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  • 12 sty 13 4:21
More than 20 years ago, I completed a book on Robert Florey, who directed Philip Ahn in three movies and at least twice as many filmed television dramas. The two were close friends, with Florey visiting Ahn's Moongate Restaurant, and Ahn writing Florey's name in Korean on the background of a Vietnamese prison set in ROGUES' REGIMENT. Florey's DAUGHTER OF SHANGHAI, starring the fabled Anna May Wong, featured Ahn in his first lead role, and was inducted into the National Film Registry in 2006.
However, back when I wrote on Florey, there was almost no writing about Asians in Hollywood. Books on Asians and cinema implied Japan, usually auteurist approaches to Kurosawa or Ozu, or perhaps Satyajit Ray in India, and maybe some fan interest in the Hong Kong martial arts genre. This has fortunately shifted in the last few years, and Professor Chung has been in the forefront, opening the subject of Asians in Hollywood for scholarship. Moreover, she has done so in several unique ways.
Biographies of performers have been so dominated by popular books, consistently dwelling on a few of the most famous players in cinema, that this avenue has been eschewed by scholars. Chung's volume proves why academia cannot abandon this aspect of film history. She has created a masterful work, which demonstrates the need for the scholarly biography of certain performers. Ahn was far more than the second-tier player of menacing Japanese in World War II films for which he is often most remembered. Chung weaves together the forty years in which Ahn combined his career as Hollywood's first Korean "star" with activities carrying on the legacy of his father, "Tosan" An Ch'ang-ho. An Ch'ang-ho was a renowned educator and leader of the Korean independence movement as well as early Korean American immigrants, allowing the book to provide unique insights into American ethnic studies, immigration, and Korean studies, as well as filmmaking . Chung has extensively mined primary resources, including those of the Ahn family.

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In her biography, Chung explores new avenues of textual reading by combining film production, film history, historical context, theoretical insights, and detailed visual analysis. In analyzing such films as DAUGHTER OF SHANGHAI, her conclusions have wide implications for the way in which ethnicity could be treated in Hollywood movies that were made outside the conforming pressures of big-budget "specials." As the Library noted when adding DAUGHTER OF SHANGHAI to the Registry, "B-films during the studio era often resonate decades later because they explore issues and themes not found in higher-budget pictures." Chung also offers intriguing commentary on the ways in which Asian audiences perceived "difference" in Hollywood films through masquerades that are opaque to non-Asian viewers. She demonstrates how Ahn, as a Korean partisan during World War II, when his ancestral country was occupied and his father had died there after Japanese imprisonment, was willing to play Japanese villains. These roles are often decried now as anti-Asian when seen outside of their historical context, but the Asian solidarity in America is a comparatively recent development, and one that took place long after Hollywood war films of the 1940s and 1950s.
Chung has taken the star approach a step further than other recent books on Wong and Sessue Hayakawa by examining an actor who usually was in various supporting, rather than starring, roles. Actors in this position have generally been overlooked by biographers, and Chung provides an example of how such a career may be fruitfully explored. Hollywood Asian revises the common definition of star-status that confined it (during the studio era) almost exclusively to Caucasian actors. Her new approach will serve as a model and expand the range of performers who may be considered for star analysis.
Chung's writing is impeccable: lucid, intelligent, and challenging, and never encumbered with unnecessary jargon. Her work is accessible to the scholar as well as wider audiences, who will enjoy both her intellectual rigor and her creativity. This is a truly groundbreaking book in the areas of ethnicity, history, and the star system, and I recommend it unreservedly.

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  • 12 sty 13 4:21
This children's cookbook traces the foods introduced by immigrants to the U.S. during the time period 1565-1921 with nods to the Japanese and Chinese immigrants of the 1950's. The author discusses the cooking styles of numerous ethnic groups including the Swedes and the Greeks, the Jews and the Irish. She provides the historical background of each group, their timeframe of immigration, the specific foods favored and a cultural recipe. Ichord sprinkles her text with humor and food trivia, disclosing the inventor of pizza and teaching her readers how to say good appetite in a variety of languages. The section on Jewish immigrants details the laws of kashrut and introduces the cultural food differences of the Ashkenazic and Sephardic Jews.
The illustrations by Ellis are engaging and descriptive. Favorite recipes from each culture are included varying from Italian gnocchi to Portuguese Sweet Bread. Ichord states that the recipes are classroom friendly but most are complex and require preparation and oven or stove time.
The overall extent of information would require strong readers in the third to fifth grade. The material jostles the history of various ethnic groups over centuries, the physical difficulties of immigration while establishing the concept of merging cooking skills, cultural habits and traditions in a new country.

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  • 12 sty 13 4:21
Probably the most famous whorehouse in America's history -- OK, it's a dubious distinction at best, but it's a distinction all the same -- was the Everleigh Club of Chicago, which did business in that city's tenderloin, the Levee district, for the first decade of the 20th century. It was run by a couple of sisters from rural Virginia, Minna and Ada Simms, who changed their name to Everly and then to Everleigh, a double entendre (depending on how one pronounces "leigh") that was intentional, Karen Abbott reports in Sin in the Second City. Whatever the name's exact origins and intentions, "Everleigh" quickly became a synonym for high-class retail sex and remained one long after Chicago finally shut the place down in 1911.

Chicago at the turn of the last century was one hell of a tough town, as yet untouched by the famous muckraking novels of Frank Norris (The Pit, 1903) and Upton Sinclair (The Jungle, 1906). It had a population of 1.7 million, a significant percentage of which was engaged in criminal activity in one way or another. By 1907 the Chicago Tribune said that "Chicago has come to be known over the country as a bad town for men of good character and a good town for men of bad character." According to Abbott, "newspapers printed scoreboards that tabulated murders and muggings, as if such crimes were scheduled like baseball games and horse races: a burglary every three hours, a holdup every six hours, and a suicide and murder every day.") In such circumstances it's scarcely surprising that prostitution flourished and that city officials (even those who weren't on the take) winked at it. There was if anything a widespread feeling that law-abiding citizens were best served if prostitution was restricted to more or less officially sanctioned areas rather than permitted to spread unchecked. The Levee was the result, and the Everleighs' double rowhouse on South Dearborn Street became, as soon as it opened, the class of the neighborhood.

Minna and Ada had come to Chicago determined, so at least they always claimed, to operate not a run-of-the-mill cathouse but an elegant bagnio. Thus they "vowed never to deal with pimps, desperate parents selling off children, panders, and white slavers." Their prostitutes were well paid and received regular medical care. Customers were closely vetted and expected to behave themselves. When a couple of anti-vice ministers came to call in 1907, Minna "explained graciously, patiently, that the Everleigh Club was free from disease, that Dr. Maurice Rosenberg examined the girls regularly, that neither she nor Ada would tolerate anything approaching violence, that drugs were forbidden and drunks tossed out, that guests were never robbed nor rolled, and that there was actually a waiting list of girls, spanning the continental United States, eager to join their house."

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A narrative tour de force that combines wide-ranging scholarship with captivating prose, Kevin Starr's acclaimed multi-volume Americans and the California Dream is an unparalleled work of cultural history. Now, in Embattled Dreams, the sixth volume in this monumental work, Starr looks at 1940s California, the war years and their aftermath. California in the years surrounding World War II was a time of sweeping change, drama and intrigue, heroism and tragedy, a decade that saw the emergence of a new, more powerful role for California in the nation. Starr captures this exciting era with his unique vision and masterful prose. He describes the vast expansion of the war industry and California's role as "arsenal of democracy" (especially the significant part women played in the aviation industry). He examines the politics of the state: Earl Warren as the dominant political figure, the anti-communist movement and "red baiting," and the early career of Richard Nixon. He also looks at culture, ranging from Hollywood, to the counterculture with Henry Miller at Big Sur, to film noir and the fiction of Raymond Chandler. And he illuminates the harassment of Japanese immigrants and the shameful treatment of other minorities, especially Hispanics and blacks. Philadelphia Inquirer hailed Starr as "the foremost chronicler of that often fabulous region, imposing upon the dramatic elements of California history a novelist's imagination and a cosmopolitan and sophisticated intelligence." In Embattled Dreams, Starr provides an unforgettable portrait of California, a spell-binding account of the state as it transformed itself from a regional power to the dominant economic, social, and cultural force in the nation.

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Although popularly conceived as a relatively recent phenomenon, patterns of immigrant smuggling and undocumented entry across American land borders first emerged in the late nineteenth century. Ingenious smugglers and immigrants, long and remote boundary lines, and strong push-and-pull factors created porous borders then, much as they do now.

Historian Patrick Ettinger offers the first comprehensive historical study of evolving border enforcement efforts on American land borders at the turn of the twentieth century. He traces the origins of widespread immigrant smuggling and illicit entry on the northern and southern United States borders at a time when English, Irish, Chinese, Italian, Russian, Lebanese, Japanese, Greek, and, later, Mexican migrants created various "backdoors" into the United States. No other work looks so closely at the sweeping, if often ineffectual, innovations in federal border enforcement practices designed to stem these flows. From upstate Maine to Puget Sound, from San Diego to the Lower Rio Grande Valley in Texas, federal officials struggled to adapt national immigration policies to challenging local conditions, all the while battling wits with resourceful smugglers and determined immigrants. In effect, the period saw the simultaneous "drawing" and "erasing" of the official border, and its gradual articulation and elaboration in the midst of consistently successful efforts to undermine it.

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The poignant story of a Japanese American community torn apart by racism and WWII internment Strawberry Days tells the vivid and moving tale of the creation and destruction of a Japanese immigrant community. Before World War II, Bellevue, the now-booming 'edge city' on the outskirts of Seattle, was a prosperous farm town renowned for its strawberries. Many of its farmers were recent Japanese immigrants who, despite being rejected by white society, were able to make a living cultivating the rich soil. Yet the lives they created for themselves through years of hard work vanished almost instantly after the bombing of Pearl Harbor. David Neiwert combines compelling storytelling with firsthand interviews and newly uncovered documents to weave together the history of this community and the racist schemes that prevented the immigrants from reclaiming their land after the war. Ultimately, Strawberry Daysrepresents more than one community's story, reminding us that bigotry's roots are deeply ingrained in the very fiber of American society.

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Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria.

While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves.

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Ethnic Americans is brief, concise, and well written. Without using jargon or overloading the reader with statistics, the book manages to tell the story of immigration to the United States down to the present in just 264 pages of textan impressive achievement. -- Alan Schaffer Clemson University

Dinnerstein and Reimers, two of the foremost scholars of American immigration, have accomplished a most impressive feat by providing a thoughtful, reasonably comprehensive, up-to-date analysis of American immigrant and ethnic experiences. Without sacrificing the scholarly integrity of their materials, they have written a book that not only addresses important historical as well as contemporary issues and trends but also does so in a most readable manner.

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The United States is truly a nation of immigrants, or as the poet Walt Whitman once said, a "nation of nations." Spanning the time from when the Europeans first came to the New World to the present day, the new "Immigration to the United States" set conveys the excitement of these stories to young people. Beginning with a brief preface to the set written by general editor Robert Asher that discusses some of the broad reasons why people came to the New World, both as explorers and settlers, each book's narrative highlights the themes, people, places, and events that were important to each immigrant group. In an engaging, informative manner, each volume describes what members of a particular group found when they arrived in the United States as well as where they settled. Historical information and background on the various communities present life as it was lived at the time they arrived. The books then trace the group's history and current status in the United States. Each volume includes photographs and illustrations such as passports and other artifacts of immigration, as well as quotes from original source materials. Box features highlight special topics or people, and each book is rounded out with a glossary, timeline, further reading list, and index.

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The United States is truly a nation of immigrants, or as the poet Walt Whitman once said, a "nation of nations." Spanning the time from when the Europeans first came to the New World to the present day, the new "Immigration to the United States" set conveys the excitement of these stories to young people. Beginning with a brief preface to the set written by general editor Robert Asher that discusses some of the broad reasons why people came to the New World, both as explorers and settlers, each book's narrative highlights the themes, people, places, and events that were important to each immigrant group. In an engaging, informative manner, each volume describes what members of a particular group found when they arrived in the United States as well as where they settled. Historical information and background on the various communities present life as it was lived at the time they arrived. The books then trace the group's history and current status in the United States. Each volume includes photographs and illustrations such as passports and other artifacts of immigration, as well as quotes from original source materials.

Box features highlight special topics or people, and each book is rounded out with a glossary, timeline, further reading list, and index.

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This book is contains drawings and prints as well as detailed text on how cannons were made. It is broken down by decade and county of orign, and covers the time of 1600 to 1865.

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For more than thirty years, Pat Benatar has been one of the most iconic women in rock music, with songs like "Heartbreaker," "Hit Me with Your Best Shot," and "Love Is a Battlefield" becoming anthems for multiple generations of fans. Now, in this intimate and uncompromising memoir, one of the bestselling female rock artists of all time shares the story of her extraordinary career, telling the truth about her life, her struggles, and how she won things—her way.

From her early days in the New York club scene of the 1970s to headlining sold-out arena tours, Benatar offers a fascinating account of a life spent behind the microphone. As the first female artist ever to be played on MTV, she speaks candidly about the realities of breaking into the boys' club of rock and roll at a time when people everywhere still believed a woman's only place in popular music was as a girlfriend, a groupie, or a sex symbol. And though her fiery edge and aggressive swagger produced instant success, they also led to fights over her image that would linger for years to come.

Going backstage and into the studio, Benatar sets the record straight about how her music evolved, illustrating the visionary role that her guitarist, producer, and eventual husband, Neil "Spyder" Giraldo, played in combining her classically trained voice with razor-sharp guitar to create her unique hard-rock sound. Together they formed a musical and spiritual bond that would last a lifetime, helping her stay true to herself while avoiding the pitfalls and excesses of rock stardom.

Written with the attitude and defiance that embodies Pat Benatar's music, Between a Heart and a Rock Place is a rock-and-roll story unlike any other, a remarkable tale of playing by your own rules, even if that means breaking a few of theirs.

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Pat Benatar (ur. Patricia Mae Andrzejewski 10 stycznia 1953 w Nowym Jorku), amerykańska wokalistka rockowa polskiego pochodzenia. Jej ojciec był powojennym imigrantem z Polski, a matka Irlandką.

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Maine's majestic shoreline stretches for more than 5,500 miles, dotted with small towns and villages that beckon with adorable bed-and-breakfasts and restaurants where you can eat what was caught from the sea that day. It's a spectacular place to play in the ocean, enjoy coastal views, and tour the state's beautiful wilderness. Filled with tips and itinerary suggestions, hundreds of original color photos, dozens of annotated maps, thematic tours for every taste, and star-rated advice on where to eat, stay, shop, and have fun, this book is the perfect accompaniment to any visit to the Maine Coast.

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Combining a reporter's eye for detail, the breathless narrative rush of an action movie and the generous heart of a hometown boy desperately trying to make sense of a place gone terribly wrong, Downs examines the social and economic disintegration of Hartford, Conn., in the 1990s through the coming-of-age of five African-American teenage boys. These young men—track stars, football players, scholars—try to make the right decisions while local and state politicians squabble over money, drug gangs roam the streets and the middle class—both white and black—flees to the suburbs. Harvey, Derrick, Eric, Hiram and Joshua make a pledge that no matter their future path, they will return to Hartford to rebuild their shattered city. The first half of the book flows with the power and grace of a finely tuned magazine article.

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Political scientists have long been concerned about the tension between institutional fragmentation and policy coordination in the U.S. bureaucracy. The literature is rife with examples of agencies competing with each other or asserting their independence, while cooperation is relatively rare. This is of particular importance in policy areas such as biodiversity, where species, habitats, and ecosystems cross various agency jurisdictions. Bureaucratic Landscapes explores the reasons for the success and failure of interagency cooperation, focusing on several case studies of efforts to preserve biodiversity in California. The book examines why public officials tried to cooperate and the obstacles they faced, providing indirect evidence of policy impacts as well. Among other topics, it examines the role of courts in prompting agency action, the role of scientific knowledge in organizational learning, and the emergence of new institutions to resolve collective-action problems. Notable findings include the crucial role of environmental lawsuits in prompting agency action and the surprisingly active role of the Bureau of Land Management in resource preservation.

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The only comprehensive social studies skill-building series available, the Get Ready! For Social Studies series equips proactive parents with the tools they need to help their children develop the core skills required to perform at grade level in social studies-related subjects.

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Noesner, a former FBI hostage negotiator for 23 years, was the first person to run the bureau's Crisis Negotiation Unit. Looking back, he recalls some major standoffs along with his efforts to understand and interpret the behavior of hostage takers, sometimes finding negotiations thwarted by the actions of his own colleagues. The compelling centerpiece of the book is Noesner's analysis of "what went wrong at Waco" with the Branch Davidians when negotiation and tactical teams were working at cross purposes. After opening with a dramatic account of a man who abducted his estranged common-law wife and their son and was holding a gun to her head, Noesner describes his own "quintessentially American childhood," when he got the idea for his life's work from a segment about the FBI on The Mickey Mouse Club. Drawing on official reports, personal notes, memos, and memories of conversations, he writes with a simple style that nevertheless generates much suspense, recreating past events with a vivid intensity certain to fascinate true crime readers.

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Men of literary taste . . . are always apt to overlook the working-classes, and to confine the records they make of their own times, in great degree, to the habits and fortunes of their own associates, and to those of people of superior rank to themselves

About the Author
Stephan Thernstrom is Professor of History, Harvard University, and Director of the Charles Warren Center for Studies in American History.

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meyepas293 napisano 11.01.2023 03:11

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KevinPL9019 napisano 22.12.2024 15:10

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