King Cotton in Modern America places the once kingly crop in historical perspective, showing how "cotton culture" was actually part of the larger culture of the United States despite many regarding its cultivation and sources as hopelessly backward. Leaders in the industry, acting through the National Cotton Council, organized the various and often conflicting segments to make the commodity a viable part of the greater American economy. The industry faced new challenges, particularly the rise of foreign competition in production and the increase of man-made fibers in the consumer market.
Modernization and efficiency became key elements for cotton planters. The expansion of cotton- growing areas into the Far West after 1945 enabled American growers to compete in the world market. Internal dissension developed between the traditional cotton growing regions in the South and the new areas in the West, particularly over the USDA cotton allotment program. Mechanization had profound social and economic impacts. Through music and literature, and with special emphasis placed on the meaning of cotton to African Americans in the lore of Memphis's Beale Street, blues music, and African American migration off the land, author D. Clayton Brown carries cotton's story to the present.

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D. Clayton Brown - King Cotton in Modern America, A Cultural, Political, and Economic History since 1945 (2010).pdf

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Brian Z. Tamanaha - Beyond the Formalist-Realist D ivide, The Role of Politics in Judging (2009).jpg

According to conventional wisdom in American legal culture, the 1870s to 1920s was the age of legal formalism, when judges believed that the law was autonomous and logically ordered, and that they mechanically deduced right answers in cases. In the 1920s and 1930s, the story continues, the legal realists discredited this view by demonstrating that the law is marked by gaps and contradictions, arguing that judges construct legal justifications to support desired outcomes. This often-repeated historical account is virtually taken for granted today, and continues to shape understandings about judging. In this groundbreaking book, esteemed legal theorist Brian Tamanaha thoroughly debunks the formalist-realist divide.
Drawing from extensive research into the writings of judges and scholars, Tamanaha shows how, over the past century and a half, jurists have regularly expressed a balanced view of judging that acknowledges the limitations of law and of judges, yet recognizes that judges can and do render rule-bound decisions. He reveals how the story about the formalist age was an invention of politically motivated critics of the courts, and how it has led to significant misunderstandings about legal realism.
Beyond the Formalist-Realist Divide traces how this false tale has distorted studies of judging by political scientists and debates among legal theorists. Recovering a balanced realism about judging, this book fundamentally rewrites legal history and offers a fresh perspective for theorists, judges, and practitioners of law.

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Nancy A. Hewitt - No Permanent Waves, Recasting Hi stories of U.S. Feminism (2010).jpg

No Permanent Waves boldly enters the ongoing debates over the utility of the "wave" metaphor for capturing the complex history of women's rights by offering fresh perspectives on the diverse movements that comprise U.S. feminism, past and present. Seventeen essays--both original and reprinted--address continuities, conflicts, and transformations among women's movements in the United States from the early nineteenth century through today.

A respected group of contributors from diverse generations and backgrounds argue for new chronologies, more inclusive conceptualizations of feminist agendas and participants, and fuller engagements with contestations around particular issues and practices. Race, class, and sexuality are explored within histories of women's rights and feminism as well as the cultural and intellectual currents and social and political priorities that marked movements for women's advancement and liberation. These essays question whether the concept of waves surging and receding can fully capture the complexities of U.S. feminisms and suggest models for reimagining these histories from radio waves to hip-hop.

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Nancy A. Hewitt - No Permanent Waves, Recasting Hi stories of U.S. Feminism (2010).pdf

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Paul L. Nevins - The Politics of Selfishness, How John Locke's Legacy Is Paralyzing America (2010).jpg

Why are lawlessness and antisocial behavior so pervasive in this country? How can we end the gridlock in American politics? Why has economic inequality continued to grow and poverty become intractable in the United States? And can an English philosopher from the 17th century be to blame for America's problems?

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Paul L. Nevins - The Politics of Selfishness, How John Locke's Legacy Is Paralyzing America (2010).pdf

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Citizenship and Immigration Services - Welcome to the United States, A Guide for New Immigrants (200 7).jpg

A comprehensive guide for new permanent residents. The guide contains practical information to help immigrants settle into everyday life in the United States, as well as basic civics information that introduces new immigrants to the U.S. system of government.

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Citizenship and Immigration Services - Welcome to the United States, A Guide for New Immigrants (200 7).pdf

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Jack Fruchtman Jr. - The Political Philosophy of T homas Paine (2009).jpg

This concise, insightful study explores the sources and impact of one of the early republic's most influential minds.
An Englishman by birth, an American by choice and necessity, Thomas Paine advocated ideas about rights, equality, democracy, and liberty that were far advanced beyond those of his American compatriots. His seminal works, Common Sense and the Rights of Man, were rallying cries for the American and French Revolutions. More than any other eighteenth-century political writer and activist, Paine defies easy categorization. A man of contrasts and contradictions, Paine was as much a believer in the power of reason as he was in a benevolent deity. He was at once liberal and conservative, a Quaker who was not a pacifist, and an inherently gifted writer who was convinced he was always right.

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Nina Eliasoph - Avoiding Politics, How Americans P roduce Apathy in Everyday Life (1998).jpg

"'Listening to the silence,' as Americans struggle to avoid civic engagement, Nina Eliasoph has discovered a terriby important truth: political apathy is not 'natural:' it has to be produced. By showing us how apathy is produced she suggests some ways o produce its opposite. She also vividly introduces us to a side of American life about which most academics haven't a clue. This is a book of the first importance for anyone who cares about the future of American democracy" Robert Bellah, Professor of Sociology, Emeritus, University of California, Berkeley

"With a gift for unusual and graphic language and an ear tuned to unspoken inferences, Nina Eliasoph uncovers layer upon layer of meanings in the 'plain text' of her volunteer group respondents. She hears the voices of the silent, penetrates the heart of the heartless, and knows what knowledgeable scholars do not yet understand. Avoiding Politics is a delightful entry into the backstage worlds of people who are 'ordinary'only in the universality of their attempts to escape from the politics that shapes their lives." Robert E. Lane, Professor of Political Science, Emeritus, Yale University

"Nina Eliasoph is a dazzling new entry in the debates over the empirical nature of participatory democracy (challenging Habermas Verba, Putnam, Gamson, Schudson, Wyatt, Noelle-Neumann and the rest). She argues that participatory democracy is failing not because space and time for citizen interaction are unavailable, but because American culture has 'decided' (1) that interest politics are the only kind of politics, and (2) that such politics are divisive and discouraging to decent citizens banded together for badly needed companionship, and even for 'doing good'!" Elihu Katz, Trustee Professor at the Annenberg School of Communication, University of Pennsylvania, and Professor Emeritus of Sociology and Communications at the Hebrew University of Jerusalem

"Eliasoph's book is a powerful antidote to the one-dimensional cynicism generated by media descriptions of what Americans really care about." Tikkun

"In this interesting and useful book, Eliasoph...examines the ways in which Americans `avoid politics' in their daily lives....an impressive examination of the crucial question of democracy: can there be democracy without citizens? Recommended at all levels." Choice

"I recommend this book to any activist who's sick of boring meetings and would like to argue for changing the culture of her group--or anyone who's ever wondered why they should care at all." Jane Slaughter, Metro Times

"...it is provocative and well worth reading. It makes a stimulating contribution to the field of political participation and participant observation research." Jon S. Ebeling, Perspectives on Political Science

"...her book is a big, innovative help in the ongoing attempt to think and rethink strategies for producing something else, for creating spaces in which 'public' talk is neither trivial or inhibited." American Journal of Sociology

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Nina Eliasoph - Avoiding Politics, How Americans P roduce Apathy in Everyday Life (1998).pdf

"Avoiding Politics is well grounded in the history and theory of political participation and brings forth an insightful critique of that theory through well-documented qualitative work." Rhetoric & Public Affairs

"...Eliasoph's hallmark accomplishment has been to reveal something consequential but heretofore all invisible. Avoiding Politics has taught me a lot about the political ambivalence of my students, about the hollow way everyday Americans, and the developers who sell us our houses, use the word "community", and about my own puzzlement over how to fit my politics into the mechanics of a comfortable middle-class life." Qualitative Sociology

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Jeff Allred - American Modernism and Depression Do cumentary (2009).jpg

Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-visual texts that flourished during a time when U.S. citizens were becoming increasingly conscious of the life of a larger nation.
Jeff Allred draws on a range of seminal works to illustrate the convergence of modernism and documentary, two forms often regarded as unrelated. Whereas critics routinely look to James Agee and Walker Evans' Let Us Now Praise Famous Men as the sole instance of the modernist documentary book, Allred turns to such works as Richard Wright's scathing 12 Million Black Voices, and the oft-neglected You Have Seen Their Faces by Erskine Caldwell and Margaret Bourke-White to open up the critical playing field. And rather than focusing on the ethos of Progressivism and/or the politics and aesthetics of the New Deal, Allred emphasizes the centrality of Life magazine to the consolidation of a novel cultural form.

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Gary S. Cross - Encyclopedia of Recreation & Leisu re in America (2004).jpg

As more leisure time became available, Americans developed an increasing number of recreational opportunities--and became more ambivalent about those opportunities. There was growing tension between adhering to the work ethic and enjoying the by-products of efficient work. This encyclopedia captures the range of recreational possibilities, as well as many of the consequences arising from it in American culture. To get an idea of the scope of the encyclopedia, one can consult the "Systematic Outline of Contents," found near the end of volume 2, which presents the conceptual framework for the wealth of information contained in the work. Entries are grouped under seven broad categories: "Social Development of Leisure in America"; "Processes: Impact of Technologies"; "Trends"; "People--Identities, Interactions, and Institutions"; "Ceremonial Occasions"; "Leisure Sites"; and "Leisure Activities, Past and Present." Most of these categories are divided further; "Leisure Sites," for example, encompasses "Fairs," "Parks," and other subcategories.

The 271 A-Z entries are signed and include bibliographies and see also references. They make very interesting reading. One can explore the history of Garage and yard sales and Playgrounds and learn about Puritans at leisure. There are entries for dining out, Religious holidays, Rock-climbing, Stock car racing, and just about any leisure activity or venue imaginable, including brothels. Some of the essays deal with issues such as the Globalization of American leisure and Work and leisure ethics. The detailed index found at the end of volume 2 guides users to the depth and breadth of information included. The few photographs break up the text slightly and are sometimes interesting but are not necessary to the information, nor to the audience who will use the encyclopedia.

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Leslie Midkiff DeBauche - Reel Patriotism, The Mov ies and World War I (1997).jpg

Mixing film history with social history, Reel Patriotism examines the role played by the American film industry during World War I and the effects of the industry's pragmatic patriotism in the decade following the war. Looking at such films as Joan the Woman and Wings and at the war-time activities of Mary Pickford and Charlie Chaplin, film distributors (particularly George Kleine), and the National Association of the Motion Picture Industry, this book shows how heavily publicized gestures of patriotism benefited the reputation and profits of the movie business.

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Leslie Midkiff DeBauche - Reel Patriotism, The Mov ies and World War I (1997).pdf

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Jessica Litman - Digital Copyright (2006).jpg

In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society? Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions. This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.

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Laura Dassow Walls - Seeing New Worlds, Henry Davi d Thoreau and Nineteenth-Century Natural Science ( 1995).jpg

Thoreau was a poet, a naturalist, a major American writer. Was he also a scientist? He was, Laura Dassow Walls suggests. Her book, the first to consider Thoreau as a serious and committed scientist, will change the way we understand his accomplishment and the place of science in American culture. Walls reveals that the scientific texts of Thoreaus day deeply influenced his best work, from Walden to the Journal to the late natural history essays. Here we see how, just when literature and science were splitting into the two cultures we know now, Thoreau attempted to heal the growing rift. Walls shows how his commitment to Alexander von Humboldts scientific approach resulted in not only his marriage of poetry and science but also his distinctively patterned nature studies. In the first critical study of his The Dispersion of Seeds since its publication in 1993, she exposes evidence that Thoreau was using Darwinian modes of reasoning years before the appearance of Origin of Species. This book offers a powerful argument against the critical tradition that opposes a dry, mechanistic science to a warm, organic Romanticism. Instead, Thoreaus experience reveals the complex interaction between Romanticism and the dynamic, law-seeking science of its day. Drawing on recent work in the theory and philosophy of science as well as literary history and theory, Seeing New Worlds bridges todays two cultures in hopes of stimulating a fuller consideration of representations of nature. An excellent book, well-written, even eloquent. Walls is clearly the first scholar to read Thoreau thoroughly in the context both of the science of his own day and of the theory and philosophy of science in our day, in such a way as profoundly to call into question all previous work in this area and to open up questions about the very nature of science and scientific truth.

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Laura Dassow Walls - Seeing New Worlds, Henry Davi d Thoreau and Nineteenth-Century Natural Science ( 1995).pdf

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Philip F. Rubio - There's Always Work at the Post Office, African American Postal Workers and the Fi ght for Jobs, Justice, and Equality (2010).jpg

01 - USA - Philip F. Rubio - Theres Always Work at the Post Offic...ers and the Fight for Jobs, Justice, and Equality 2010.jpg

This book brings to life the important but neglected story of African American postal workers and the critical role they played in the U.S. labor and black freedom movements. Philip Rubio, a former postal worker, integrates civil rights, labor, and left movement histories that too often are written as if they happened separately. Centered on New York City and Washington, D.C., the book chronicles a struggle of national significance through its examination of the post office, a workplace with facilities and unions serving every city and town in the United States. Having fought their way into postal positions and unions, black postal workers--often college-educated military veterans--became a critical force for social change. They combined black labor protest and civic traditions to construct a civil rights unionism at the post office. They were a major factor in the 1970 nationwide wildcat strike, which resulted in full collective bargaining rights for the major postal unions under the newly established U.S. Postal Service in 1971. In making the fight for equality primary, African American postal workers were influential in shaping today's post office and postal unions.

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Philip F. Rubio - There's Always Work at the Post Office, African American Postal Workers and the Fi ght for Jobs, Justice, and Equality (2010).pdf

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Great Supreme Court Decisions - Susan Tyler Hitchc ock - Roe V. Wade (2006).jpg

Roe V. Wade (Great Supreme Court Decisions)
Susan Tyler Hitchcock (Author)

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Great Supreme Court Decisions - Susan Tyler Hitchc ock - Roe V. Wade (2006).pdf

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Great Supreme Court Decisions - Larry A. Vanmeter - Miranda V. Arizona (2006).jpg

Miranda V. Arizona (Great Supreme Court Decisions)
Larry A. Vanmeter (Author)

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Great Supreme Court Decisions - Larry A. Vanmeter - Miranda V. Arizona (2006).pdf

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Cameron C. Nickels - Civil War Humor (2010).jpg

A thorough account of the extraordinary breadth of comedic output during America's Civil War.
In Civil War Humor, author Cameron C. Nickels examines the various forms of comedic popular artifacts produced in America from 1861 to 1865 and looks at how wartime humor was created, disseminated, and received by both sides of the conflict. Broadsides, newspaper journalism, sheet music covers, lithographs, political cartoons, light verse, printed envelopes, comic valentines, humor magazines, and penny dreadfuls---from and for the Union and the Confederacy---are analyzed at length.
Nickels argues that the war coincided with the rise of inexpensive mass printing in the United States and thus subsequently with the rise of the country's widely distributed popular culture. As such, the war was as much a "paper war"---involving the use of publications to disseminate propaganda and ideas about the Union's and the Confederacy's positions---as one taking place on battlefields. For both sides, humor deflated pretensions, coped with the sobering realities of war, and established political stances and strategies of critiquing them. Civil War Humor explores how the combatants portrayed Jefferson Davis and Abraham Lincoln, life on the home front, battles, and African Americans.
Civil War Humor reproduces over sixty illustrations---including eight in full color---and texts created during the war and provides close readings of these materials. At the same time, it places this corpus of comedy in the context of wartime history, economies, and tactics. This comprehensive overview examines humor's role in shaping and reflecting the cultural imagination of the nation during its most tumultuous period.

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Cameron C. Nickels - Civil War Humor (2010).pdf

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Sarah T. Phillips - This Land, This Nation (2007).jpg

This book combines political with environmental history to present conservation policy as a critical arm of New Deal reform, one that embodied the promises and limits of midcentury American liberalism. It interprets the natural resource programs of the 1930s and 1940s as a set of federal strategies aimed at rehabilitating the economies of agricultural areas. The New Dealers believed that the country as a whole would remain mired in depression as long as its farmers remained poorer than its urban residents, and these politicians and policymakers set out to rebuild rural life and raise rural incomes with measures tied directly to conservation objectives - land retirement, soil restoration, flood control, and affordable electricity for homes and industries. In building new constituencies for the environmental initiatives, resource administrators and their liberal allies established the political justification for an enlarged federal government and created the institutions that shaped the contemporary rural landscape. Sarah T. Phillips is an assistant professor of history at Columbia University.

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Sarah T. Phillips - This Land, This Nation (2007).pdf

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U Mnie same najlepsze screenmaty 2000-2005 roku I Deskmaty!!!!

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