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dodany przez: marcco255
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Les Savates du bon Dieu is an unsettling blend of melodrama, thriller and black comedy. It begins as what looks like a familiar social drama and within fifteen minutes it is heading off in a completely different direction, becoming more bizarre by the minute. Whilst this is certainly a fresh and surprising approach to cinema, the novelty value soon wears off, and the impression that emerges is that this is actually a clumsy attempt to blend two very different films.
The first film is a continuation of the realist drama with which the film opens and involves Fred’s developing relationship with a former girlfriend Sandrine. The second is a totally off-the-wall comedy thriller which is anything but realistic, involving comic book gangsters and a seemingly omniscient African prince. Whilst either of these strands of the film might have worked well as a separate film, when they are combined, their good points largely cancel each other out, and the result is not far from satisfactory. The one part of the film where the merging of the two strands of the film works well is where Sandrine is teaching Fred to read (the words of legendary screenwriter Jacques Prévert). This scene is inter-cut with images of a smooth bank robbery which looks as if it might have been cut from a film by Jean-Pierre Melville.
The first film is a continuation of the realist drama with which the film opens and involves Fred’s developing relationship with a former girlfriend Sandrine. The second is a totally off-the-wall comedy thriller which is anything but realistic, involving comic book gangsters and a seemingly omniscient African prince. Whilst either of these strands of the film might have worked well as a separate film, when they are combined, their good points largely cancel each other out, and the result is not far from satisfactory. The one part of the film where the merging of the two strands of the film works well is where Sandrine is teaching Fred to read (the words of legendary screenwriter Jacques Prévert). This scene is inter-cut with images of a smooth bank robbery which looks as if it might have been cut from a film by Jean-Pierre Melville.
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