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Beatport Techno (Peak Time _ Driving) Top 100 July 2023

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45 KB
30 paź 11 16:06

Susan C.W. Abbotson - Masterpieces of 20th-Century American Drama (2005).jpg

American playwrights have made enormous contributions to world drama during the last century, and their works are widely read and performed. This reference conveniently introduces 10 of the most important modern American plays read by students. The dramatists represented include women and people of color, and their works frequently grapple with enduring social issues. An introductory overview of modern American drama begins the volume. Each of the chapters that follow is devoted to a particular work, including:

Thornton Wilder's Our Town Tennessee Williams' A Streetcar Named Desire Arthur Miller's Death of a Salesman Arthur Miller's The Crucible Eugene O'Neill's Long Day's Journey into Night Lorraine Hansberry's A Raisin in the Sun Edward Albee's Who's Afraid of Virginia Woolf? Sam Shepard's Buried Child David Mamet's Glenngarry Glen Ross And August Wilson's The Piano Lesson. Each chapter provides a biography, a plot summary, a discussion of themes, major characters, and dramatic art, and a survey of the play's historical background and critical reception. The individual chapters cite works for further reading, and the volume closes with a selected, general bibliography.

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Susan C.W. Abbotson - Masterpieces of 20th-Century American Drama (2005).pdf

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Quentin R. Skrabec, Jr. - William McKinley, Apostl e of Protectionism (2009).jpg

This biography, focused on McKinley's unusual view of protectionism, a labor-business alliance, and American exceptionalism, offers striking parallels to today as the US struggles to define its international role and to determine the best blend of free trade, protectionism, and immigration.
William McKinley was the first US president to address globalization; his legacy in protectionism and immigrant labor offer lessons for the current era. He orchestrated an alliance between big business and the American worker that ushered in one of the greatest periods of growth ever known in the US economy. Yet McKinley has been in the shadow of his successor Theodore Roosevelt for over a hundred years.
As Chairman of the Ways and Means Committee, McKinley had forged a tariff bill in 1888 that united a nation that was still divided between North and South, East and West. His continued efforts to support free trade, protected by managed markets in the tradition of Henry Clay, and worker benefits like those provide by George Westinghouse, led to a great economic compromise.
Further, with revolutionary, visionary rhetoric laden with America's economic manifest destiny he appealed to everyone from the steelworkers of Pittsburgh to the New York bankers. He articulated a uniting philosophy: Free trade in the United States is founded upon a community of equalities and reciprocities...[F]ree foreign trade admits the foreigner to equal privileges with our citizens. It invites the product of foreign cheap labor to this market in competition with the domestic, representing better paid labor [albeit with tariffs to protect that domestic product].
McKinley's vision built the industrial base of the nation. By the end of his presidency the American steel, glass, rubber, oil, machinery and electrical appliance industries dominated the world.
He was one of America's most popular presidents. As his funeral train crossed the nation in 1901, factory workers and captains of industry alike stood along the rails to mourn him. Never since has such a political alliance between labor and management been forged.
He was the last president to build a voting alliance between laborers, immigrant workers, and capitalists. That alliance was marred by famous labor strikes and the building of great trusts, yet he still managed to sweep the labor votes in the great industrial centers due to his belief in reciprocity and protectionism.
McKinley's role as a dinner pail Republican offers insights into how America can approach today's globalization with the best interests of the home team in mind.

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30 paź 11 16:06

Quentin R. Skrabec, Jr. - William McKinley, Apostl e of Protectionism (2009).pdf

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Viral Acharya, Matthew Richardson - Restoring Fina ncial Stability, How to Repair a Failed System (20 09).jpg

"This an excellent book. It is the first academic book to consider the crisis in depth and to propose policy responses and solutions. . . broad and deep overview of the crisis [that makes] suggestions for how to minimize the chances of a recurrence going forward. . . essential institutional detail and makes sensible and often original suggestions for reform. One of the remarkable aspects of the book is the speed with which it was produced. . . This book should be read by every serious observer of the crisis. It is an outstanding contribution." — Franklin Allen., Nippon Life Professor of Finance, Wharton School of the University of Pennsylvania in FinReg21.com

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30 paź 11 16:06

Viral Acharya, Matthew Richardson - Restoring Fina ncial Stability, How to Repair a Failed System (20 09).pdf

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Gayle Wald - Crossing the Line, Racial Passing in Twentieth-Century U.S. Literature and Culture (200 0).jpg

As W. E. B. DuBois famously prophesied in The Souls of Black Folk, the fiction of the color line has been of urgent concern in defining a certain twentieth-century U.S. racial "order." Yet the very arbitrariness of this line also gives rise to opportunities for racial "passing," a practice through which subjects appropriate the terms of racial discourse. To erode race's authority, Gayle Wald argues, we must understand how race defines and yet fails to represent identity. She thus uses cultural narratives of passing to illuminate both the contradictions of race and the deployment of such contradictions for a variety of needs, interests, and desires.
Wald begins her reading of twentieth-century passing narratives by analyzing works by African American writers James Weldon Johnson, Jessie Fauset, and Nella Larsen, showing how they use the "passing plot" to explore the negotiation of identity, agency, and freedom within the context of their protagonists' restricted choices. She then examines the 1946 autobiography Really the Blues, which details the transformation of Milton Mesirow, middle-class son of Russian-Jewish immigrants, into Mezz Mezzrow, jazz musician and self-described "voluntary Negro." Turning to the 1949 films Pinky and
Lost Boundaries, which imagine African American citizenship within class-specific protocols of race and gender, she interrogates the complicated representation of racial passing in a visual medium. Her investigation of "post-passing" testimonials in postwar African American magazines, which strove to foster black consumerism while constructing "positive" images of black achievement and affluence in the postwar years, focuses on neglected texts within the archives of black popular culture. Finally, after a look at liberal contradictions of John Howard Griffin's 1961 auto-ethnography Black Like Me, Wald concludes with an epilogue that considers the idea of passing in the context of the recent discourse of "color blindness."
Wald's analysis of the moral, political, and theoretical dimensions of racial passing makes Crossing the Line important reading as we approach the twenty-first century. Her engaging and dynamic book will be of particular interest to scholars of American studies, African American studies, cultural studies, and literary criticism.

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30 paź 11 16:06

Gayle Wald - Crossing the Line, Racial Passing in Twentieth-Century U.S. Literature and Culture (200 0).pdf

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Linda Romine - Frommer's Nashville and Memphis, 9t h Edition (2009).jpg

Our author hits all the highlights, from the Ryman Auditorium and the Country Music Hall of Fame and Museum in Nashville to Beale Street and the National Civil Rights Museum in Memphis. She's checked out all the cities' best hotels and restaurants in person, and offers authoritative, candid reviews that will help you find the choices that suit your tastes and budget.
You'll also get up-to-the-minute coverage of shopping and nightlife in both cities; in-depth coverage of the respective music scenes; detailed walking tours; accurate neighborhood maps; advice on planning a successful family vacation; and side trips to distilleries and Civil War battlefields.

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12,2 MB
30 paź 11 16:06

Linda Romine - Frommer's Nashville and Memphis, 9t h Edition (2009).pdf

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30 paź 11 16:06

Bob Sehlinger - Frommer's Las Vegas with Kids (200 9).jpg

Let Frommer's Show You Where Your Kids Can:
Play catch with dolphins
View spectacular (and free!) dancing fountains
Take a spin on the world's highest roller coaster
Dine amid NASCAR memorabilia
See pirates battle on a sinking ship
Watch dinosaurs (equipped with motion sensors) come alive
Experience a volcano "erupting"
Plus Invaluable Travel Tips:
Age ranges for each sight and activity
Hotels that offer cribs and rollaway beds
A complete rundown of restaurants with kids' menus
Shopping for everything from Native-American pottery to earrings made of poker chips
Getting your kids interested in Las Vegas

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10,5 MB
30 paź 11 16:06

Bob Sehlinger - Frommer's Las Vegas with Kids (200 9).pdf

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30 paź 11 16:06

M. E. Ravage - An American in the Making, The Life Story of an Immigrant.jpg

M.E. Ravage, one of almost two million Jews, was lured by tales of success to America at the turn of the twentieth century. After learning a new language and finding success in college he penned a vivid account of his own assimilation. Steven G. Kellman brings Ravage's story to life again in this new edition, providing a brief biography and historical and literary contexts. An American in the Making contributes to an understanding of the notion of ""America"" and remains timely, especially when massive immigration from Latin America and Asia, challenges ideas of national identity.

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30 paź 11 16:06

M. E. Ravage - An American in the Making, The Life Story of an Immigrant.pdf

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30 paź 11 16:06

Patrick Sellers - Cycles of Spin, Strategic Commun ication in the U.S Congress (2009).jpg

How do politicians try to shape their news coverage? Sellers examines strategic communication campaigns in the U.S. Congress. He argues that these campaigns create cycles of spin: leaders create messages, rank-and-file legislators decide whether to promote those messages, journalists decide whether to cover the messages, and any coverage feeds back to influence the policy process. These four stages are closely related; decisions at one stage influence those at another. Sellers uses diverse evidence, from participant observation and press secretary interviews, to computerized content analysis and vector auto regression. The result is a comprehensive and unprecedented examination of politicians' promotional campaigns and journalists' coverage of those campaigns. Countering numerous critics of spin, Sellers offers the provocative argument that the promotional messages have their origins in the actual policy preferences of members of Congress. The campaigns to promote these messages thus can help the public learn about policy debates in Congress.

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30 paź 11 16:06

Mark Jickling - Barriers to Corporate Fraud (2009).jpg

The collapse of Enron Corp. in the fall of 2001 had a peculiar side effect: accounting became front page news. For the next year, accounting fraud at a long series of "Fortune" 500 companies made headlines. The worst cases led to spectacular bankruptcies, mass layoffs, and criminal prosecutions. Many other companies remained intact, but paid millions of dollars to settle charges that their books did not correspond to financial reality. The economic costs of the corporate scandals were substantial: trillions of dollars in shareholder wealth lost and a climate of uncertainty that may have suppressed business investment and hiring after the 2001 recession ended. The barriers to corporate fraud set in place after the Great Depression had clearly failed to protect public investors and were put under close scrutiny. Congress responded by passing the Sarbanes-Oxley Act of 2002, strengthening regulation of auditors, directors, and corporate executives and increasing criminal penalties for fraud. During the 2003-2004 school year, Professor William Black's class at the Lyndon B Johnson School of Public Affairs of the University of Texas examined corporate fraud from a multi-disciplinary perspective. Rather than viewing fraud as simply a securities law matter, the class considered the insights of criminology, sociology, management science, business ethics, behavioural economics, complex systems theory, and other fields. This book is the result of their investigations. The book focuses on the internal controls on American corporations (including corporate governance, business ethics, managerial structure and compensation, internal counsel, and whistleblowers), as well as external controls (government regulation, external auditors and accountants, and the judicial process). A recurring theme is the limited efficacy of many safeguards and watchdogs in cases of 'control fraud', where fraud is directed or abetted by top management, and where unethical or abusive practices may become the organisational norm. It may then be easier for employees, directors, auditors, and even government regulators to go along with the prevailing trends, rather than take a stand which might disrupt the smooth functioning of the business, and could bring on devastating personal and organisational consequences. Another broad question raised by the book is whether the post-Enron scandals were a one-time event, made possible by the stock market bubble of the 1990s and several other unique historical developments which together constituted a 'perfect storm', or whether fraud is a cyclical phenomenon associated with the end of long bull markets. The question has policy implications: if recent corporate scandals represent an unfortunate result of a unique set of conditions, one might conclude that the restraints now in place are sufficient to prevent outbreaks of fraud under normal circumstances. On the other hand, if fraud is cyclical and can be expected to reappear once stock prices begin to soar again, one might conclude that the post- Enron scandals have revealed fundamental weaknesses in law and regulation.

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30 paź 11 16:06

Mark Jickling - Barriers to Corporate Fraud (2009).pdf

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Robert K. Dearment, William Rathmell - Life Of The Marlows, A True Story of Frontier Life of Early D ays (2004).jpg

01 - USA - Robert K. Dearment, William Rathmell - Life Of The Marl...lows, A True Story of Frontier Life of Early Days 2004.jpg

The story of the five Marlow brothers and their tribulations in late-nineteenth-century Young County, Texas, was first related in 1892 by William Rathmell in Life of the Marlows. After killing a popular sheriff and escaping, Boone Marlow was murdered by bounty hunters. The other four brothers, arrested as accessories and jailed, made a daring break but were recaptured and later forced to fight off a lynch mob. Angry citizens ambushed the Marlows during a transfer to another town: two brothers were shot and killed, the other two severely wounded, and three mob members died. The surviving brothers eventually were exonerated, but members of the attack mob were prosecuted in cases that reached the U.S. Supreme Court.
Rathmell's book, biased in favor of the Marlows, has long been out of print. Robert K. DeArment has sifted through the evidence and presents an objective, annotated edition. Now the complete story can be told and readers can judge for themselves: were the Marlows as law-abiding as Rathmell claims? Or was the mob reacting with justified anger?

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30 paź 11 16:06

Robert K. Dearment, William Rathmell - Life Of The Marlows, A True Story of Frontier Life of Early D ays (2004).pdf

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30 paź 11 16:06

Marta V. Vicente - Clothing the Spanish Empire, Fa milies and the Calico Trade in the Early Modern At lantic World (2006).jpg

01 - USA - Marta V. Vicente - Clothing the Spanish Empire, Famili...e Calico Trade in the Early Modern Atlantic World 2006.jpg

By the 1780s in the city of Barcelona alone, more than 150 factories shipped calicoes to every major city in Spain and across the Atlantic, from Veracruz to Montevideo. Catalan, Basque and Castilian families sent relatives throughout the Iberian Peninsula and Spanish America, hoping to enrich themselves from the trade in calicoes.A Clothing the Spanish Empire narrates the lives of families on both sides of the Atlantic who profited from the craze for calicoes, and in doing so helped the Spanish empire to flourish in the eighteenth century.

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30 paź 11 16:06

Marta V. Vicente - Clothing the Spanish Empire, Fa milies and the Calico Trade in the Early Modern At lantic World (2006).pdf

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Gary M. Lavergne - Worse Than Death, The Dallas Ni ghtclub Murders and the Texas Multiple Murder Law (2003).jpg

In 1984, a Moroccan national gunned down seven people in a Dallas nightclub, killing six. Under 1984 statutes his crimes were not deemed capital murders and instead he was given life imprisonment. This work explores the case and subsequent change in "multiple murder" statute it brought about.

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Gary M. Lavergne - Worse Than Death, The Dallas Ni ghtclub Murders and the Texas Multiple Murder Law (2003).pdf

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30 paź 11 16:06

Katherine McKittrick - Demonic Grounds, Black Wome n And The Cartographies Of Struggle (2006).jpg

In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition.
Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies.
Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change.
Katherine McKittrick is assistant professor of women’s studies at Queen’s University.

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Katherine McKittrick - Demonic Grounds, Black Wome n And The Cartographies Of Struggle (2006).pdf

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Fred Moten - In the Break, The Aesthetics of the B lack Radical Tradition (2003).jpg

In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on "The Burton Greene Affair," exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance-culture, politics, sexuality, identity, and blackness itself-is improvisation.
For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten's concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other.
Stylistically brilliant and challenging, much like the music he writes about, Moten's wide-ranging discussion embraces a variety of disciplines-semiotics, deconstruction, genre theory, social history, and psychoanalysis-to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten's ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition.
Fred Moten is associate professor of African American studies and visual studies at the University of California, Irvine.

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Fred Moten - In the Break, The Aesthetics of the B lack Radical Tradition (2003).pdf

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Willam Hartston - The Encyclopedia of Useless Info rmation (2007).jpg

Discover what all the other encyclopedias leave out
This is the superbly satisfying compendium of weird factoids too interesting to be contained in your average encyclopedia. Daring to cross-reference the un-cross-reference-able, to alphabetize what cannot be alphabetized, and to deliver the highest concentration of fun that can fit in one book's spine, this information is too useless to waste:
In Denmark, pigs go 'knor'; in Germany, horses go 'prrrh'; in ancient Greece, dogs went 'au au.' Italians sneeze 'ecci ecci.'

A teacher in Italy was disciplined in 1996 for passing students exam answers hidden in salami sandwiches.
In 1957 the U.S. air force completed a survey of the Atlantic Ocean but refused to divulge its width on the grounds that the information might be of military use to the Russians.

In Paris in 1740 a cow was hanged in public following its conviction for sorcery.

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30 paź 11 16:06

Willam Hartston - The Encyclopedia of Useless Info rmation (2007) [PDF].rar

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30 paź 11 16:06

Chuck Klosterman - Eating the Dinosaur (2009).jpg

A Book of All-New Pop Culture Pieces by Chuck Klosterman
Chuck Klosterman has chronicled rock music, film, and sports for almost fifteen years. He's covered extreme metal, extreme nostalgia, disposable art, disposable heroes, life on the road, life through the television, urban uncertainty and small-town weirdness. Through a variety of mediums and with a multitude of motives, he's written about everything he can think of (and a lot that he's forgotten). The world keeps accelerating, but the pop ideas keep coming.
In Eating the Dinosaur, Klosterman is more entertaining and incisive than ever. Whether he's dissecting the boredom of voyeurism, the reason why music fan's inevitably hate their favorite band's latest album, or why we love watching can't-miss superstars fail spectacularly, Klosterman remains obsessed with the relationship between expectation, reality, and living history. It's amateur anthropology for the present tense, and sometimes it's incredibly funny.
Q: What is this book about?
A: Well, that's difficult to say. I haven't read it yet - I've just clicked on it and casually glanced at this webpage. There clearly isn't a plot. I've heard there's a lot of stuff about time travel in this book, and quite a bit about violence and Garth Brooks and why Germans don't laugh when they're inside grocery stores. Ralph Nader and Ralph Sampson play significant roles. I think there are several pages about Rear Window and football and Mad Men and why Rivers Cuomo prefers having sex with Asian women. Supposedly there's a chapter outlining all the things the Unabomber was right about, but perhaps I'm misinformed.
Q: Is there a larger theme?
A: Oh, something about reality. "What is reality," maybe? No, that's not it. Not exactly. I get the sense that most of the core questions dwell on the way media perception constructs a fake reality that ends up becoming more meaningful than whatever actually happened.
Q: Should I read this book?
A: Probably. Do you see a clear relationship between the Branch Davidian disaster and the recording of Nirvana's In Utero? Does Barack Obama make you want to drink Pepsi? Does ABBA remind you of AC/DC? If so, you probably don't need to read this book. You probably wrote this book. But I suspect everybody else will totally love it, except for the ones who absolutely hate it.

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