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  • 8,0 MB
  • 30 paź 11 16:06

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  • 30 paź 11 16:06
Perhaps more than any other two colleges, Harvard and Yale gave form to American intercollegiate athletics--a form that was inspired by the Oxford-Cambridge rivalry overseas, and that was imitated by colleges and universities throughout the United States. Focusing on the influence of these prestigious eastern institutions, this fascinating study traces the origins and development of intercollegiate athletics in America from the mid-nineteenth century to the early twentieth century. Smith begins with an historical overview of intercollegiate athletics and details the evolution of individual sports--crew, baseball, track and field, and especially football.

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Explore every corner of this thriving historic city, with this updated fifth edition. The full-colour introduction will inspire you on where to go and what to see, from The Museum of Fine Art and the USS Constitution to the home of the beloved Red Sox at Fenway Park. You’ll find lively accounts of every attraction from the smart streets of Beacon Hill to the Revolution-era sights around Boston Common. This revised edition features full-colour inserts throughout and listings for all the very best hotels and restaurants, whilst the authors'' selection of ''things not to miss'' range from bustling Harvard square to shopping on Newbury Street which houses hip cafes and colourful boutiques. You’ll find detailed information on Boston’s festivals, music, history and literature and in-depth coverage of Cambridge, plus excursions to Sales, Plymouth, and Provincetown. The contexts section provides insightful background on the city''s history, architecture, people and literature. With the clearest maps of any guide, make sure your trip to this city of vibrant charm is one not to forget with this ultimate guide.

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  • 30 paź 11 16:06
Martin Scorsese's current position in the international film community is unrivaled, and his name has become synonymous with the highest standards of filmmaking excellence. He is widely considered America's best living film director, and his Taxi Driver and Raging Bull appear frequently on worldwide surveys of the best films of all time. Here, in the first biographical account of this artist's life, Vincent LoBrutto traces Scorsese's Italian-American heritage, his strict Catholic upbringing, the continuing role of religion in his life and art, his obsessive love of cinema history, and the powerful impact the streets of New York City had on his personal life and his professional career. Meanwhile, the filmmaker's humble, soft-spoken public persona tells only part of the story, and LoBrutto will delve into the other side of a complex and often tortured personality. Scorsese's intense passion, his private relationships, his stormy marriages, and his battles with drugs and depression are all chronicled here, and, in many cases, for the first time. In addition, the book includes an interview with the director, as well as filmographies cataloging his work as a director, producer, actor, and presenter. As his Best Director award at the 2007 Oscars clearly demonstrated, Scorsese has become something like Hollywood royalty in recent years, finally enjoying the insider status and favor that eluded him for most of his career. But these recent developments aside, Scorsese is also notable as a distinctly American type of artist, one whose work-created in a medium largely controlled by commercialism and marketing-has always been unmistakably his own, and who thus remains a touchstone of artistic integrity in American cinema. In Martin Scorsese: A Biography, readers can examine not only the work of one of the form's genuine artists, but also the forces that have propelled the man behind it. BLNo real biography of Scorsese has ever been published: the existing literature comprises critical studies and compilations of interview BLLoBrutto is an experienced writer and teacher, with an encyclopedic knowledge of his subject and proven ability in the biographic genre.

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  • 30 paź 11 16:06
First published in 1977, Toward a People's Art remains a classic study of the community-based mural movement that produced hundreds of large-scale wall paintings in the United States and Canada. The authors provide a comprehensive discussion of the muralists, the murals' effects on the community, and the funding these works received.

Those interested in art and social change will welcome this new edition, which represents an ongoing faith in the ideal of participatory democracy as the best way to confront the nation's social problems and in the potential of activist art to have long-term social impact. The introduction describes the era-the late 1960s-and a new afterword looks at the 1980s and 1990s and the continuing commitment to the community-engaged process of making public art.

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Amid rising public concern about the proliferation and privitization of prisons, and their promise of enormous profits, world-renowned author and activist Angela Y. Davis argues for the abolition of the prison system as the dominant way of responding to America's social ills. “In thinking about the possible obsolescence of the prison,” Davis writes, “we should ask how it is that so many people could end up in prison without major debates regarding the efficacy of incarceration.” Whereas Reagan-era politicians with “tough on crime” stances argued that imprisonment and longer sentences would keep communities free of crime, history has shown that the practice of mass incarceration during that period has had little or no effect on official crime rates: in fact, larger prison populations led not to safer communities but to even larger prison populations. As we make our way into the twenty-first century—two hundred years after the invention of the penitentiary —the question of prison abolition has acquired an unprecedented urgency. Backed by growing numbers of prisons and prisoners, Davis analyzes these institutions in the U.S., arguing that the very future of democracy depends on our ability to develop radical theories and practices that make it possible to plan and fight for a world beyond the prison industrial complex.

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Re-examines the European invasion of North America in the 17th- and 18th-centuries. Challenging the historical tradition thta has denigrated Indians as "savages" and celebrated the triumph of European "civilization", the author of this text presents military history as only one dimension of a more fundamental conflict of cultures. Combining the perpsectives of ethnohistory and military history, the text provides an evaluation of the evolution and influence of both Indian and European ways of war during the period. Significant conflicts such as King Philip's war in New England, 1675-1676 (notable due to the number of armed Indians), the French and Indian wars, the Amercian War of Independance and their conquest of the old Northwestbetween 1783-1815 are analyzed.

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This popular geology explores the southern Colorado Plateau Province, the country roughly encompassed by the Navajo Nation in the Four Corners region of the American Southwest. Navajo country is a land of rock, little water, sparse vegetation, and breathtaking beauty. Some of America's most remarkable geographic formations embellish this harsh desert land: the Grand Canyon, Marble Canyon, Monument Valley, Valley of the Gods, the Totem Pole, Canyon de Chelly, Shiprock, Spider Rock, Church Rock, and many others.
The Navajo Indians settled this region five hundred years ago, defining the boundaries of their homeland by the Four Sacred Mountains to the north, south, east, and west. Over the centuries, this rugged, beautiful country helped shape Navajo mythology, legend, and identity. Likewise, the American people have incorporated the spectacular geography of Navajo country into their own national mythology.
Liberally illustrated, Navajo Country sketches the long geological history and explores the many physical landscapes of this rocky, colorful region. Both the novice and professional will find this book a handy introduction to the geology of the southern Colorado Plateau Province.

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Writer, inventor, diplomat, businessman, musician, scientist, humorist, and civic leader are only a few of the hats Franklin wore. Edwin S. Gaustad presents a balanced account of Franklin's life, emphasizing Franklin's character and personality and quoting extensively from Franklin's own writings.

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  • 30 paź 11 16:06
David Mamet gained regard as a leading American playwright and screenwriter with such works as his 1981 debut screenplay, The Postman Always Rings Twice and the 1984 Pulitzer Prizewinning play, Glengarry Glen Ross.

This title, David Mamet, part of Chelsea House Publishers’ Modern Critical Views series, examines the major works of David Mamet through full-length critical essays by expert literary critics. In addition, this title features a short biography on David Mamet, a chronology of the author’s life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University.

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The Apache comprised many nomadic bands who hunted and gathered in a vast region -- stretching from Kansas to Northern Mexico -- until the arrival of Spanish colonists in the mid-16th century. These newcomers subdued other Indian peoples, but the Apache, highly adept warriors and raiders, fended them off for 300 years. Then, in the mid-19th century, the United States expanded its borders into Texas, New Mexico, and Arizona. Once again the Apache took arms, led by brilliant tacticians such as Cochise and Geronimo, who outmaneuvered the U.S. Army in skirmishes fought on the forbidding terrain of the Southwest. Enemy forces proved too great, however, and by 1996 the entire Apache population had been placed on reservations in Arizona and New Mexico. Today, these proud people face yet another struggle, as they seek to preserve their unique way of life.

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From the time of their earliest encounters with European explorers and missionaries, Native peoples of eastern North America acquired metal trinkets and utilitarian items and traded them to other aboriginal communities. As Native consumption of European products increased, their material culture repertoires shifted from ones made up exclusively of items produced from their own craft industries to ones substantially reconstituted by active appropriation, manipulation, and use of foreign goods. These material transformations took place during the same time that escalating historical, political, economic, and demographic influences (such as epidemics, new types of living arrangements, intergroup hostilities, new political alliances, missionization and conversion, changes in subsistence modes, etc.) disrupted Native systems. Ehrhardt's research addresses the early technological responses of one particular group, the Late Protohistoric Illinois Indians, to the availability of European-introduced metal objects. To do so, she applied a complementary suite of archaeometric methods to a sample of 806 copper-based metal artifacts excavated from securely dated domestic contexts at the Illiniwek Village Historic Site in Clark County, Missouri. Ehrhardt's scientific findings are integrated with observations from historical, archaeological, and archival research to place metal use by this group in a broad social context and to critique the acculturation perspective at other Contact Period sites. In revealing actual Native practice, from material selection and procurement to ultimate discard, the author challenges technocentric explanations for Native material and cultural change.

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  • 30 paź 11 16:06
Indispensable to film students and general readers interested in this art form, Contemporary American Cinema culls together the writings of the world's leading film scholars to provide the first comprehensive introduction to postclassical American film. Heavily illustrated with more than 50 color and black-and-white stills, it takes a close look at all aspects of the genre, including influential movies, directors, producers, and actors.

This unique and accessible resource includes two Tables of Contents, allowing readers to research chronologically or thematically. In addition, it includes a glossary of important terms, suggestions for further reading, sample essay questions, and a filmography. Subjects include:

* Decline of the early studio system
* Rise of American new-wave cinema
* Parallel histories of independent and underground cinema
* Black cinema--from the "blaxploitation" era of the 1970s to the 1990s
* Full history of the American blockbuster
* Uses and effects of new film making technologies
* America's ever-changing audiences
* Key genres and industry statistics

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  • 30 paź 11 16:06
Policy debates are often grounded within the conceptual confines of a state-market dichotomy, as though the two existed in complete isolation. In this innovative text, Marc Allen Eisner portrays the state and the market as inextricably linked, exploring the variety of institutions subsumed by the market and the role that the state plays in creating the institutional foundations of economic activity.

Through a historical approach, Eisner situates the study of American political economy within a larger evolutionary-institutional framework that integrates perspectives in American political development and economic sociology. This volume provides a rich understanding of the complexity of U.S. economic policy, explaining how public policies become embedded in bureaucracy and reinforced by organized beneficiaries and public expectations. This path dependent layering process helps students better understand the underlying historical dynamics, which provide a clearer sense of the constraints faced by policymakers now and in the future. Thorough coverage of the entitlement crisis, globalization’s impact on the U.S. political economy, and the recent financial crisis in the final chapters demonstrate the importance of this historical institutionalist framework.

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In this new and expanded edition of Michel Chossudovsky's 2002 best seller, the author blows away the smokescreen put up by the mainstream media, that 9/11 was an attack on America by "Islamic terrorists". Through meticulous research, the author uncovers a military-intelligence ploy behind the September 11 attacks, and the cover-up and complicity of key members of the Bush Administration.

The expanded edition, which includes twelve new chapters focuses on the use of 9/11 as a pretext for the invasion and illegal occupation of Iraq, the militarisation of justice and law enforcement and the repeal of democracy.

According to Chossudovsky, the "war on terrorism" is a complete fabrication based on the illusion that one man, Osama bin Laden, outwitted the $40 billion-a-year American intelligence apparatus. The "war on terrorism" is a war of conquest. Globalisation is the final march to the "New World Order", dominated by Wall Street and the U.S. military-industrial complex.

September 11, 2001 provides a justification for waging a war without borders. Washington's agenda consists in extending the frontiers of the American Empire to facilitate complete U.S. corporate control, while installing within America the institutions of the Homeland Security State.

Chossudovsky peels back layers of rhetoric to reveal a complex web of deceit aimed at luring the American people and the rest of the world into accepting a military solution which threatens the future of humanity.

The last chapter includes an analysis of the London 7/7 Bomb Attacks.

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  • 30 paź 11 16:06
"This is a major contribution to the theoretical literature on identity and to the history of northern Mexico and Latin America in general." --William L. Merrill, Curator of Anthropology, Smithsonian Institution In their efforts to impose colonial rule on Nueva Vizcaya from the sixteenth century to the middle of the seventeenth, Spaniards established missions among the principal Indian groups of present-day eastern Sinaloa, northern Durango, and southern Chihuahua, Mexico--the Xiximes, Acaxees, Conchos, Tepehuanes, and Tarahumaras. Yet, when the colonial era ended two centuries later, only the Tepehuanes and Tarahumaras remained as distinct peoples, the other groups having disappeared or blended into the emerging mestizo culture of the northern frontier. Why were these two indigenous peoples able to maintain their group identity under conditions of conquest, while the others could not? In this book, Susan Deeds constructs authoritative ethnohistories of the Xiximes, Acaxees, Conchos, Tepehuanes, and Tarahumaras to explain why only two of the five groups successfully resisted Spanish conquest and colonization. Drawing on extensive research in colonial-era archives, Deeds provides a multifaceted analysis of each group's past from the time the Spaniards first attempted to settle them in missions up to the middle of the eighteenth century, when secular pressures had wrought momentous changes. Her masterful explanations of how ethnic identities, subsistence patterns, cultural beliefs, and gender relations were forged and changed over time on Mexico's northern frontier offer important new ways of understanding the struggle between resistance and adaptation in which Mexico's indigenous peoples are still engaged, five centuries after the "Spanish Conquest."

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  • 30 paź 11 16:06
Publisher: Boston; I. Thomas


Literary magazine; letters, histories, poetry, &c.

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