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alibi251
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widziany: 26.06.2019 13:29

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  • 47 KB
  • 16 gru 11 2:49
This book is the result of an idea. That idea is that there is a positive relationship between the Maccabees and the Zealots. Josephus comes into the picture because he asserts the contrary, i.e., the Zealots began de novo, having no connection with the Maccabees.

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The book illuminates Calvin's thought by placing it in the context of the theological and exegetical traditions--ancient, medieval, and contemporary-- that formed it and contributed to its particular texture. Steinmetz addresses a range of issues almost as wide as the Reformation itself, including the knowledge of God, the problem of iconoclasm, the doctrines of justification and predestination, and the role of the state and the civil magistrate. Along the way, Steinmetz also clarifies the substance of Calvin's quarrels with Lutherans, Catholics, Anabaptists, and assorted radicals from Ochino to Sozzini. For the new edition he has added a new Preface and four new chapters based on recent published and unpublished essays. An accessible yet authoritative general introduction to Calvin's thought, Calvin in Context engages a much wider range of primary sources than the standard introductions. It provides a context for understanding Calvin not from secondary literature about the later middle ages and Renaissance, but from the writings of Calvin's own contemporaries and the rich sources from which they drew.

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After a number of books on various aspects of Spain (The Collapse of the Spanish Republic; Franco and Hitler; The Spanish Civil War, The Soviet Union, and Communism), Payne now wants to tell the whole story of the country that so fascinates him. The Visigoth conquest kicks things off, followed by centuries of Islamic rule, reconquest and crusade, political and cultural advancement, a Civil War, and the Franco era. Payne's goal, as a historian and "Hispanist," is to create an "objective evaluation" of these events, avoiding extremist opinions and stereotypes perpetuated by the likes of Ernest Hemingway. Unfortunately, this also strips much of the flavor from what should be an exciting, as well as informative, effort. The straightforward perspective provides a less-than intriguing entry for the non-historian, resulting in a bland, concise explanation. Also lacking is enough background on significant participants. To be fair, there are nuggets of historical trivia to be gleaned here, like the fact that the region's name, Hispania, is derived from a Phoenician word meaning "land of rabbits"; helpful notes will explain other unfamiliar terms or events. Considering Spain's captivating story and culture, professional and armchair historians alike may be disappointed.

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  • 16 gru 11 2:49
The Napoleonic Wars saw almost two decades of brutal fighting, from the frozen wastelands of Russia to the wildness of the Peninsula, and from Egypt to the bloody battlefield of Waterloo. Fighting took place on an unprecedented scale across Europe, and over the entire period of the wars Napoleon led his Grand Armee and his allies against almost every European nation, and against varying coalitions. This book provides a comprehensive guide to all the major armies of the Napoleonic Wars, of France, Britain, Austria, Prussia, Russia, Spain and Portugal. Covering the changes experienced by the armies over the period, the author details the organization, infantry, cavalry, and artillery of each. With stunning original artwork of the often glorious uniforms worn into battle, period illustrations or the equipment used, and photographs, this is a beautiful and in-depth study of the armies that fought in the Napoleonic campaigns.

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Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.
* Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.
* Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.
* Introduces the reader to the dynamic interface between philosophical reflections and art practices.
* Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

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The concept of heresy is deeply rooted in Christian European culture. The palpable increase in incidences of heresy in the Middle Ages may be said to directly relate to the Christianity's attempts to define orthodoxy and establish conformity at its centre, resulting in the sometimes forceful elimination of Christian sects. In the transition from medieval to early modern times, however, the perception of heresy underwent a profound transformation, ultimately leading to its decriminalization and the emergence of a pluralistic religious outlook. The essays in this volume offer readers a unique insight into this little-understood cultural shift. Half of the chapters investigate the manner in which the church and its attendant civil authorities defined and proscribed heresy, whilst the other half focus on the means by which early modern writers sought to supersede such definition and proscription. The result of these investigations is a multifaceted historical account of the construction and serial reconstruction of one of the key categories of European theological, juristic and political thought. The contributors explore the role of nationalism and linguistic identity in constructions of heresy, its analogies with treason and madness, the role of class and status in the responses to heresy. In doing so they provide fascinating insights into the roots of the historicization of heresy and the role of this historicization in the emergence of religious pluralism.

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Paul Cefalu's study explores the relationship between moral character and religious conversion in the poetry and prose of Sidney, Spenser, Donne, Herbert, and Milton, as well as in early modern English Conformist and Puritan sermons, theological tracts, and philosophical treatises. Cefalu argues that early modern Protestant theologians were often unable to incorporate a coherent theory of practical morality into the order of salvation. Cefalu draws on fresh historicist theories of ideology and subversion, but takes issue with historicist tendency to conflate generic and categorical distinctions among texts. He argues that imaginative literature, by virtue of its tendency to place characters in approximately real ethical quandaries, uniquely points out the inability of early modern English Protestant theology to merge religious theory and ethical practice. This study should appeal not only to literary critics and historians, but also to scholars interested in the history of moral theory.

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Though only 34 years old at the time of his death in 1917, T.E. Hulme had already taken his place at the center of pre-war London's advanced intellectual circles. His work as poet, critic, philosopher, aesthetician, and political theorist helped define several major aesthetic and political movements, including imagism and Vorticism. Despite his influence, however, the man T.S. Eliot described as 'classical, reactionary, and revolutionary' has until very recently been neglected by scholars, and T.E. Hulme and the Question of Modernism is the first essay collection to offer an in-depth exploration of Hulme's thought. While each essay highlights a different aspect of Hulme's work on the overlapping discourses of aesthetics, politics, and philosophy, taken together they demonstrate a shared belief in Hulme's decisive importance to the emergence of modernism and to the many categories that still govern our thinking about it. In addition to the editors, contributors include Todd Avery, Rebecca Beasley, C.D. Blanton, Helen Carr, Paul Edwards, Jesse Matz, Alan Munton, and Andrew Thacker.

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Examining Catholic activism in the south-west of France during the middle decades of the sixteenth century, this book argues - contrary to prevailing views - that the phenomenon was both widespread and militant even before the formation of the Catholic League in 1576. Whilst recent research has provided a greater understanding of the Huguenot struggle for security and legitimacy, there has not been a correspondingly thorough investigation into the grass-roots Catholic reaction to this, and by dismissing episodes of pre-League Catholic militancy as limited and ephemeral, a distorted picture of French confessional conflict and rivalry is painted. Utilising surviving material from the provincial archives at Bordeaux, Toulouse, Agen, and at the Bibliothèque Nationale in Paris, this book provides ample evidence for placing the birth of Catholic activism in the period preceding the Wars of Religion, highlighting the confessional tensions that exploded throughout the 1540s and 1550s. As competing bands of religious enthusiasts, and municipal and court officials, fought first with words, then with weapons, for supremacy of the community in the towns of the south-west, a steady escalation of confrontation can be traced. Within this atmosphere of rising tension, it is shown how Catholic militancy mirrored the organisational and fund-raising capacity of their Protestant rivals, and how the local military elite rose to support their co-religionists at the outbreak of formal hostilities in 1562. The ascendancy of Catholic militants in key urban centres by 1570 would deal a fatal blow to Protestant plans for supremacy of the south-west.

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This important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period-the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers have positioned themselves in relation to what has become known as the public sphere, and the way in which they articulate an understanding of the common sphere as a site of plebeian self-expression. Joshua's nuanced account acknowledges the full complexity of class formations and inter-class relationships and permits noncanonical and canonical texts such as the Prelude, Songs of Innocence and Experience, and 'The Village Minstrel' to be reinterpreted in a cultural context that has not been previously explored by literary critics.

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This eminently learned book transforms our understanding of Joyce's Ulysses by placing the novel firmly in the historical context of Anglo-Irish political and cultural relations in the period 1880-1920. Gibson argues that Ulysses is a great work of liberation that also takes a complex form of revenge on the colonizer's culture.

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The book is interesting and what is so to speak a slightly different view on heraldry as up to this point, we became acquainted with heraldry more on English-language sources, reflected in the large extent, it is of the British heraldic school and focus in the English examples.

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Postcolonial Whiteness examines the interrelations between whiteness and the history of European colonialism, as well as the status of whiteness in the contemporary postcolonial world. It addresses two fundamental questions: What happens to whiteness after empire, and to what extent do white cultural norms or imperatives remain embedded in the postcolonial or postindependence state as a partacknowledged or notof the colonial legacy? Presenting a wide range of critical and theoretical responses, the contributors explore these questions by focusing on such diverse topics as the legacy of Princess Diana; queer selfexpression; the changing situation of Gypsy, or Romani, minorities in Eastern Europe; literature, including Joseph Conrad's Heart of Darkness, Caryl Phillips's Cambridge, and Gothic impact on the literature of Australia; reconstruction of white South African social identity; crosscultural discussions of mental illness; Freud's case history of the Wolfman; and Australia's national anthems.

Alfred J. López is Assistant Professor of English at the University of Mississippi

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The book comprises a lively and wide-ranging discussion of the intersecting discourses of race, gender, and empire in literature, history, and contemporary culture generally.

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On February 15, 1942 Singapore surrendered. It was the beginning of the end for the British Empire. Almost before the firing stopped, the controversy started. Could Singapore have been saved if more tanks or aircraft had been provided, or if Britain had denied Japan landing sites in Thailand? Could the tide have been turned as late as February 15, if fewer Australian troops had deserted? The glut of scapegoats-Churchill, British commanders, Australians-creates the need for a work which will cover the widest range of issues clearly and briefly. This book does that, providing an account of everything from prewar planning to postwar commemoration by British, Australians and Singaporeans. But it also unveils the relationship between 'Fortress Singapore' and the Fall. It shows that Churchill was against a long battle for north Malaya. In his mind's eye, Singapore remained a fortress with a moat and huge coastal gums. If the defenders fell back to Johore and Singapore, the enemy would have to assemble a vastsiege train in order to pulverize the bastion's strong points. When Churchill realized the reality, that Singapore was 'the near naked island', he called for a final blood sacrifice to redeem the honor of race and empire. This book explains what Fortress Singapore was to Churchill, what it was in reality, and how it has been remembered by Singaporeans, Australians, British and Japanese. It also puts Churchill's decision in the context of the struggles in the Middle East and Russia, and allows Churchill and contemporaries to speak for themselves. It will help students and general readers make up their own minds on the most crucial questions, which can be summed up as: "Did Singapore Have to Fall"?

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This book looks at the ways Victorian ideas about gender and race supported British imperialism at the turn of the century. It examines the Boer War of 1899-1902 through the war writings of literary figures such as Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard and Rudyard Kipling, and also through newspapers, propaganda, and other forms of public debate in print. Paula M. Krebs' analysis of the part played by ideas about gender and race in public discourse makes a significant new contribution to the study of British imperialism.

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British imperial policy makers in the 1930s and early 1940s were once judged to be committed to advancing the political development of dependent peoples on the road to independence. We now know their priority was to retain rather than disengage from the empire. This monograph probes the rationales developed to justify retention in the context of mounting challenges and changing circumstances set off by World War II.

The fundamental rationale for empire, the author argues, which came to be thoroughly discredited, was that of racial superiority. At home and abroad racism was undermined by Nazi outrages and the loss of European prestige resulting from Japanese victories in southeast Asia. What rationale would replace it and who was responsible for it? The author asserts that the new rationale that emerged was significantly shaped by William Malcolm Hailey (1872-1969). A senior administrator in British India in the early decades of the twentieth century and responsible for major studies on native administration in Africa including the authoritative An African Survey (1938, 1957), he served as an advisor to the Colonial Office during the war. Lord Hailey, despite his autocratic record, "began to lean towards more egalitarian ideas upon which to base colonial administration" (p.18). These he fashioned from domestic social reform initiatives, particularly the concept of the welfare state. Colonial policy "developed a new langua ge of development and of protecting minority groups" (p. 146). By following up the recommendations of the Lord Moyne commission, which had investigated unrest in the British West Indies, to provide infrastructure grants, and the Colonial development acts of 1929 and 1940, designed in part to ameliorate unemployment in Britain, and drawing on his experience in accommodating the minority (i.e. Muslims) in India, he argued that Britain could improve and nurture the lot of its dependencies, thus deflecting pressures to withdraw from empire. Colonial interests, in effect, would take priority.

In fashioning rhetoric in defense of empire, Lord Hailey had more than restive colonial elites in mind. Americans were his main targets. He set out to squelch criticism and harness their support for vulnerable British objectives. He deflected their anti-imperialist preferences by reminding them...

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Nineteenth-century studies of the Orient changed European ideas and cultural institutions in more ways than we usually recognize. "Orientalism" certainly contributed to European empire-building, but it also helped to destroy a narrow Christian-classical canon. This carefully researched book provides the first synthetic and contextualized study of German Orientalistik, a subject of special interest because German scholars were the pace-setters in oriental studies between about 1830 and 1930, despite entering the colonial race late and exiting it early. The book suggests that we must take seriously German orientalism's origins in Renaissance philology and early modern biblical exegesis and appreciate its modern development in the context of nineteenth- and early-twentieth-century debates about religion and the Bible, classical schooling, and Germanic origins. In ranging across the subdisciplines of Orientalistik, German Orientalism in the Age of Empire introduces readers to a host of iconoclastic characters and forgotten debates, seeking to demonstrate both the richness of this intriguing field and its indebtedness to the cultural world in which it evolved.

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