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An introduction to the history of Pakistan is set within the life story of a young man who became a doctor, moved to the US, and later went back to build a hospital for his countrymen. The discussion of politics, government policies, and popular movements is set within the drama of a young man going off to seek his fortune, start a family, and build a meaningful life in a fast-changing world.
The book will also interest expatriates from the Indian sub-continent who have passed through and witnessed the events described, and their children and grandchildren who want to know more about their family history.
Family and feelings infuse the book while illustrating anecdotally the impact of conservative government models versus those offering a social safety net.
A medical doctor and political activist, the author traces his life from India at partition to postgraduate work and practice in the UK, Canada and America, comparing health standards, economic well-being, race relations, and the political atmosphere on three continents during the socially-conscious 1960s and later under bare-knuckle capitalism. He weaves in a brief synopsis of Pakistan s tumultuous history, including the role played by superpowers with an interest in the region.
Part biography and part history and social commentary, this sweeping narrative sketches the political and economic realities of the past fifty years while tracing an eventful life spread across three continents, a life rich in personal relationships, politics, and practice as a medical doctor. The warm-hearted Dr. Ehtisham shares his story while outlining the passions and the political maneuvers that led to Pakistan s formation in 1947 and its ongoing struggle to forge a modern society while being hammered by repressive religious extremists on the one hand and abusive capitalist extremists on the other, riven by factions within as well as undermined by foreign influences seeking to control strategic terrain and a large population.
He narrates his early days as a medical student who helped organize Pakistan s progressive student movement. In the early 1950s they demonstrated against government promotion of right-wing groups which were the ideological forerunners of the Al-Qaida and Taliban. In 1961 they launched a campaign against General Ayub and the first military dictatorship in Pakistan, and wound up in jail.
Then, through his later experiences in the UK, Canada and the US, he compares the advanced social safety net state of the post-war UK with regimes that are determined to see people stand on their own two feet even when the system has already cut them off at the knees and shows the effect on the public when that state support was withdrawn. During his years in North America he saw the reductions in Disability and other benefits offered by the government to the poor and injured and he illustrates the impact on the population.
In later years he returned to Karachi and, despite the corruption and chaos of the business environment, founded a hospital there before completing his career and retiring in New York State.

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Voicing Dissent presents a unique and original series of interviews with American artists (including the Guerilla Girls, Tony Shalhoub, Shepard Fairey, Sean Astin, and many others) who have voiced their opposition to the war in Iraq. Following Pierre Bourdieu's example, these discussions are approached sociologically and provide a thorough analysis of the relationships between arts and politics as well as the limits and conditions of political speech and action. These painters and graphic artists, musicians, actors, playwrights, theatre directors and filmmakers reveal their perceptions of politics, war, security and terrorism issues, the Middle East, their experiences with activism, as well as their definition of the artist's role and their practice of citizenship. Addressing the crucial questions for contemporary democracies - such as artists' function in society, the crisis of political legitimacy and representation, the rise of new modes of contestation, and the limits to free public speech - this book will be of interest to scholars in sociology, politics, and the arts.

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  • 86 KB
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Although America entered the war relatively late, it played a critical role in tipping the scales against Germany and its allies and in shaping the war’s aftermath. The book’s hundreds of photos tell the stories of the U.S. soldiers, sailors, airmen, politicians, and citizens on the home front who helped the Allies win the war. Donald Goldstein and Harry Maihafer have produced a vivid account of the war that forever altered the destinies of America and Europe.

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  • 12 sty 13 4:21
Experience a place the way the locals do. Enjoy the best it has to offer. And avoid tourist traps. Frommers Portable Guides help you make the right travel choices. Theyre easy to carry–and carry an unbeatable price. Frommers. Your guide to a world of travel experience. Put the Best of Savannah in Your Pocket
Outspoken opinions on top attractions–whats worth your time and whats not.
Exact prices, so you can plan the perfect trip no matter what your budget.
The best hotels and restaurants in every price range, with candid reviews.
With daytrips to Hilton Head and Beaufort, S.C.

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  • 12 sty 13 4:21
Written as a novel, the book makes the complex concepts, issues and terminology of international trade understandable for students...David Ricardo comes to life to discuss international trade theory and policy with Ed Johnson, a fictional American television manufacturer seeking trade protection from television manufacturers. Their dialogue is a sophisticated, rigorous discussion of virtually every major issue in trade theory and policy. To illustrate the positive and normative effects of international trade and trade policy, Ricardo takes the reader and Ed Johnson into the future to see an America of free trade and an America of complete self-sufficiency. The fictional element brings these topics to life so that students gain the intuition and understanding of how trade changes the lives of people and the industries they work in. The fundamental intuition of how international markets function including general equilibrium effects and policy analysis is provided.

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Wars and Peace is a history of the way that a range of Americans have tried to conceptualize peace during five national security crises: the Civil War, Spanish-American War, World War I, World War II, and the Cold War. Award-winning author David Mayers examines the intellectual foundations of U.S. foreign policy since 1861 and analyzes the way that Americans across the political spectrum have, in times of conflict, conceptualized the era that would follow hostilities. Mayers looks at this history in terms of a current problem: How should the United States fashion its policy in the post-Cold War world? What is striking about previous attempts to create postwar orders, Mayers reveals, is that they failed in the test to fulfill the hopes of their authors. Yet the cumulative impact of these ideas has been to shape collective imagination in America. Mayers argues that earnest attempts at innovation notwithstanding, U.S. purpose remains unchanged and like that of every nation: to survive, to prosper if possible. Yet the effort by generations of Americans (variously naive, self-serving, contradictory) to transcend this narrow understanding has produced high drama as well as glimmerings of a more decent political life. As applicable to this day and to this study as to his own, W.E.B. Du Bois published these lines in 1935: "Nations reel and stagger on their way; they make hideous mistakes; they commit frightful wrongs; they do great and beautiful things." In this volume Mayers gives voice to a range of people who have acted on the political scene--the powerful but also the marginalized, the vanquished, the dissenting--to show how Americans of all stripes and persuasions have flavored the national discourse. Wars and Peace reacquaints readers with people whose eloquence, passion, and even wrongheadedness, gave texture to the debates of their times.

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  • 121 KB
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It's difficult today to imagine how America survived the Great Depression. Only through the stories of the common people who struggled during that era can we really understand how the nation endured. These are the people at the heart of Amity Shlaes's insightful and inspiring history of one of the most crucial events of the twentieth century. In The Forgotten Man, Amity Shlaes, one of the nation's most respected economic commentators, offers a striking reinterpretation of the Great Depression. Rejecting the old emphasis on the New Deal, she turns to the neglected and moving stories of individual Americans, and shows how through brave leadership they helped establish the steadfast character we developed as a nation.Some of those figures were well known, at least in their day—Andrew Mellon, the Greenspan of the era; Sam Insull of Chicago, hounded as a scapegoat. But there were also unknowns: the Schechters, a family of butchers in Brooklyn who dealt a stunning blow to the New Deal; Bill W., who founded Alcoholics Anonymous in the name of showing that small communities could help themselves; and Father Divine, a black charismatic who steered his thousands of followers through the Depression by preaching a Gospel of Plenty.Shlaes also traces the mounting agony of the New Dealers themselves as they discovered their errors. She shows how both Presidents Hoover and Roosevelt failed to understand the prosperity of the 1920s and heaped massive burdens on the country that more than offset the benefit of New Deal programs. The real question about the Depression, she argues, is not whether Roosevelt ended it with World War II. It is why the Depression lasted so long. From 1929 to 1940, federal intervention helped to make the Depression great—in part by forgetting the men and women who sought to help one another.Authoritative, original, and utterly engrossing, The Forgotten Man offers an entirely new look at one of the most important periods in our history. Only when we know this history can we understand the strength of American character today.

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  • 12 sty 13 4:21
Brewing Battles is the comprehensive story of the American brewing industry and its leading figures, from its colonial beginnings to the present. Although today s beer companies have their roots in pre-Prohibition business, historical developments since Repeal have affected industry at large, brewers, and the tastes and habits of beer-drinking consumers as well.
Brewing Battles explores the struggle of German immigrant brewers to establish themselves in America, within the context of federal taxation and a growing temperance movement, their losing battle against Prohibition, their rebirth and transformation into a corporate oligarchy, and the determination of home and micro brewers to reassert craft as the "raison d etre" of brewing.

Brewing Battles looks at beer s cultural meaning from the vantage point of the brewers and their goals for market domination. Beer consumption changed over time, beginning with an alcoholic high in the early 19th century and ending with a neo-temperance low in the early 21st. The public places where people drank also changed from colonial ordinaries in peoples homes to the saloon and back to home via the disposable six pack. The book explores this story as brewers fought to create and control these changing patterns of consumption.

Drinking alcohol has remained a favored activity in American society and while beer is ubiquitous, our country harbors a persistent ambivalence about drinking. An examination of how the industry prevailed in a sometimes unreceptive environment exemplifies how business helps shape public opinion.

Brewing Battles reveals the complicated changes in the economic clout of the industry. Prior to the institution of the income tax in 1913 the liquor industry contributed over 50% of the federal government s internal revenue; 19th century temperance advocates portrayed the liquor industry as King Alcohol. Today their tax contribution is only 1% yet brewing actually has a much more pervasive influence, touching on almost every aspect of modern American life and contributing greatly to the GNP. Brewing Battles is this story.

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In the following volumes the authors seek to present a brief account of the beginnings, development, and final unity of the people of the United States. There are many histories of the country, many biographies which are in large measure histories; but these are exhaustive works traversing minutely certain periods, like Rhodes's History of the United States from 1850 to 1877, or Nicolay and Hay's Abraham Lincoln: A History; or they are shorter "patriotic" accounts which seek to prove something, or which fail to tell the whole story. Important as these classes of historical literature are, they hardly suffice for the teachers of advanced college classes, or for business and professional men who would like to know how the isolated European plantations or corporations in North America became in so short a time the great and wealthy nation of to-day.

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  • 175 KB
  • 12 sty 13 4:21
Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. CarlSmith’s fascinating history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. Smith’s concise and accessible narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment. Richly illustrated and incisively written, his insightful book will be indispensable to our understanding of Chicago, Daniel Burnham, and the emergence of the modern city.

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On 28 July 1960, the National Aeronautics and Space Administration (NASA) announced a new manned spaceflight program. Called Apollo, its aim was to put three astronauts into sustained earth orbit, or into a flight around the moon. The timing of the announcement was not auspicious. The next day, NASA's first Mercury-Atlas (MA-1) disintegrated and fell into the ocean 58 seconds after takeoff from Cape Canaveral. This disaster ushered in a bleak four months during which the test rocket Little Joe 5 joined the MA-1 in the ocean, and the first Mercury-Redstone lifted a fraction of an inch and settled back on its launch pad. The last failure, on 21 November, marked the absolute nadir of morale for the engineers working on Mercury. The people at the new NASA headquarters in Washington, coping with financial and administrative problems and facing a change of administration after the national election, were only a little less dispirited than the workers in the field. But the fledgling space agency had an asset that made its announcement of an ambitious Apollo program more than an exercise in wishful thinking - it had the support of the American people.

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Could there be anything more to say about the 20th century's most written-about architect? Landscape architecture professor Charles Aguar (Univ. of Georgia) and wife Berdeana find a fresh perspective by examining Frank Lloyd Wright's work through the eyes of environmentally conscious landscape designers. Backed by a decade's fieldwork, interviews, and archival sleuthing, the authors offer highly informed critiques of 85 designs that span Wright's 70-year career. Familiar buildings are seen in an entirely new light as the authors scrutinize each structure's interrelationship with its grounds, plantings, and "hardscape" the terraces, walls, and planters Wright used to anchor his buildings to their settings. They emphasize Wright's prescient advocacy of sound environmental planning. Unfortunately, the Aguars' penchant for speculation sometimes leads to head-scratching conclusions Wright as feng-shui master? and the book's cramped typeface, eye-straining illustrations, and perfunctory index detract from a text that deserves much better presentation.

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Between 1929 and 1945, two great travails were visited upon the American people: the Great Depression and World War II. Freedom From Fear tells the story of how Americans endured, and eventually prevailed, in the face of those unprecedented calamities.
The Depression was both a disaster and an opportunity. As David Kennedy vividly demonstrates, the economic crisis of the 1930s was far more than a simple reaction to the alleged excesses of the 1920s. For more than a century before 1929, America's unbridled industrial revolution had gyrated through repeated boom and bust cycles, wastefully consuming capital and inflicting untold misery on city and countryside alike. Nor was the fabled prosperity of the 1920s as uniformly shared as legend portrays. Countless Americans, especially if they were farmers, African Americans, or recent immigrants, eked out thread bare lives on the margins of national life. For them, the Depression was but another of the ordeals of fear and insecurity with which they were sadly familiar.
Franklin Roosevelt's New Deal wrung from the trauma of the 1930s a lasting legacy of economic and social reform, including the Social Security Act, new banking and financial laws, regulatory legislation, and new opportunities for organized labor. Taken together, those reforms gave a measure of security to millions of Americans who had never had much of it, and with it a fresh sense of having a stake in their country.
Freedom From Fear tells the story of the New Deal's achievements, without slighting its shortcomings, contradictions, and failures. It is a story rich in drama and peopled with unforgettable personalities, including the incandescent but enigmatic figure of Roosevelt himself.
Even as the New Deal was coping with the Depression, a still more fearsome menace was developing abroad--Hitler's thirst for war in Europe, coupled with the imperial ambitions of Japan in Asia. The same generation of Americans who battled the Depression eventually had to shoulder arms in another conflict that wreaked world wide destruction, ushered in the nuclear age, and forever changed their own way of life and their country's relationship to the rest of the world. Freedom From Fear explains how the nation agonized over its role in World War II, how it fought the war, why the United States won, and why the consequences of victory were sometimes sweet, sometimes ironic. In a compelling narrative, Kennedy analyzes the determinants of American strategy, the painful choices faced by commanders and statesmen, and the agonies inflicted on the millions of ordinary Americans who were compelled to swallow their fears and face battle as best they could.
Freedom From Fear is a comprehensive and colorful account of the most convulsive period in American history, excepting only the Civil War--a period that formed the crucible in which modern America was formed.

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  • 178 KB
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"While some social scientists write panicky articles about the 'changing face' of American immigration in the 21st century, historian David Reimers prefers the long view. His measured, nuanced history of black, Latino, and Asian immigration to the United States explains how, when, and why these groups came or were brought here. Shunning the Eurocentric perspective on migration to the United States, Reimers substitutes this rich chronicle that explains the contributions migrants of color made and continue to make to America's economy, society, and culture. Scholars must have it on their bookshelves; policy makers ought to, as well." —Alan M. Kraut, American University "In Other Immigrants David Reimers cements his position as a leading interpreter of recent and contemporary immigration. He uses his profound understanding of the process to weave the stories of individual newcomers into the epic of immigration to America showing that these latter day 'huddled masses,' largely from Latin America, the Caribbean, and Asia, have much in common with their predecessors." —Roger Daniels, author of Guarding the Golden Door: American Immigration Policy and Immigrants since 1882 Blacks, Hispanics, and Asians represent three of every four immigrants who arrived in the United States after 1970. Yet despite their large numbers and long history of movement to America, non-Europeans are conspicuously absent from many books about immigration. Accounts that discuss "people of color" often focus on a single ethnic group or nationality. In Other Immigrants, David M. Reimers offers the first comprehensive account of non-European immigration, chronicling the compelling and diverse stories of frequently overlooked Americans. Reimers traces the early history of Black, Hispanic, and Asian immigrants from the fifteenth century through World War II, when racial hostility led to the virtual exclusion of Asians and aggression towards Blacks and Hispanics. He also describes the modern state of immigration to the U.S., where Blacks, Hispanics, and Asians made up nearly thirty percent of the population at the turn of the century. The capstone to a lifetime of groundbreaking work on immigration, Reimers's thoughtful history recognizes the ambiguity and subjectivity of race, noting that individuals often define themselves more complexly than census forms allow. However classified, record numbers of immigrants are streaming to the United States and creating the most diverse society in the world. Other Immigrants is a timely account of their arrival.

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  • 12 sty 13 4:21
America's current "war on drugs" is not the nation's first. In the mid-nineteenth century, opium-smoking was decried as a major social and public health problem, especially in the West. Although China faced its own epidemic of opium addiction, only a very small minority of Chinese immigrants in America were actually involved in the opium business. It was in Anglo communities that the use of opium soon spread and this growing use was deemed a threat to the nation's entrepreneurial spirit and to its growing mportance as a world economic and military power.
The Opium Debate examines how the spread of opium-smoking fueled racism and created demands for the removal of the Chinese from American life. This study of the nineteenth-century drug-abuse crisis reveals the ways moral crusaders linked their antiopium rhetoric to already active demands for Chinese exclusion. Until this time, anti-Chinese propaganda had been dominated by protests against the economic and political impact of Chinese workers and the alleged role of Chinese women as prostitutes. The use of the drug by Anglos added another reason for demonizing Chinese immigrants.
Ahmad describes the disparities between Anglo-American perceptions of Chinese immigrants and the somber realities of these people's lives, especially the role that opium-smoking came to play in the Anglo-American community, mostly among middle- and upper-class women. The book offers a iant analysis of the evolution of the Chinese Exclusion Act of 1882, plus important insights into the social history of the nineteenth-century West, the culture of American Victorianism, and the rhetoric of racism in American politics.

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  • 12 sty 13 4:21
The National Endowment for the Arts is often accused of embodying a liberal agenda within the American government. In Federalizing the Muse, Donna Binkiewicz assesses the leadership and goals of Presidents Kennedy through Carter, as well as Congress and the National Council on the Arts, drawing a picture of the major players who created national arts policy. Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA's origins in the Cold War era colored arts policy with a distinctly moderate undertone.
Binkiewicz's study of visual arts grants reveals that NEA officials promoted a modernist, abstract aesthetic specifically because they believed such a style would best showcase American achievement and freedom. This initially led them to neglect many contemporary art forms they feared could be perceived as politically problematic, such as pop, feminist, and ethnic arts. The agency was not able to balance its funding across a variety of art forms before facing serious budget cutbacks. Binkiewicz's analysis brings important historical perspective to the perennial debates about American art policy and sheds light on provocative political and cultural issues in postwar America.

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