enough and you'll find behind-the-scenes dirt and an intriguing look at the symbiosis of culture and cash.

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Michael Gross - Rogues' Gallery, The Secret Story of the Lust, Lies, Greed, and Betrayals That Made the Metropolitan Museum (2009).epub

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Frederick Nolan - Lorenz Hart, A Poet on Broadway (1995).jpg

Lorenz Hart singlehandedly changed the craft of lyric writing, transforming the commerical song lyric from one of tired cliches and cloying sentimentality to one with unexpected phrases that would twang the nerves or touch the heart. Endowed with both a buoyant wit and a tender sincerity, Hart brought a poetic complexity to his art penning such memorable hits as My Funny Valentine, Isn't It Romantic?, The Lady is a Tramp, and Blue Moon.

Lorenz Hart: A Poet on Broadway presents the public triumphs of a true genius of the American musical theatre, and the personal tragedies of a man his friend Mabel Mercer described as "the saddest man I ever knew." A veritable who's who of Broadway's golden age, including Joshua Logan, Gene Kelly, George Abbott, and many more, recall their uncensored, often hilarious, sometimes poignant memories of the cigar-chomping wordsmith who composed some of the best lyrics ever concocted for the Broadway stage, but who remained forever lost and lonely in the crowds of hangers-on he attracted.

Skillfully pulling together the chaotic details of Hart's remarkable life, beginning with his bohemian upbringing in turn-of-the-century Harlem, through his early success with Richard Rodgers, and life in Hollywood in the Thirties. He goes on to look at Hart's final decade as one of the undisputed kings of Broadway while simultaneously his personal life disintegrated into a madness of alcohol and self-loathing. This rich work captures the excitement, the achievement, the dizzying heights, and the crushing lows of and American original.

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Frederick Nolan - Lorenz Hart, A Poet on Broadway (1995).pdf

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Philip D. Morehead - New American Webster Handy Co llege Dictionary (2006).jpg

The essential dictionary for school, college, office and home, The fourth edition of The New American Webster Handy College Dictionary contains more features than any other pocket dictionary including:

- Boxed inserts on etymologies and language usage
- Pronunciation key on each page
- Current phrases, slang, and scientific terms
- Special notes on word origins
- World gazetteer
- Tables of weights and measurements

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Philip D. Morehead - New American Webster Handy Co llege Dictionary (2006).pdf

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Andrew Burstein, Nancy Isenberg - Madison and Jeff erson (2010).jpg

James Madison and Thomas Jefferson are both in the pantheon of Founding Fathers, but Madison is frequently relegated to the second tier. He is often described as Jefferson’s protégée and “faithful lieutenant” and credited primarily with his role in the formation and ratification of the Constitution rather than achievements during his presidency. This extensive and well-researched examination of their relationship spanning 50 years paints a more nuanced and often surprising portrait of both men. The authors, both history professors, succeed in removing their subjects from their pedestals without diminishing their brilliance or importance. Both Madison and Jefferson were intense political animals in politically turbulent times. In his conflicts with Federalists, Jefferson used surrogates to engage in “dirty tricks,” while seeming to remain above the fray. Madison was much more than a “policy wonk.” He was an effective and tough legislator at both the state and federal levels; also, he did not shrink from opposing Jefferson’s policies when he disagreed with them. This is an important reappraisal of a critical partnership that shaped our early republic.

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Marc Miringoff - The Social Health of the Nation, How America Is Really Doing (1999).jpg

For the past twelve years, the annual release of the Index of Social Health has been a major event, cited in The New York Times, The Washington Post, and other national media as our most reliable barometer of progress in addressing America's social ills. Now, in The Social Health of the Nation, the Index for 1999--an invaluable fount of information--is available for the first time in book form.

Rejecting the notion that the Dow Jones Industrial Averages and its ilk are the sole valid measures of progress in the United States, the authors offer a fuller and deeper view of our nation's quality of life, gathering together statistical information on such factors as the well-being of America's children and youth, the accessibility of health care, the quality of education, or the adequacy of housing. Readers will find solid information about drug abuse, children in poverty, life expectancy, homicides, and health insurance coverage. And we get these facts in context, so that we know where we are improving--for instance, poverty among the elderly, infant mortality, and the high school dropout rate have all declined. Equally important, we discover where we are losing ground--suicide rates among the young are 40 percent higher than in 1970, for example, and income inequality is at its worst level in 50 years.

Here then is the key to the true State of the Union. The first national survey in the U.S. to bring together varied aspects of social health, including education, work, family, medical care, American culture, and the arts, The Social Health of the Nation gives us a more finely focused picture of the national fabric--and reveals where that fabric needs mending.

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Marc Miringoff - The Social Health of the Nation, How America Is Really Doing (1999).pdf

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Evelyn Nakano Glenn, Evelyn Nakano Glen - Issei, N isei, war bride, Three generations of Japanese Ame rican women in domestic service (1986).jpg

USA Books1 - Evelyn Nakano Glenn, Evelyn Nakano Glen - Issei, Nisei...s of Japanese American women in domestic service 1986.jpg

In this unique study of Japanese American women employed as domestic workers, Evelyn Nakano Glenn reveals through historical research and in-depth interviews how the careers of these strong but oppressed women affected the history of Asian immigration in the San Francisco-Bay Area. Three generations of women speak in their own words about coping with degraded employment and how this work related to family and community life.

The disproportionate concentration of Japanese American women in domestic service from the early part of this century to the present resulted from their status as immigrants and women of color in a race and gender stratified local labor market. The three generations covered by this study—pre-1924 immigrants (issei), first American born generation (nisei), and post-World War II immigrants (war brides)—were subjected to multiple forms of oppression but were not appendages of men nor passive victims. Dr. Glenn shows how their struggles to achieve autonomy, dignity, and a suitable livelihood were essential to the survival of the family and the community.

Although unique in many ways, the situation of the Japanese American woman has important parallels with that of other women of color in the United States. Ironically her role as a domestic cast her in a menial, degraded job but often elevated her to the position of valued confidant to her employer. Issei, Nisei, War Bride is the first study to offer a sociological/historical perspective on these women. It addresses issues about the nature of labor systems in capitalist economies, the role of immigrant and racial ethnic women in those systems, and the consequences of participation in race and gender stratified systems for minority families and communities.

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Evelyn Nakano Glenn, Evelyn Nakano Glen - Issei, N isei, war bride, Three generations of Japanese Ame rican women in domestic service (1986).pdf

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Rachel Laudan - The Food of Paradise, Exploring Ha waii's Culinary Heritage (1996).jpg

Hawaii has one of the richest culinary heritages in the United States. Where else would you find competitions for the best saimin, sushi, Portuguese sausage, laulau, plate lunch, kim chee, dim sum, shave ice, and hamburgers? Hawaii's contemporary regional cuisine (affectionately known as "Local Food" by residents) is a truly amazing fusion of diverse culinary influences. In The Food of Paradise: Exploring Hawaii's Culinary Heritage, Rachel Laudan takes readers on a thoughtful, wide-ranging tour of Hawaii's farms and gardens, fish auctions and vegetable markets, fairs and carnivals, mom-and-pop stores and lunch wagons, to uncover the delightful complexities and incongruities in Hawaii's culinary history that have led to such creations as saimin, crack seed, and butter mochi. Part personal memoir, part historical narrative, part cookbook, The Food of Paradise begins with a series of essays that describe Laudan's initial encounter with a particular Local Food, an encounter that puzzled her and eventually led to tracing its origins and influence in Hawaii. Representative recipes follow. Like pidgin, the creole language created by Hawaii's early immigrants, Local Food is a creole cuisine created by three distinct culinary influences: Pacific, American and European, and Asian. In her attempt "to decipher Hawaii's culinary Babel", Laudan examines the contributions of each, including the introduction of new ingredients and the adaptation of traditional dishes to Hawaii's way of life. More than 150 recipes, photographs, a bibliography of Hawaii's cookbooks, and an extensive glossary make The Food of Paradise an invaluable resource for cooks, food historians, and Hawaiian buffs.

Hawaii has perhaps the most culturally diverse population on earth. The story of how the Polynesians, Chinese, Japanese, Portuguese, Korean, Filipinos, Okinawans, Puerto Ricans, various Southeast Asian peoples, and Caucasians (known as haoles) brought together their culinary traditions on these islands makes fascinating reading. Laudan concentrates on local food rather than the world-class glamour of the Hawaiian regional cuisine cooked up by famous island chefs Amy Ferguson Ota and Roy Yamaguchi. She presents the polyglot world of the plate lunch, Spam, mochi, seaweed, shaved ice, sushi, and all the other dishes that Hawaiians really eat every day. Primarily a living and lively culinary history, this book does include recipes for the most commonplace Hawaiian dishes.

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Rachel Laudan - The Food of Paradise, Exploring Ha waii's Culinary Heritage (1996).pdf

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Hye Seung Chung - Hollywood Asian (2006).jpg

More than 20 years ago, I completed a book on Robert Florey, who directed Philip Ahn in three movies and at least twice as many filmed television dramas. The two were close friends, with Florey visiting Ahn's Moongate Restaurant, and Ahn writing Florey's name in Korean on the background of a Vietnamese prison set in ROGUES' REGIMENT. Florey's DAUGHTER OF SHANGHAI, starring the fabled Anna May Wong, featured Ahn in his first lead role, and was inducted into the National Film Registry in 2006.
However, back when I wrote on Florey, there was almost no writing about Asians in Hollywood. Books on Asians and cinema implied Japan, usually auteurist approaches to Kurosawa or Ozu, or perhaps Satyajit Ray in India, and maybe some fan interest in the Hong Kong martial arts genre. This has fortunately shifted in the last few years, and Professor Chung has been in the forefront, opening the subject of Asians in Hollywood for scholarship. Moreover, she has done so in several unique ways.
Biographies of performers have been so dominated by popular books, consistently dwelling on a few of the most famous players in cinema, that this avenue has been eschewed by scholars. Chung's volume proves why academia cannot abandon this aspect of film history. She has created a masterful work, which demonstrates the need for the scholarly biography of certain performers. Ahn was far more than the second-tier player of menacing Japanese in World War II films for which he is often most remembered. Chung weaves together the forty years in which Ahn combined his career as Hollywood's first Korean "star" with activities carrying on the legacy of his father, "Tosan" An Ch'ang-ho. An Ch'ang-ho was a renowned educator and leader of the Korean independence movement as well as early Korean American immigrants, allowing the book to provide unique insights into American ethnic studies, immigration, and Korean studies, as well as filmmaking . Chung has extensively mined primary resources, including those of the Ahn family.

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Hye Seung Chung - Hollywood Asian (2006).pdf

In her biography, Chung explores new avenues of textual reading by combining film production, film history, historical context, theoretical insights, and detailed visual analysis. In analyzing such films as DAUGHTER OF SHANGHAI, her conclusions have wide implications for the way in which ethnicity could be treated in Hollywood movies that were made outside the conforming pressures of big-budget "specials." As the Library noted when adding DAUGHTER OF SHANGHAI to the Registry, "B-films during the studio era often resonate decades later because they explore issues and themes not found in higher-budget pictures." Chung also offers intriguing commentary on the ways in which Asian audiences perceived "difference" in Hollywood films through masquerades that are opaque to non-Asian viewers. She demonstrates how Ahn, as a Korean partisan during World War II, when his ancestral country was occupied and his father had died there after Japanese imprisonment, was willing to play Japanese villains. These roles are often decried now as anti-Asian when seen outside of their historical context, but the Asian solidarity in America is a comparatively recent development, and one that took place long after Hollywood war films of the 1940s and 1950s.
Chung has taken the star approach a step further than other recent books on Wong and Sessue Hayakawa by examining an actor who usually was in various supporting, rather than starring, roles. Actors in this position have generally been overlooked by biographers, and Chung provides an example of how such a career may be fruitfully explored. Hollywood Asian revises the common definition of star-status that confined it (during the studio era) almost exclusively to Caucasian actors. Her new approach will serve as a model and expand the range of performers who may be considered for star analysis.
Chung's writing is impeccable: lucid, intelligent, and challenging, and never encumbered with unnecessary jargon. Her work is accessible to the scholar as well as wider audiences, who will enjoy both her intellectual rigor and her creativity. This is a truly groundbreaking book in the areas of ethnicity, history, and the star system, and I recommend it unreservedly.

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Loretta Frances Ichord - Pasta, Fried Rice, And Ma tzoh Balls, Immigrant Cooking In America (2005).jpg

This children's cookbook traces the foods introduced by immigrants to the U.S. during the time period 1565-1921 with nods to the Japanese and Chinese immigrants of the 1950's. The author discusses the cooking styles of numerous ethnic groups including the Swedes and the Greeks, the Jews and the Irish. She provides the historical background of each group, their timeframe of immigration, the specific foods favored and a cultural recipe. Ichord sprinkles her text with humor and food trivia, disclosing the inventor of pizza and teaching her readers how to say good appetite in a variety of languages. The section on Jewish immigrants details the laws of kashrut and introduces the cultural food differences of the Ashkenazic and Sephardic Jews.
The illustrations by Ellis are engaging and descriptive. Favorite recipes from each culture are included varying from Italian gnocchi to Portuguese Sweet Bread. Ichord states that the recipes are classroom friendly but most are complex and require preparation and oven or stove time.
The overall extent of information would require strong readers in the third to fifth grade. The material jostles the history of various ethnic groups over centuries, the physical difficulties of immigration while establishing the concept of merging cooking skills, cultural habits and traditions in a new country.

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Loretta Frances Ichord - Pasta, Fried Rice, And Ma tzoh Balls, Immigrant Cooking In America (2005).pdf

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Karen Abbott - Sin in the Second City, Madams, Min isters, Playboys, and the Battle for America's Sou l (2008).jpg

USA Books1 - Karen Abbott - Sin in the Second City, Madams, Minist...ters, Playboys, and the Battle for Americas Soul 2008.jpg

Probably the most famous whorehouse in America's history -- OK, it's a dubious distinction at best, but it's a distinction all the same -- was the Everleigh Club of Chicago, which did business in that city's tenderloin, the Levee district, for the first decade of the 20th century. It was run by a couple of sisters from rural Virginia, Minna and Ada Simms, who changed their name to Everly and then to Everleigh, a double entendre (depending on how one pronounces "leigh") that was intentional, Karen Abbott reports in Sin in the Second City. Whatever the name's exact origins and intentions, "Everleigh" quickly became a synonym for high-class retail sex and remained one long after Chicago finally shut the place down in 1911.

Chicago at the turn of the last century was one hell of a tough town, as yet untouched by the famous muckraking novels of Frank Norris (The Pit, 1903) and Upton Sinclair (The Jungle, 1906). It had a population of 1.7 million, a significant percentage of which was engaged in criminal activity in one way or another. By 1907 the Chicago Tribune said that "Chicago has come to be known over the country as a bad town for men of good character and a good town for men of bad character." According to Abbott, "newspapers printed scoreboards that tabulated murders and muggings, as if such crimes were scheduled like baseball games and horse races: a burglary every three hours, a holdup every six hours, and a suicide and murder every day.") In such circumstances it's scarcely surprising that prostitution flourished and that city officials (even those who weren't on the take) winked at it. There was if anything a widespread feeling that law-abiding citizens were best served if prostitution was restricted to more or less officially sanctioned areas rather than permitted to spread unchecked. The Levee was the result, and the Everleighs' double rowhouse on South Dearborn Street became, as soon as it opened, the class of the neighborhood.

Minna and Ada had come to Chicago determined, so at least they always claimed, to operate not a run-of-the-mill cathouse but an elegant bagnio. Thus they "vowed never to deal with pimps, desperate parents selling off children, panders, and white slavers." Their prostitutes were well paid and received regular medical care. Customers were closely vetted and expected to behave themselves. When a couple of anti-vice ministers came to call in 1907, Minna "explained graciously, patiently, that the Everleigh Club was free from disease, that Dr. Maurice Rosenberg examined the girls regularly, that neither she nor Ada would tolerate anything approaching violence, that drugs were forbidden and drunks tossed out, that guests were never robbed nor rolled, and that there was actually a waiting list of girls, spanning the continental United States, eager to join their house."

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Kevin Starr - Embattled Dreams, California in War and Peace (2002).jpg

A narrative tour de force that combines wide-ranging scholarship with captivating prose, Kevin Starr's acclaimed multi-volume Americans and the California Dream is an unparalleled work of cultural history. Now, in Embattled Dreams, the sixth volume in this monumental work, Starr looks at 1940s California, the war years and their aftermath. California in the years surrounding World War II was a time of sweeping change, drama and intrigue, heroism and tragedy, a decade that saw the emergence of a new, more powerful role for California in the nation. Starr captures this exciting era with his unique vision and masterful prose. He describes the vast expansion of the war industry and California's role as "arsenal of democracy" (especially the significant part women played in the aviation industry). He examines the politics of the state: Earl Warren as the dominant political figure, the anti-communist movement and "red baiting," and the early career of Richard Nixon. He also looks at culture, ranging from Hollywood, to the counterculture with Henry Miller at Big Sur, to film noir and the fiction of Raymond Chandler. And he illuminates the harassment of Japanese immigrants and the shameful treatment of other minorities, especially Hispanics and blacks. Philadelphia Inquirer hailed Starr as "the foremost chronicler of that often fabulous region, imposing upon the dramatic elements of California history a novelist's imagination and a cosmopolitan and sophisticated intelligence." In Embattled Dreams, Starr provides an unforgettable portrait of California, a spell-binding account of the state as it transformed itself from a regional power to the dominant economic, social, and cultural force in the nation.

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Kevin Starr - Embattled Dreams, California in War and Peace (2002).pdf

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Patrick Ettinger - Imaginary Lines, Border Enforce ment and the Origins of Undocumented Immigration, 1882-1930 (2009).jpg

USA Books1 - Patrick Ettinger - Imaginary Lines, Border Enforcemen... Origins of Undocumented Immigration, 1882-1930 2009.jpg

Although popularly conceived as a relatively recent phenomenon, patterns of immigrant smuggling and undocumented entry across American land borders first emerged in the late nineteenth century. Ingenious smugglers and immigrants, long and remote boundary lines, and strong push-and-pull factors created porous borders then, much as they do now.

Historian Patrick Ettinger offers the first comprehensive historical study of evolving border enforcement efforts on American land borders at the turn of the twentieth century. He traces the origins of widespread immigrant smuggling and illicit entry on the northern and southern United States borders at a time when English, Irish, Chinese, Italian, Russian, Lebanese, Japanese, Greek, and, later, Mexican migrants created various "backdoors" into the United States. No other work looks so closely at the sweeping, if often ineffectual, innovations in federal border enforcement practices designed to stem these flows. From upstate Maine to Puget Sound, from San Diego to the Lower Rio Grande Valley in Texas, federal officials struggled to adapt national immigration policies to challenging local conditions, all the while battling wits with resourceful smugglers and determined immigrants. In effect, the period saw the simultaneous "drawing" and "erasing" of the official border, and its gradual articulation and elaboration in the midst of consistently successful efforts to undermine it.

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Patrick Ettinger - Imaginary Lines, Border Enforce ment and the Origins of Undocumented Immigration, 1882-1930 (2009).pdf

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David Neiwert - Strawberry Days, How Internment De stroyed a Japanese American Community (2005).jpg

The poignant story of a Japanese American community torn apart by racism and WWII internment Strawberry Days tells the vivid and moving tale of the creation and destruction of a Japanese immigrant community. Before World War II, Bellevue, the now-booming 'edge city' on the outskirts of Seattle, was a prosperous farm town renowned for its strawberries. Many of its farmers were recent Japanese immigrants who, despite being rejected by white society, were able to make a living cultivating the rich soil. Yet the lives they created for themselves through years of hard work vanished almost instantly after the bombing of Pearl Harbor. David Neiwert combines compelling storytelling with firsthand interviews and newly uncovered documents to weave together the history of this community and the racist schemes that prevented the immigrants from reclaiming their land after the war. Ultimately, Strawberry Daysrepresents more than one community's story, reminding us that bigotry's roots are deeply ingrained in the very fiber of American society.

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John Howard - Concentration Camps on the Home Fron t, Japanese Americans in the House of Jim Crow (20 08).jpg

Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria.

While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves.

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Leonard Dinnerstein, David M. Reimers - Ethnic Ame ricans, A History of Immigration (1999).jpg

Ethnic Americans is brief, concise, and well written. Without using jargon or overloading the reader with statistics, the book manages to tell the story of immigration to the United States down to the present in just 264 pages of textan impressive achievement. -- Alan Schaffer Clemson University

Dinnerstein and Reimers, two of the foremost scholars of American immigration, have accomplished a most impressive feat by providing a thoughtful, reasonably comprehensive, up-to-date analysis of American immigrant and ethnic experiences. Without sacrificing the scholarly integrity of their materials, they have written a book that not only addresses important historical as well as contemporary issues and trends but also does so in a most readable manner.

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Immigration to the United States - Michael Burgan - Italian Immigrants (2004).jpg

The United States is truly a nation of immigrants, or as the poet Walt Whitman once said, a "nation of nations." Spanning the time from when the Europeans first came to the New World to the present day, the new "Immigration to the United States" set conveys the excitement of these stories to young people. Beginning with a brief preface to the set written by general editor Robert Asher that discusses some of the broad reasons why people came to the New World, both as explorers and settlers, each book's narrative highlights the themes, people, places, and events that were important to each immigrant group. In an engaging, informative manner, each volume describes what members of a particular group found when they arrived in the United States as well as where they settled. Historical information and background on the various communities present life as it was lived at the time they arrived. The books then trace the group's history and current status in the United States. Each volume includes photographs and illustrations such as passports and other artifacts of immigration, as well as quotes from original source materials. Box features highlight special topics or people, and each book is rounded out with a glossary, timeline, further reading list, and index.

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Immigration to the United States - Michael Burgan - Italian Immigrants (2004).pdf

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Immigration to the United States - Timothy J. Paul son - Irish Immigrants (2004).jpg

The United States is truly a nation of immigrants, or as the poet Walt Whitman once said, a "nation of nations." Spanning the time from when the Europeans first came to the New World to the present day, the new "Immigration to the United States" set conveys the excitement of these stories to young people. Beginning with a brief preface to the set written by general editor Robert Asher that discusses some of the broad reasons why people came to the New World, both as explorers and settlers, each book's narrative highlights the themes, people, places, and events that were important to each immigrant group. In an engaging, informative manner, each volume describes what members of a particular group found when they arrived in the United States as well as where they settled. Historical information and background on the various communities present life as it was lived at the time they arrived. The books then trace the group's history and current status in the United States. Each volume includes photographs and illustrations such as passports and other artifacts of immigration, as well as quotes from original source materials.

Box features highlight special topics or people, and each book is rounded out with a glossary, timeline, further reading list, and index.

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Immigration to the United States - Timothy J. Paul son - Irish Immigrants (2004).pdf

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Harold L. Peterson - Round Shot and Rammers, An In troduction to Muzzle-Loading Land Artillery in the United States (1969).jpg

USA Books1 - Harold L. Peterson - Round Shot and Rammers, An Intro...zzle-Loading Land Artillery in the United States 1969.jpg

This book is contains drawings and prints as well as detailed text on how cannons were made. It is broken down by decade and county of orign, and covers the time of 1600 to 1865.

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